Certain books are incredibly difficult to turn into movies. Readers love the characters so fiercely, and are so protective of them, that no screen depiction could possibly do justice to the way we see and hear the characters in our mind. “Jane Eyre” is such a book. Yet it’s been filmed perhaps more often than any other novel — 22 times at least. Perhaps it’s because filmmakers are passionate about the plain mousy Jane, the doomed and tormented Mr. Rochester, and the love that nearly consumes them, that they just can’t let them alone. The new film starring Mia Wasikowska and Michael Fassbender is faithful in word, in spirit and in the visual sweep: the stormy moors, the great gloomy house, the finery worn by the rich and the plain frocks by the poor, even, to use of one Charlotte Brontë’s favorite words, the physiognomy of the characters all seem drawn right from the page. Orphaned in infancy, Jane was sent to live with relatives who hated her and treated her cruelly. When she was sent to the dank Lowood School for Girls, things only got worse. The only love she felt was for her schoolmate Helen, but that did not last. Helen died of typhus, leaving Jane alone. At 18, knowing her low place in the world but strengthened by her trials, she goes to work at Thornfield Hall, that famously gloomy stone pile (convincingly played by Haddon Hall, seen often in Brontë and Austen adaptations) as the governess to another orphan, Adele, the ward of Thornfield’s master, Mr. Rochester. Haughty master and salaried dependent slowly fall in love, of course, but there is a problem: Those pesky cackles and thumps emanating from the attic. Mia Wasikowska is terrific: grave and watchful as the “poor, obscure, plain, and little” adult Jane. But is there any actor who can play Mr. Rochester? Brontë goes to great pains to describe him as homely: stern-faced, heavy-browed, chest almost too broad for his height, even Vulcan-like. And then there are his defining characteristics such as wild mood swings, acerbic wit and of course his mysterious burden. Michael Fassbender is a little too young, Continued from page 7too slight. Yet he’s a good match for Wasikowska. There’s chemistry there. The connection between these two characters is the paradigm of romantic love. Different in birth and fortune, they complete and perfect each other emotionally, intellectually, spiritually and (equally important in Brontë’s world) morally. But to depict their relationship as Brontë did would be difficult today. She uses words like “wild,” “savage” and “desperate” to describe Rochester’s need for Jane, and she in turn wants to “serve” and “obey” him. We’d want to diagnose each of them and their relationship with our own words like “dysfunctional” or “enabling.” And perhaps for that reason the intensity is dialed down. The intellectual and emotional connection is there, but the neediness is not, and so, perhaps inevitably, the movie never comes close to the dizzying intensity of the book. The stunningly photographed scenery is the other star of the movie. Everything looks covered with algae, the forbidding stone walls and roughhewn rooms of Thornfield, its heathered gardens, the desolate windswept moors soaked by flashing thunderstorms. Many scenes are lit only by candles and firelight and the darkness seems to swallow the actors whole. It’s just right for this dark and ghostly tale. After seeing the movie I raced home and reread the novel, and I am grateful for it. It’s been a while and I remember again why I love it so. If the film can’t quite get at the heart of what makes Jane Eyre so alluring, it’s still a wonderful effort, a treat for the eye and a desperately romantic love story. “Jane Eyre” is rated PG-13 for a nude image and brief violent content. It is at The Moviehouse in Millerton, NY, and elsewhere.
Latest News
Want more of our stories on Google? Click here to make us a Preferred Source.
Artist Victor Cella with his recent painting “White Dog” in his studio and shop, Little Store Antiques in Great Barrington.
L. Tomaino
Cella greets visitors while talking with a fellow painter who comments about his work and Cella himself: “Eclectic, amazing! Victor is decidedly loved in the community and exhibits to everyone his completely open heart.” She added, “He inspires the rest of us who paint.”
Cella began devoting himself to painting about four and a half years ago. He remembers taking art classes in high school. He had finished all his credits early and was allowed, in his senior year, to take art for four hours a day. He credits his art teacher, Mr. Owen, with giving him a good foundation in art.
“Now that I paint, I rely on my teacher’s words: ‘To unify a painting, pick a color and wash it over the painting,’ or, ‘You need to mix the colors!’”
He won a scholarship to New York University to study art, but his parents said no.Instead, he attended North Adams State College, where he also took an art class at Williams College, repeating a pattern from high school in which he finished his required credits early and used the extra time to study art.
He earned a teaching degree in special education and ended up working in schools in Massachusetts and Connecticut for 37 years. He retired in 2019.
Then, four and a half years ago, he got the urge to paint, and the paintings flowed out of him.
He has sold 757 paintings, with 95 of those sold since May 7. “I am having bizarrely good luck with my paintings.” He estimates he has painted 2,000 paintings in four and a half years.
He modestly attributes his success to “I sell low and I have a built-in client base of 51 years,” he said, referring to recurring customers in his antique shop. “A billion people give me feedback.” He has two patrons who each have several of his paintings. “Unbelievably,” says Cella, “one person owns 32 and the other owns 27.”
His studio is in the back of the shop. He paints now on 16-by-20-inch canvases, some of which he recycles, finding them at Goodwill.
Cella’s paintings are tucked in almost every available space thoughout Little Store Antiques. L. Tomaino
To keep his painting fresh and himself interested because, as Cella explained, “I can’t stay with one idea for long,” he has gone through several phases: crazy dogs, grids, flowers with black backgrounds, a geometric phase and “weird people.” The “crazy dogs,” as he calls them, are popular now. One person bought eight, left to go to her car and came back for a ninth, spotted in the shop’s window — the one that brought her into the shop in the first place.
He may even illustrate a children’s book with the “crazy dogs.” A local author liked them so much she asked Cella if he’d illustrate a story about three dogs if she wrote one.
Cella was also approached recently by a person who said, “Do you know you were my favorite teacher?” She came into The Little Store, attracted by the paintings in the shop’s window. It turned out the former student owns Crystal Essence on Railroad Street in Great Barrington and has asked to sell Cella’s paintings there.
Cella, who will soon be selling the building where The Little Store is located and move it nearer to his Southfield home, was glad to be offered a new venue for his paintings.
An artist he knows, Scott Prior, a painter from Nantucket, bought one of Cella’s paintings and gave him this advice: “Never go to art school. You are an artist. Let it pour out of you.”
Cella said, “You have to follow your own path.” He mused, “If I taught art, I’d teach it in a different way. I could teach it as an awareness — how to free yourself up.”
To see more of Cella’s work, visit The Little Store (88 Main St.) or Crystal Essence (39 Railroad St.) in Great Barrington.
Want more of our stories on Google? Click here to make us a Preferred Source.
