Let there be Night: How light pollution harms migrating birds

Alison Robey
If last month’s solar eclipse taught me anything, it’s that we all still love seeing cool stuff in the sky. I don’t think we realize how fast astronomical wonders are fading out of sight: studies show that our night skies grow about 10% brighter every year, and the number of visible stars plummets as a result. At this rate, someone born 18 years ago to a sky with 250 visible stars would now find only 100 remaining.
Vanishing stars may feel like just a poetic tragedy, but as I crouch over yet another dead Wood Thrush on my morning commute, the consequences of light pollution feel very real. Wincing, I snap a photo of the tawny feathers splayed around his broken neck on the asphalt.
It’s not the only such photo I’ll take this year. The building whose towering windows took this thrush’s life is infamous; like many other passersby, I pay close attention to the ground around such spots to record any victims. We upload our morbid photography to iNaturalist, an app usually reserved for more cheerful records and identifications of flora and fauna, where they automatically join several citizen science projects focused on bird-window collisions.
Why the macabre gallery? These collections provide concrete evidence of just how many birds windows kill. Ideally, that information encourages tactics to reduce casualties, like lobbying homeowners and institutions to add decals or screens to their glass.
Though such measures are critical for limiting window strikes during the day, we often overlook the damage our windows cause at night. Remarkably, most bird migration actually occurs by moonlight; if you stand under the stars and listen during migration — which began in earnest last week — an audible chorus of chirps and buzzes overhead indicates a sky full of birds.
Birds evolved to fly under the cover of darkness for many reasons. Nightly travel means they can spend the bright, bug-filled days gathering food. Darkness helps migrants avoid predators, and the lower turbulence and cooler temperatures of nighttime skies allows for more energetically efficient flights.
Though the specifics of nocturnal navigation are a longstanding ornithological mystery, that navigation is undoubtedly disrupted by the growing brightness of the night sky. Bright lights disorient the birds’ sense of direction and attract them towards the light sources themselves. In that state of confusion, nocturnal window strikes skyrocket.
In the U.S., one billion birds die each year by flying into windows. Distinct behavioral changes around brightly lit structures are the main cause of mortality: the usual conversation of nocturnal flight calls grows into a confused cacophony. Those that avoid collisions face different risks: the energy they waste investigating unfamiliar lights means they’ll have a harder time avoiding predators, catching enough food, and reaching their final destinations.
The harm caused by light pollution is not limited to birds. Even in rural areas, many nocturnal animals struggle to adapt to brightening nighttime environments: bats can’t fly efficiently, amphibians can’t reproduce normally, and insects can’t forage effectively.
Humans aren’t immune either. Brighter nights disrupt our sleep cycles — something I can personally attest to, as someone who grew up in Kent and now struggles nightly with the brightness of New Haven — and are associated with a slew of negative health effects. And though people widely associate more lights with greater safety, evidence of this is mixed.
Despite the repercussions, the reach and severity of light pollution keeps growing. Electricity usage in the U.S. is on the rise again; while much of that energy has more intensive uses, the U.S. Energy Information Administration estimates that 6% of residential and 17% of commercial energy is all for lighting.
As disheartened as I am by increasing energy usage and vanishing stars, by unnecessary lights glaring from empty sports fields or barren storage facilities, and by dead songbirds on my morning commute, there is a silver lining to this story. Fixing most pollution problems — microplastics, oil spills, atmospheric CO2 — requires complex, intractable solutions. Light pollution, on the other hand, is completely, immediately, effectively reversible.
This is a critical time of year to make that change. The transition from April to May brings spring rains, bursting tree buds, and a deluge of migrating birds: cheerful songs of Yellow Warblers, gleaming feathers of Scarlet Tanagers, playful flights of American Redstarts. You can watch these migrants gather above your home like a rising storm using BirdCast, Cornell Lab of Ornithology’s avian version of a weather radar.
The closer that storm comes, the more important it is to flip those light switches off. Simple steps, like limiting the use of aesthetic lighting, keeping the beams of necessary lights targeted, dim, and warmly colored, or curtaining bright windows, make all the difference to our birds. Participating in darkening the skies this spring will help keep these little travelers aloft — and maybe bring some stars back into view, too.
Alison Robey is a writer for the Kent Land Trust, a volunteer at the Sharon Audubon Center, and a third-year PhD candidate in Ecology & Evolutionary Biology at Yale University.
Devon Allman
On Friday, Aug. 15, The Devon Allman Project will play Infinity Hall in Norfolk. As the son of the legendary musician Gregg Allman, Devon carries on the family tradition while stepping out on his own.
“We’re honored to keep the tradition alive,” said Allman. “But I don’t play my records and try to compare them to records from 50 years ago. I try to write songs that mean something to me, and hopefully they’ll resonate with other people.”
His band features harmonica player/singer Jimmy Hall, guitarist Larry McRae and singer Sierra Green.
“It’s an all-star show. Jimmy Hall is from the great Wet Willie band from the ‘70s. Larry McCray is regarded in blues circles as a legend, and we’re honored to introduce Sierra Green. She’s a fantastic up-and-coming R&B singer from New Orleans who has been wowing the crowds. Everybody gets to pick up the ball and run with it. It’s an elevated show for sure.”
Their Infinity Hall Norfolk gig will feature cuts from his new album “Blues Summit,” as well as hits from The Allman Brother’s catalog, tunes from Devon’s early catalog and songs by Jimmy Hall.
The Devon Allman ProjectHeather Johnson
Asked what he learned about life from his famous father, Allman chuckled and said,
“Stay away from drugs and don’t get married seven times! My dad would laugh and agree to that. Musically, just let the music ooze out of you know. You don’t want to force it. Play what moves you.”
“I didn’t meet my father until I was 17. Once I met him, I went out on tour with The Allman Brothers instead of going to my senior year of high school. I already knew what I wanted to do, but I really wanted to see if it was going to be my calling. They had me sit in on the final night of the tour in Miami singing “Midnight Rider” to 5,000 people. I was 17, and that did it. The energy was just amazing. I was putting bands together from then on,” he added.
Various members of the extensive Allman Brothers family have their own musical projects such as the “Allman Betts Family Revival.” For those shows, Devon tips his hat to Duane Allman and Dicky Betts by playing a Gibson Les Paul but for The Devon Allman Project, he primarily plays a 1966 Fender Stratocaster.
Gregg Allman, who died on May 27, 2017, passed down many of his prized instruments to his son.
“He left me 43 guitars. I also got his grand piano and his Hammond B3 organ. The grand piano is set up in my music room; the Hammond B3 comes with us on the revival tours. I try to utilize his instruments so they’re not just sitting around,” he said.
Audiences at Infinity Hall Norfolk can expect solid grooves, dynamic range, and a lot of energy.
Having started their tour in Sweden, the band will carry on playing the USA and Europe for three week stretches over the next year.
“We’re just having a lot of fun. Infinity Hall is a great venue, and we always love playing it. We hope to see everybody!” Allman said.
For ticket info, merchandise and more, visit:devonallmanproject.com
AMENIA — Peggy Ann McEnroe, 60, a lifelong area resident, passed away surrounded by her family on Aug. 4, 2025, at Vassar Brothers Hospital in Poughkeepsie, New York.Peggy Ann was the owner and operator of Peggy’s Sweet & Savory café in Amenia, New York (formerly known as Back in the Kitchen).
Peggy had a passion for food and travel and her creativity and generosity knew no bounds. Born on Dec. 10, 1964, in Sharon, Connecticut, she was the daughter of the late William Thomas McEnroe and Caroline Ann McEnroe.She was a graduate of Our Lady of Lourdes High School and received her Bachelor of Arts degree from SUNY Purchase.
Peggy is survived by her sister, Colleen McEnroe (Philip (Pete) Evans) of Bethesda, Maryland; her brothers, W. Patrick McEnroe (Lisa Roberts-McEnroe) of Rhinebeck, New York, and Kieran McEnroe of Amenia, New York. She is also survived by nieces, Sarah (Sally) Evans, Ryan McEnroe, Christy McEnroe, Kerry McEnroe, Katerin McEnroe, and nephews, Philip Evans (fiancé Rebecca Krysiak) and Carlin McEnroe, and her maternal aunt, Agnes Redmond of Smithtown, New York, as well as many cousins.
In addition to her parents, she was predeceased by a nephew, Gavin McEnroe.
A Mass of Christian Burial will be celebrated at 10 a.m. on Friday, Aug. 22, 2025, at Immaculate Conception Church, 4 Lavelle Rd., Amenia, New York, with Rev. Andrew O’Connor officiating.Burial will follow at Immaculate Conception Cemetery in Amenia, New York.In lieu of flowers, memorial contributions may be made to The Little Guild (animal shelter), 285 Sharon Goshen Turnpike, West Cornwall, CT06796 (or online at https://www.littleguild.org) or Immaculate Conception Church, 4 Lavelle Rd., Amenia, NY12501.
To send the family an online condolence, please visit www.hufcutfuneralhome.com.
WASSAIC — Evelyn Ann Moody Lamberti, 87, passed away July 13, 2025, in Barre, Vermont.
Born on Dec. 13, 1937, in Hartford, Connecticut to Hazen and Helen Moody, she spent her early years in Wassaic, New York and graduated from the first graduating class of Webutuck Central High School in 1955. She attended New Paltz College and then worked for the Dutchess County Supervisors Office in Poughkeepsie, New York.She married David Lamberti on Oct. 10, 1959, in Wassaic and moved to Vermont.
She began her career at the Vermont State Liquor Board and remained with them loyally for eleven years. In addition to her job, she also contributed to the success of her husband’s monument drafting studio. Her most important role in life was being a mother to her three children.
She was a woman with humble tastes and found contentment doing everyday tasks and providing a welcoming home for friends and family. With a love of the English language, her passions included word puzzles and learning on the computer. Her selfless and kind demeanor made the Lamberti house in Williamstown, Vermont, a center for family. Her memory lives on in the heart and minds of everyone who was fortunate enough to cross paths with her.
She is survived by her husband, David, and three children; Lisa Hard of Enfield, New Hampshire, David Lamberti and his wife, Joy, of St. George, Vermont, and Rhonda Warren and her husband, Don, of Clifton Park, New York. In addition to her husband and children, she is also survived by her granddaughter, Brittany Hard, sister Susan Metcalfe and husband John T. Metcalfe, and sister-in-law Caroline Tucker-Stook, as well as her nieces and nephews.
On Sunday, July 27, 2025, therewas a gathering of close friends and family at the Barre Elks Club in Barre.
In lieu of flowers, please send memorial contributions to the Central Vermont Humane Society, 1589 VT-14S, East Montpelier, VT05651.
SOUTHFIELD, Mass — Lynn Chase of Southfield, Massachusetts, passed away on July 30, 2025, at Berkshire Medical Center after a courageous seven-month battle with an aggressive cancer. Despite the challenges, Lynn continued to inspire those around her with her strength and determination.
How do you begin to talk about the extraordinary life of Lynn Chase?
A native New Yorker, Lynn Chase graduated from Bennett College and completed her studies at the New York School of Interior Design. Lynn was a lover of animals from birth, and had a habit of rescuing any animal in need, from birds to squirrels, sneaking them into her room and nursing them back to health. This deep connection with nature was a driving force in her life and work.
In the 1970s, Lynn traveled extensively through Africa and South America, and it was there she found the inspiration that shaped the rest of her life. Those travels led to her spectacular body of work — paintings and sketches, porcelain dinnerware collections and giftware, and home furnishing designs unlike anything else, which she brought to the world first for Lenox china, and then under the name Lynn Chase Designs LCD, which she launched in 1988.
Lynn’s collections celebrated jaguars, monkeys, tigers, parrots, sea life, and many more, becoming not just beautiful objects, but statements of her deep fascination with wildlife. Lynn Chase’s Jaguar Jungle design won Best Pattern and the Impact Award at the International Tabletop Association in 1991 despite being told that no one would “eat off animals, or black plates.”Her stunning Harmony Bowl paid homage to wildlife species of the land, sea, and air from the seven continents, and was one of her favorite designs.
Her following was large and loyal. People from all over the world collected her work. Her friends often shared stories of being at a dinner party and finding her designs on the table. It was striking that people hadn’t just bought her tableware because it was beautiful; they bought it because it spoke to them personally.
Lynn’s love of wildlife went far beyond her art. She founded the Lynn Chase Wildlife Foundation, an independent nonprofit dedicated to preserving endangered animals around the globe. The fund has contributed much-needed funds to the Cheetah Conservation Fund in Namibia and the Amboseli Trust for Elephants in Kenya (where she also served on its board), among others.
She was a woman of great integrity, of immense talent, and of a generosity that matched her passions. Lynn touched so many lives, and while her loss is felt deeply, her work, her vision, and her compassion will live on in the hearts of everyone who knew her—and in the homes of people around the world who still set their tables with her creations.
Lynn Chase was predeceased by her father, Paul Jerome Chase, and her mother, Mary (Jennings) Chase of New York. On May 2, 1998, Lynn married Richard (Dick) A. Flintoft in New York, and together they enjoyed a full and happy life in New York City and Southfield, Massachusetts, until he died in 2020.
Surviving Lynn are her sister Susan (Edward “Ned”) Culver of Wayland, Massachusetts and Charleston, South Carolina, and brother Brewster (Marilyn) Jennings Chase of Ithaca, New York; her nieces Jennings Lee Camerson (Charleston, South Carolina) and Anne (Dawson) Culver Bird (Norfolk, Virginia); her special stepsons Philip Grant (Jennie) Flintoft of Millerton, New York, and Peter (Yuliya) Flintoft of New York, New York.
Lynn leaves countless beloved friends in the Massachusetts Berkshires, Connecticut, New York, throughout the U.S., and around the world, all of whom she loved and who love her. Our lives will never be the same without her.
Finally, Lynn was grateful to her outstanding doctors and medical providers at Hartford HealthCare Cancer Institute at Charlotte Hungerford Hospital.
A Celebration of Life for Lynn is being planned for this autumn.