Thank you!
Your support is sustaining the future of local news in our communities.

Make pregnancy safe again

Perhaps the abortion issue could be framed another way: Could we not say: Make pregnancy safe again? Better, perhaps, than abortion is healthcare, which must be explained.

Besides, abortion connotes an end of something while a safe pregnancy does the opposite by implying a life to come. Does it cover every need? No, but it applies to all women and their families.

In any pregnancy a lot can go wrong, from chromosome anomalies to heart defects to several thousand inborn errors of metabolism. Consider one of the most important causes of fetal failure and danger to the mother — ectopic pregnancies. In 2022 there were 3,661,220 babies born in the United States. Ectopic pregnancies occur in about 70,000 women a year, or 2% of pregnancies, according to The March of Dimes. None of these embryos survive.

An ectopic pregnancy occurs when an embryo implants in a fallopian tube or elsewhere, burrows into the tissue, attaches to an artery, and often causes a hemorrhage. Normally, an embryo burrows into the lining of the uterus, which is gloriously set up not to bleed, but to nurture, and to supply oxygen and to remove CO 2. We teach medical students with microscope slides and models and have them reconstruct what happens over nine months. It is topologically challenging to envisage and yet so astonishing that over 30 years of teaching, that has been my favorite lab exercise.

Ectopic pregnancy is the leading cause of maternal death in the first trimester, especially in underserved communities. Most ectopic embryos or other anomalies are found by ultrasound and disrupted with a drug inhibitor or surgery usually before three months. There are many reasons that a pregnancy may be in trouble — the absence of a skull, in a recent example, or the failure of an organ to develop. Often the definition of viability is a heartbeat, which prevents intervention in some states. It is an archaic measure. Hearts beat when a fetus cannot survive. It is cruel to send a women to her car to wait for the fetal heart to stop before terminating the pregnancy. (Did the hospital not have a bed?)

There is no reason to risk a woman’s life or fertility, or to make orphans of her children. Is it necessary for a hospital to hire liability lawyers to decide when a woman can be treated? Why cause her physicians the despair of losing their patient? They are sworn to do otherwise. Many will decide to practice elsewhere, making the problem worse.

Many know the story of Kate Cox, the Texas woman who was pregnant with her third child who had an extra chromosome 18. This syndrome, Trisomy 18, is well studied and is lethal to the baby shortly after birth; it sometimes results in rupture of the mother’s uterus and then hysterectomy. One would think that the Texas Medical Board would have defined exceptions before Texas passed their law, but they did not. The Texas Supreme Court rejected a lower court’s permission to end the pregnancy, on the grounds that Cox could not prove that a birth would harm her. They did, bless them, urge the Texas Medical Board to hurry up, which means defining thousands of different conditions. According to the report I read, Attorney General Ken Paxton felt it necessary to call Ms. Cox’s physician and warn her of the consequences if she helped Ms. Cox. She could lose her license, be fined $100,000, and spend the rest of her life in jail. Ms. Cox was at the president’s State of the Union address not only as a heroine, but as a voice of good sense.

What is to happen to the Ken Paxtons of the world? The story reminded me of Skipper Ireson, a whaling captain from Marblehead Massachusetts. I went to high school in New Hampshire, where we read “Skipper Ireson’s Ride” by John Greenleaf Whittier. Skipper Ireson went to sea and managed to wreck his ship and then sail away in a small boat, leaving his crew on deck. All the men drowned, leaving wives and families in poverty. When he returned to Marblehead, he was run out of town in a cart, “Tarred and feathered by the women of Marblehead,” in Whittier’s phrase.

There are now 20 women and two providers suing the State of Texas. Their numbers will grow. I am not sure that they are bringing tar, but they are not going to put up with Ken Paxton.

Richard Kessin is Emeritus Professor of Pathology and Cell Biology at the Columbia University Irving Medical Center. Email: Richard.Kessin@gmail.com.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Brass band concert draws audience to Hunt Library lawn

The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24.

Patrick L. Sullivan

FALLS VILLAGE — The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24, drawing about 30 people at the start of the outdoor concert and more as the evening progressed.

Led by trumpeter Shamu Sadeh, the band’s lineup shifts from performance to performance. Friday’s group included Charlie Kiel on trombonium, Sam Earnshaw on percussion, Eric Loffswold on baritone saxophone, Dathalinn O’Dea on alto saxophone, David Rogers on tenor saxophone, and Peter Peirce on trombone.

Keep ReadingShow less
Baseball, wine and jazz at Millbrook Winery

Bernie Williams and his Band of Friends at Millbrook Winery in 2025.

Provided

Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.

To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.

Keep ReadingShow less
Lucky Orphans offers sanctuary for horses and healing for people

Deanna Hearn opened Lucky Orphans in 2003.

Provided
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”

From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.

What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Weekend in Norfolk returns for four days of art, music and community

A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.

Jennifer Almquist

Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.

Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.

Keep ReadingShow less
Abbey’s open-air theater returns with “Babette’s Feast”
Jen Gleason, director of “Babette’s Feast,” poses before a natural setting on the stage of The Gary-The Olivia Theater in Bethlehem.
Jack Sheedy

Jen Gleason stood on the stage of The Gary-The Olivia Theater and gestured toward the upstage wall—which wasn’t there. Like the so-called fourth wall separating audience from actors, all walls in this theater are invisible.

“That’s just God’s creation,” Gleason said, pointing to woods and rocks and grass and sky where you might expect a brick wall. “You cannot copy that. That’s the best backdrop you could possibly have.”

Keep ReadingShow less
Laurie Anderson brings four days of music, art and conversation to Tanglewood

Multimedia pioneer Laurie Anderson makes Tanglewood debut with a weekend of performances.

Ebru Yildiz

Musician, composer, performing artist and multimedia pioneer Laurie Anderson is one of the most influential and controversial figures in American contemporary and avant-garde arts. Her ambitious multimedia projects, encompassing music, film, visual projections, dance, and the spoken and written word, have enjoyed great public visibility, and Anderson has been recognized with many honors, including a Grammy Lifetime Achievement Award, as well as the Gold Medal for Music from the American Academy of Arts and Letters and this year’s Kyoto Prize for Arts and Philosophy in the field of music.

Anderson will make her Tanglewood debut in a series of special events and performances Aug. 13-16, along with longtime collaborators and special guests, giving audiences an opportunity to experience her groundbreaking and challenging work, which has been received with both acclaim and confusion for its wit, innovation and interdisciplinary scope.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.