Meditations on time, history, and myth

Norfolk woodworker Mark Burke in his shop with his walnut chair based on a design by Scottish architect/designer Charles Rennie Mackintosh (1868-1928).
Jennifer Almquist
Norfolk woodworker Mark Burke in his shop with his walnut chair based on a design by Scottish architect/designer Charles Rennie Mackintosh (1868-1928).
Three friends have joined forces to exhibit their art in a pop-up gallery exhibit in the Royal Arcanum building at Station Place in Norfolk. From Aug. 16 through Sept. 2, painter Ann Getsinger and woodworkers Mark Burke and Peter Murkett will show their furniture, painting, sculpture and objects. Kozmik Braid is the name they coined for their eclectic offering. According to the artists the name is “a riff on each other’s work, weaving utilitarian furniture with pure art.”
Norfolk woodworker Mark Burke said of their friendship, “I have collaborated with Peter on projects for probably 25 years and have always been impressed by his sense of design. He can make subtle changes that instantly make the piece more pleasing. Peter introduced me to Ann, who is well-known in the Northwest Corner and is very passionate and energized with her creativity. I am thrilled to participate in this Art and Design Pop-Up exhibition with them both.”
Burke continued, “My initiation into woodworking was out of necessity, followed by three and a half decades of accumulating tools and essential knowledge. Over time you witness many designs by others and are slowly inspired to find your own spin on things. Slowly tweaking and playing with everything that passed by, having total creative freedom within my shop.”
Burke professionally uses computers to draw plans and program electronically controlled tooling to cut wood parts. His playful spirit is given free rein in the work he has made for this show, which includes chair designs based on Scottish architect and designer Charles Rennie Mackintosh (1868-1928) and furnishings and objects informed by the work of architect Frank Lloyd Wright.
Burke’s pieces include lyrical music stands made of black walnut, a graphic metal light echoing Wright’s complex geometric patterns, and a minimal dining table that embodies architect Louis H. Sullivan’s 1896 design principle: Form follows function.
Burke said, “People working with wood can often choose to use figured material. I have chosen to use more subdued lumber so that it is the joinery of the shapes and the overall piece that attracts your eye.” Burke’s precision marries perfect joinery with his deep knowledge of wood. Rather than break free of technology, he has bent it to his creative vision.
Jennifer Almquist
Southfield woodworker Peter Murkett demonstrating the translucence of the thin wood wall sconce he designed.
Southfield, Massachusetts-based Murkett’s love of the simplicity of Shaker design is evident in the clean lines and functionality of his creations. Murkett cradles a perfectly formed bowl in his weathered hands and explains how the Shakers added the curved handle for hanging the water dipper on the edge of their buckets.
“I was struck by the turned form of the Shaker dipper at first sight. This handled bowl that must have been turned on a lathe in the shape of a bowler hat, with the brim mostly cut away to make the handle. The Shakers thrived in the early years of industrial development, mid-nineteenth century. They valued machines like the lathe for the efficiency they offered in reproducing shapes. But handling a Shaker dipper was a revelation: the shape begged to be cradled in the hand; they have an uncanny, tactile appeal that seems to replicate the visual appeal of Shaker design,” mused Murkett. Other examples of his work, informed also by the grace of Windsor chairs, can be found at www.newenglandmodern.com. According to Murkett, his objects and sculptures are “meditations on time, history, and myth.”
With his mystical sense of history, meaning, and a poet’s quiver, Murkett conjures up stories and subtle ironic nods to current events within his wooden objects. His skill is that of a master craftsman. One expects secret drawers and hidden messages within his dovetails.
After a lifetime making furniture to grace the homes and gardens of countless clients, Murkett will be showing his own designs. A talismanic carving, created when he was a boy of twelve, forms the soul of his offerings in this upcoming exhibit. This odd little object remains an icon to Murkett, and inspired his poem:
The Boy I Was
1.
The boy I was had a cheap set of woodcarving tools
maybe six—a gouge or two, a veining tool, others too.
The professional I later became never tossed them out
or used them again. Memento only, and good for that,
like the object that boy carved which still remains
(although the making lies buried deep, beyond reach):
a head in lightbulb shape, wide-open eyes (gouge)
a tidy mop of hair (veiner), a mustache (ditto),
no chin, all in mahogany, cleanly bored to fit snug
on the shifter tip of the family ’56 Plymouth,
the car he learned to drive.
2.
Decades later I resurrected the shifter tip
that boy carved so long ago, hardly knowing how,
the wood long separated from the car
(new in his boyhood) now a junk somewhere
or even less than that—but maybe more:
meltdown steel remade as what? a machine, a tool,
a part fit to some greater whole, used anew.
My father, bent by many years walking
now grips the shifter tip atop his cane,
the head from off the column upright at last
in the hand of my old man. I adjust my step to his,
glad we go this way together.
Painter Ann Getsinger in her studio in New Marlborough, Massachusetts.Jennifer Almquist
Ann Getsinger (anngetsinger.com) paints fantastical landscapes which include deep evening sunsets, skulls of wild animals, seashells, and natural flora and fauna. Dreamlike and evocative, her skilled oil paintings contrast human cycles with the cycles found in nature.
Getsinger said of her art, “My work is more connected to the recent offshoots of the realist tradition, for example, Jamie Wyeth as he expands on the spectrum of carefully observed work into pure abstraction all expressed within the same image. Life is both observable and unseeable, feelings come and go, stories unfold multidimensionally, and it’s all pure change. How can a human being bear this… without art?”
In the center of her studio, built in 1988 in a meadow in New Marlborough, Massachusetts, a tall window lets in the cold Northern light. A velvet drape, the color of clematis, gives her workspace the mood of a Renaissance atelier. On her tall French easel an oil painting of an enigmatic rooster in a shroud adds a surreal element. Getsinger, who is represented by galleries in Maine and nearby Housatonic, Massachusetts, will be showing new, unexpected work in this Norfolk show including an “umbilical” figurative drawing (over six feet wide) and a flying sculpture. Her weaving of the metaphorical through her work, and the aesthetic she shares with Burke and Murkett, inspired the title of their show, Kozmik Braid.
Gallery hours: 11 a.m. – 5 p.m., Friday, Saturday, Sunday, and by appointment (413) 717-2530
Opening reception on Friday, Aug. 16, from 4 – 7 p.m.
Getsinger’s studio in New Marlborough, Massachusetts, is full of natural light and painter’s tools.Jennifer Almquist
Getsinger’s “Vortex and Orb” and more paintings will be on exhibit.Jennifer Almquist
Travel league baseball came to Torrington Thursday, June 26, when the Berkshire Bears Select Team played the Connecticut Moose 18U squad. The Moose won 6-4 in a back-and-forth game. Two players on the Bears play varsity ball at Housatonic Valley Regional High School: shortstop Anthony Foley and first baseman Wes Allyn. Foley went 1-for-3 at bat with an RBI in the game at Fuessenich Park.
Anthony Foley, rising senior at Housatonic Valley Regional High School, went 1-for-3 at bat for the Bears June 26.Photo by Riley Klein
Uncommon books at the intersection of art and literature.
Siglio Press is a small, independent publishing house based in Egremont, Massachusetts, known for producing “uncommon books at the intersection of art and literature.” Founded and run by editor and publisher Lisa Pearson, Siglio has, since 2008, designed books that challenge conventions of both form and content.
A visit to Pearson’s airy studio suggests uncommon work, to be sure. Each of four very large tables were covered with what looked to be thousands of miniature squares of inkjet-printed, kaleidoscopically colored pieces of paper. Another table was covered with dozens of book/illustration-size, abstracted images of deer, made up of colored dots. For the enchanted and the mystified, Pearson kindly explained that these pieces were to be collaged together as artworks by the artist Richard Kraft (a frequent contributor to the Siglio Press and Pearson’s husband). The works would be accompanied by writings by two poets, Elizabeth Zuba and Monica Torre, in an as-yet-to-be-named book, inspired by a found copy of a worn French children’s book from the 1930s called “Robin de Bois” (Robin Hood).
Pearson first encountered the world of alternative publications — magazines filled with experimental writing, artworks in the form of a book, and samizdat literature — as a young writer living in Berlin just before The Wall came down in 1989. Later, in New York City, she spent a great deal of time with artists “who were always making and assembling, whose continuous art-making made the thin membrane between art and life even more porous,” she explained.
Pearson traces the idea of publishing to a 2001 exhibition of artist-poet Joe Brainard. That show led to “The Nancy Book,” Siglio’s debut title in 2008, and she’s never looked back. The book contains over fifty full-page reproductions of Brainard’s dazzlingly accomplished and witty drawings of the cartoon strip character, Nancy. It includes essays and contributions by Robert Creeley, Ann Lauterbach, Frank O’Hara, Ron Padgett, and other poets of great renown, all thrilled to celebrate and remember Brainard (sometimes called “a poet’s artist”) who died of AIDS in 1994. Pearson said, ‘My first project with Brainard was such a good experience, I kept going. “
Since then, Pearson, the sole proprietor of Siglio, has designed, edited, and published over 40 books and other printed editions. Her books are characterized by unexpected juxtapositions of texts and images and collage-like assemblages, as well as for carefully designed and gorgeously printed volumes. Her list includes many “rediscoveries” of unpublished manuscripts and little-known publications. At the same time, she has commissioned new work from an impressive array of artists and writers such as Christian Marclay, Sophie Calle and Cecilia Vicinua among others.
Uncommon books at the intersection of art and literature.Richard Kraft
Though most Siglio books feature work by artists and writers from the 1960s to today, one standout— “Tantra Song” (2011) — showcases vibrant 17th-century Indian tantric paintings collected by poet-ethnographer Franck André Jammes, their modernist feel echoing Hilma af Klint or Brice Marden. Siglio also frequently draws on the spirit of the Fluxus movement, reissuing works by figures like John Cage and Ray Johnson with editions that honor their playful, ephemeral, and poetic origins.
Siglio also excels at photo-narratives rooted in highly specific, often eccentric concepts. “Memory” (2020), by avant-garde writer Bernadette Mayer, reproduces her journal and daily rolls of 35mm film from a month in the Berkshires in 1971, capturing the texture of each day. “Call and Response” (2022), created during COVID lockdown by composer and visual artist Christian Marclay, pairs his photographs of London’s quieted streets with musical scores composed in reply by his friend Bruce Beresford—each image in dialogue with sound.
Siglio books are sold through it’s website (sigliopress.com), as well as museum or specialty bookshops. (The Lenox Bookstore represents a number of Siglio books; the newly opened Lakeville Books & Stationery has copies of “Tantra Song.”) In all cases, Pearson strives to make “two or three degrees of connection” with each book buyer, including a “special gift” — often a piece of printed ephemera — with each purchase.
Cyclists head south on the rail trail from Copake Falls.
After a shaky start, summer has well and truly descended upon the Litchfield, Berkshire and Taconic hills, and there is no better way to get out and enjoy long-awaited good weather than on two wheels. Below, find a brief guide for those who feel the pull of the rail trail, but have yet to purchase their own ten-speed. Temporary rides are available in the tri-corner region, and their purveyors are eager to get residents of all ages, abilities and inclinations out into the open road (or bike path).
For those lucky enough to already possess their own bike, perhaps the routes described will inspire a new way to spend a Sunday afternoon. For more, visit lakevillejournal.com/tag/bike-route to check out two ride-guides from local cyclists that will appeal to enthusiasts of many levels looking for a varied trip through the region’s stunning summer scenery.
Covered Bridge Electric Bike
Instagram @coveredbridgeebike
West Cornwall:
421 Sharon Goshen Turnpike
West Cornwall, Connecticut 06796
(860) 248-3010
Closed Tuesday, open 10 a.m. to 5 p.m. all other days
Kent:
25 N Main Street
Kent, Connecticut 06757
(860) 248-3010
Open Wednesday to Sunday,
10 a.m. to 5 p.m.
North Canaan:
1 Railroad Street
North Canaan, Connecticut 06018
(860) 248-3010
Open Wednesday to Sunday,
10 a.m. to 5 p.m.
With three locations in the Northwest Corner, this outfit offers a speedier way to zoom on two wheels through the hills with electric-powered offerings for sale or rent. Rentals are available for two hour trips, half days or full days, with several sizes and models in both throttle and pedal assist e-bikes of various styles. Route maps and e-bike trainings are on offer for renters, and guided tours are available on select weekdays. Visit the website, call or email at info@coveredbridgebike.com for pricing and more information.
Each location has its own suggested routes of varying difficulty. Ethan at the Kent location says, “The first place we send people is Macedonia Brook,” the shady and bucolic state park just northwest of downtown. For a more involved ride, Ethan also recommended the quiet country roads that wind through the picturesque hill valleys to the east of town, especially off of Kent Hollow Road and toward Lake Waramaug.
Spencer, who works at the newest location in North Canaan, said that a dual-state two hour ride that takes cyclists into Massachusetts in Ashley Falls, then down into Taconic on Barnum Street and back to North Canaan via Twin Lakes Road and Cooper Hill Road, is his favorite. At the company’s West Cornwall location next to the its namesake bridge, Spencer said a classic ride is up River Road all the way to Falls Village, where riders may visit Great Falls or find some refreshment at the soon-to-open Off the Trail Café. For a longer journey, Spencer suggested continuing up Housatonic River Road north from Falls Village, where it turns into dirt and passes through gorgeous riverside farm country.
The Music Cellar
Instagram @the_music_cellar
14 Main Street
Millerton, New York 12546
(860) 806-1442
Scheduling is available via call or text 24/7
The Music Cellar is an all-instrument music school for aspiring instrumentalists, but it also rents beach cruiser bikes during the warmer months. “They’re perfect for the rail trail,” says owner and music instructor Johnny, referring to the currently 26-mile (and expanding) bike and footpath that passes just outside the storefront. “You don’t have to worry about hitting little bumps or potholes or curbs or whatever – they’re good all-purpose bikes,” he said.
Unique among area bike rentals, the Cellar offers rates starting at $20 for those looking for a shorter ride up to $50 for the day and Johnny said that he’s happy to accommodate sliding scale pricing for locals might have trouble affording the full rate. “It does help keep the lights on, though,” he said, “so if you’re renting bikes, you’re helping kids learn music!”
Johnny said that with the Harlem Valley Rail Trail at his front doorstep, he usually sends riders for a journey on the reclaimed abandoned railbed. The path currently stretches from Wassaic to the hinterlands of Hillsdale, with another 20 miles to Chatham planned to be built in the next five years pending funding. Johnny said riders can choose to head north for sweeping valley vistas below the Taconic mountains, or, “for a more shady ride, you could go south – also equally scenic, lots of wildlife. You can go all the way to Wassaic Station and jump on a train to New York.”
Bash Bish Bicycle & Tour Co.
Instagram @bashbishbicycles
247 NY-344
Copake Falls, New York 12517
(518) 329-4962
Tuesday to Saturday, 10 a.m. to 5 p.m.; Sunday 10 a.m. to 3 p.m.
Located a dozen or so miles up the rail trail is the “ye olde bike shop of the Hudson Valley,” as described by its owner Sam. The shop is just two years from its 30th birthday, and appropriately exudes small-town charm without skimping on modern equipment and service. “It’s the best little bike store in the Hudson Valley,” said Northeast resident Dan Sternberg, who was clad in a cycling kit outside the store on a sunny Friday afternoon in June.
The shop is situated steps from the rail trail, just below the deep, clear and refreshing water of Ore Pit Pond in Taconic State Park, a short jaunt from the old Copake Iron Works site and a mere half mile from the parking lot for one of the Taconic’s region’s treasures and the store’s namesake – Bash Bish Falls. Sam offers day tours to highlight the richness of the region – not only in its natural resources but also the pastoral, cultivated splendor of the farm roads that cut through the hills to the west of Route 22.
Sam says he plans to start running multi-day tours, drawing on experience he had guiding extending bike excursions while operating a lodge in Colorado. Also upcoming is a pop-up shop in Millerton for the summer, which he anticipates opening shortly once the permitting is in order.
In addition to tours, the shop offers sales, repairs and rentals, starting at $35 for a two-hour hybrid bike session ($15 for kids) and $45 for two hours on an e-bike. Visit the website for full pricing details on four hour, full day, multi-day, and weekly rates. Bookings can be made online or via phone.
Sam says he likes to direct guests towards the scattered gems of restaurants, bars and shops that pepper the rail trail corridor and into the hills and dales beyond. The Copake General Store, dishing coffee and café fare alongside locally-produced provisions is just down the road, while market and cultural center Random Harvest and beloved seafood peddler Zinnia’s Dinette sit a close ride away in Craryville. For a summer afternoon tipple, Roe Jan Brewing Company is up the rail trail in Hillsdale, and the creek-side beer garden atmosphere of the Lantern Inn is a somewhat stouter 25 miles down the path in the other direction.
Berkshire Bike & Board
Instagram @berkshirebikeandboard
29 State Road
Great Barrington, Massachusetts 01230
(413) 528-5555
Monday to Friday, 10 a.m. to 6 p.m.; Saturday closing at 5 p.m.
and Sunday at 4 p.m.
With Berkshire locations in Great Barrington and Pittsfield, and two other satellites in Hudson, New York and Bloomfield, Connecticut, Berkshire Bike & Board offers the gamut of cycling needs – a wide variety of gear, expert sales assistance, service and repairs, and of course, rentals.
All four locations carry an e-bike, which costs $69.99 for a single-day rate or a discounted price of 49.99 for longer rentals. The Great Barrington store also offers a non-electrified gravel bike for a single day rate of $99.99 or $79.99 for multiple days. All bookings for rentals are made online on the company’s website.
Great Barrington employee Wyatt described the gravel bike as “a little more aggressive” than a standard hybrid, and “able to handle packed dirt, a little bit of loose gravel, back roads, but not be super slow like a mountain bike” on pavement.
He said both the e-bikes and gravel bikes are well suited to handle one of his favorite routes, the Alford Loop. An approximately 20 mile ride, cyclists take Alford Road northwest out of Great Barrington, and then upon reaching Alford, may choose to take East Road to West Road or vice versa for a scenic and easy circle through the Berkshire forest and fields. In Wyatt’s words: “Great loop, super quiet, not a lot of cars.”