The Town Board held a special workshop on the town’s financial future on Thursday, April 3, at its aging highway garage — a tangible visual aid for one of the night’s topics. Key issuesAs town Supervisor John Merwin told those at the lightly attended meeting, “this is a workshop on the major financial issues on our plate for the next few years.”What followed was a PowerPoint presentation on the critical issue of ambulance coverage for the town come Jan. 1, 2015 — which is when the North East Fire District says its Emergency Medical Service (EMS) will no longer be able to provide daytime coverage due to a lack of volunteers.The other issue addressed at the meeting was the highway garage, built in the 1920s and clearly on its last legs. The board spoke of the need for the town to relocate, rebuild and revive its highway facilities.EMS needs and numbersMerwin began his presentation with the ambulance situation. The prospect of no ambulance squad was something he said the board was “not even willing to consider.” That’s why it has held meetings previously with fire district personnel and volunteers to brainstorm solutions. The inevitable, it seems, is to hire a commercial provider for the daytime shift.According to the town supervisor, “the ball park costs for this coverage have been estimated by Dutchess County Emergency Response officials to be somewhere between $200,000 to $400,000 a year for 12-hour-a-day coverage.”The tax implications of that are as follows:Inside the village, for a home valued at $150,000, $176.73 currently goes toward emergency services. Outside the village that charge rises to $452.07 for a home of the same value.If the town winds up paying $200,000 for EMS coverage, inside the village a home valued at $150,000 would end up paying $231.99 for emergency services. That’s $55.26 more than what it now pays. Outside the village a home valued at $150,000 would be charged $507.23 for EMS, $55.16 more than it currently does.If EMS commercial coverage costs the town $400,000, a $150,000 home inside the village would pay $287.15 for coverage, an increase of $110.42 from its current charge. A home of the same value outside the village would pay $562.50 for EMS coverage, which is $110.43 more than the current fee.“When we look at the $400,000 figure, if it was that high, hopefully it’s not going to be anything near that,” said Merwin. Highway garageThe conversation then segued into the state of the highway garage, located on South Center Street right off the Webatuck Creek. As the supervisor said, years ago there were “two things placed far away and near the water — highway garages and landfills.”That doesn’t happen today, and for good reason. Environmental concerns plague the garage site, not the least of which is the fact that the salt and sand piles are located only feet from the creek. Those materials seep into the water causing harm to the creek and its inhabitants.Additionally, there is no oil/water separator at the garage. The floor drains have been sealed as directed by the state Department of Environmental Conservation (DEC). Employees must work in mud and water when doing repair work. The DEC does not permit water to be pumped outside, yet there are no adequate facilities to wash highway equipment inside.As far as space constraints, three large pieces of equipment and six attachments are currently stored outside. Plows need to be removed when trucks go inside the garage. There is also insufficient room to perform proper equipment maintenance, according to Merwin, who added outside storage of equipment takes its toll on the machinery as well, sometimes leading to early replacement of equipment that could cost in the hundreds of thousands of dollars.The supervisor also reported that the garage does not have a proper ventilation system. He said the windows are in poor condition and do not open, and that the overhead insulation is saturated with diesel soot.As far as structural issues, aside from being in overall poor condition, the garage roof leaks during heavy rains. The electric service to the building is inadequate and must be updated. There is a lack of shower facilities and eye-wash stations for emergencies. There is inadequate sand and salt storage; what’s there does not meet with DEC standards and employees reportedly have to “climb through snow and ice to remove the tarp from the sand and salt pile.” Also, the fuel storage is not sufficient, as well as being too close to the trout stream.Future facilities?The town wants to buy a new piece of property (the existing garage sits on a too-small one-acre site) and build anew. According to town engineer Ray Jurkowski of Morris Associates, the estimated construction costs of a new garage (including engineering, inspections and contract administration) amount to $1,895,969. That does not include the purchase of the property itself, which Jurkowski said would likely be in the area of $300,000, bringing the total project cost to roughly $2.2 million.What could make such a large project feasible for the town is that one of its larger debts is nearly paid off. The landfill remediation project bond has $195,000 left to be paid; $95,000 is due in October 2014, with another $95,000 due in October 2015. Once that’s paid the town will be free and clear of that financial obligation. It could then take on the financial commitment of a new highway facility more comfortably, according to the Town Board.“We know we’ve got the EMS issue, but as we said, the issue of the highway garage is not going to get any easier with construction costs and highway costs,” said Merwin. “Now is the time to get it done, but we want to know what people think about the possibility of doing something.”“I don’t think you’ll meet with a whole lot of problems with the public,” said former Millerton Mayor John Scutieri from the audience. “We’ve been talking about it for 20 years.”Problem solvingMillerton Mayor Marty Markonic asked about the Emergency Medical Technicians (EMTs), and whether “anybody has approached the larger businesses to ask if their employees would like to join?”Merwin replied he had, but that “the interest wasn’t there.” The supervisor added, “You’re looking at a group that is just plain worn out.”It takes 260 hours worth of training to become an EMT, and another 60 hours of training every year to maintain that certification.“What about the village and town incentivizing their employees [to volunteer]?” asked Markonic.The issue of how difficult it is for volunteers to get out of work during the day was raised, as employers have no obligation to release them from their duties. Additionally, those who would be willing to release their employees can’t always do so due to circumstance; workers also might be unable to reach an emergency in time due to how far away they work. EMTs who work for the town’s Highway Department were given as an example.“They’re going to be out working on other things,” said town Councilman George Kaye, adding by the time they reach an emergency it could be over and done with. “They can try to supplement and the guys go when they can,” said Merwin.Fire Commissioner George Lind said it’s improved “100 percent in the last six to eight months with fire [calls], but not EMS calls, that are made to highway employees.”“It’s about an hour round trip to answer a call, do vitals, get to the hospital, get back, and that’s assuming you don’t get another call,” said Fire Chief Keith Roger.“Marty, your point is good,” said Merwin, “but it’s a lot more difficult and there’s a lot of experience sitting over there and they’re tired out … But this board is committed to Jan. 1 that something will be in place.”“We should be working on some kind of incentive for our emergency services — EMTS and firefighters alike — some kind of tax break on their homes. It’s just as important,” said Scutieri.Everyone at the meeting seemed to agree.And, actionMerwin said the board was going to continue to address the issue, but that at the end of the day it must take action.“We can talk about this ‘til the cows come home,” he said, “but we’ve got to do something.”NASCAR Dave MacMillan, the only civilian present other than Scutieri, encouraged the board to move forward.“Why don’t you guys just come up with something for the taxpayers?” he asked. “Tell them you have to do this to be responsible. Make it a two-tier thing, don’t push the highway garage off.”MacMillan also noted the lack of public participation and said while people don’t make an effort to attend such meetings, that never seems to keep them from complaining.“I don’t understand why taxpayers don’t come out and get involved,” he said. “They’ll certainly complain when taxes go up because you have to build a new garage. This is the first step right here … take it to the public. If … you want my vote, let’s do both, and let’s do it right.”
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Doug Tallamy’s work in progress: saving the planet one backyard at a time
Natalia Zukerman
Sep 30, 2026
Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.
Provided
For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.
On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.
Over the past several years, Windacre owners Amy Chase Gulden and Randy Ramusack have been restoring their 25-acre property on Silver Mountain, confronting many of the questions familiar to anyone who has tried to turn good ecological intentions into reality: What should stay? What should go? Where should a meadow be? How much can one realistically manage? And how perfect does any of it need to be?
“We’re not gonna talk about perfection,” he said in a recent interview. “We do want the majority of the plant biomass on your property to be native. We want them to be the correct species of native.”
By “correct,” Tallamy means plants that are doing ecological work — particularly the “keystone” species that support disproportionate numbers of insects, pollinators and other wildlife.
“I could build a hundred percent native landscape that’s very unproductive just because not all species are productive,” he said. “You wanna favor the ones that are supporting the food web the best, supporting the pollinators the best.”
And then? “Observe,” he said.
“It’s very dynamic. It’s this constant dance,” Tallamy said.
Tallamy knows something about the long game. He and his wife, Cindy, have spent 26 years restoring ecological function to their own 10-acre property in Oxford, Pennsylvania. When they arrived, the land had been mowed for hay and was heavily invaded by nonnative plants.
Today, he can look out his window and see something very different. But he is quick to dispel the idea that restoration eventually reaches a state of completion.
“Our challenge to maintain the ecological productivity that we now have is constant management,” he said. “If we were to go away for five years and come back, it would not look like this.”
That reality is particularly relevant at Windacre, where Tallamy expects invasive plants to be part of the conversation. Bittersweet, for example, might grow among milkweed on a property, creating the kind of dilemma that makes ecological restoration more complicated than simply pulling everything unwanted.
“Timing of the management is really important,” Tallamy said. Milkweed dies back in winter while bittersweet remains, creating an opportunity to target the invasive vine with less risk to the native plants growing alongside it.
Tallamy will be seeing Windacre for the first time at the event, and that, too, is part of the point. Rather than presenting a finished landscape as a model to reproduce, “Work in Progress” offers the property as a living question.
“How much is mowed? I don’t know,” Tallamy said. “Everybody wants to maintain their viewscape. They don’t wanna block anything. But there are ways to do that. You know, where should a meadow be? Where should the forest be?”
He will also look for some of the ecological clues already present: milkweed, fall asters, goldenrods and, especially, oaks.
“Oaks are the most productive woody plant that we have,” he said.
For migrating birds, even one well-chosen tree can matter.
“Even if you have one tree in your yard, migrating birds will stop there if it’s the right tree,” Tallamy said. “It’s the diner. It’s where they stop to eat when they’re migrating.”
That image gets to the heart of Homegrown National Park. The organization asks people to imagine millions of privately controlled pieces of land not as isolated yards, gardens and properties, but as potential pieces of a connected ecological network.
Every restored property, he said, can help fill a blank space between larger parks and preserves. Even isolated efforts can have remarkable results. Before a neighbor joined their efforts, Tallamy and his wife were essentially an ecological island. Yet they documented 62 species of birds breeding on their 10 acres. Tallamy has also photographed 1,388 species of moths there.
“We’re trying to change the culture so that this is not the odd way of landscaping,” Tallamy said. “We want this to become the dominant, the default landscape.”
Right now, he argues, the default is essentially reversed.
“Everybody starts with a dead landscape, and then you have to work hard to change it,” he said. “That’s just backwards.”
Tallamy’s sense of urgency comes from his life as an entomologist. The disappearance of insects and birds is not, in his telling, simply a sad loss of nature around us. Biodiversity is part of the machinery that makes human life possible.
“We’re losing our birds. We’re losing our insects. We’re losing everything,” he said. “And if we do, we’re gonna lose humans too, because those are the organisms that run the ecosystems that generate our life support.”
He offers a deliberately stark analogy.
“If I said we had an oxygen crisis, we were losing oxygen on the planet, people would listen,” he said. “Well, biodiversity is the oxygen of our ecosystems. That’s what keeps us going.”
Yet Tallamy’s prescription is strikingly accessible. A landscape, he said, has four basic ecological jobs: support pollinators, support a food web, sequester carbon and manage the watershed in which it lies.
“You can look at those four things and look at your property and say, ‘What can I do to my property this year to improve each one of those functions?’” he said.
“Even if it’s just one little thing.”
And if that one little thing fails?
Tallamy has a story for that, too. Years ago, he planted an ash tree in the wrong soil. It survived but sat there for 20 years without growing an inch.
“So, I did that wrong. So what?” he said. “I learned that wasn’t the right place to put it, so next time you put it someplace else.”
“Work in Progress: Toward Native Fields” will be held Sunday, Oct. 4, from 11:30 a.m. to 1:30 p.m. at Windacre, 133 Morrison Road in Millerton. The event includes a seasonal brunch and an opportunity to explore the property; walking shoes are encouraged. For information and registration, visit bit.ly/4yYkzAP.
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Celebrating Dick Hermans’ life built around community
Natalia Zukerman
Sep 30, 2026
Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.
Provided
No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans
When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.
The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.
For Hermans, the award has prompted some reflection about why he has spent so much of his life involved in community projects.
“I was thinking about it this morning: Why do I do what I do?” he said. “And I think no matter what I’ve done, whether it’s been school board or rail trail, I’m trying to be useful to the communities I’m associated with.”
Hermans is perhaps best known as the longtime co-founder and steward of Oblong Books in Millerton, a business that began almost by accident. He and his first wife, Holly Nelson, were living in Millerton and looking for something to do during the winter. They had been painting houses, including the Grange Hall in Millerton, a job Hermans got through his aunt, who belonged to the Grange.
At the time, Hermans was also working in insurance for his father, doing collections.
“It was fine except I was doing collections, and it really kind of left me cold,” he said.
He and Nelson began thinking about what they might do together. Nelson was an avid reader, while Hermans had studied journalism and had worked in a record store. They noticed a chain of book and record stores operating elsewhere in the Hudson Valley and decided to follow that model.
And so Oblong was born.

“We really learned it by the seat of our pants,” Hermans said.
The business would eventually become a beloved and integral part of Millerton’s commercial life. But although Hermans may have learned the book business as he went, his affinity for retail — and for the connections that happen across a counter — had begun much earlier.
As a child, his second-grade teacher operated a little cardboard pencil shop in the classroom, and Hermans still remembers the satisfaction of selling a pencil for a nickel.
“I really liked selling somebody a pencil for a nickel,” he recalled. “I can remember that experience, and it was so pleasant.”
Later, while living in Arizona, he helped establish a food co-op and worked at the counter.
“I kind of knew that I liked doing that kind of thing,” he said. “It’s a nice way to be pleasant with people, but without making too much commitment to them.”
His relationship with Millerton also predates Oblong. His grandparents lived in the village, and he first came to Millerton as a baby. Over the years, he has watched the town change through several generations.
He remembers a Millerton with a much broader array of businesses, when stores such as Delson’s, the Main Street department store that stood for nearly 40 years in what is now Millerton’s Antiques Center, seemed to carry almost everything a resident might need.
“You could find everything from a set of dishes to a shotgun,” he recalled.
The rise of shopping malls changed that kind of downtown retail, he said, but Millerton has remained a lively commercial village.
“For us, it’s been a great place to have business,” Hermans said. “It’s a busy village.”
For Hermans, running a store was never simply about selling books and records. It was a way of being part of a place.
Music has remained another constant. Hermans continues to sell music at Oblong and hosts the radio program “New Harmony” on WKZE. The business of selling music has changed dramatically over the years, particularly with the rise of streaming, but Hermans has adapted.
He was initially reluctant to bring vinyl records back into the store because of their expense. But about four or five years ago, he began stocking LPs again, and they have become the main form of music the store sells.
He finds that many of the customers buying them are reconnecting with music they loved years ago.
“I do best with classic albums that people may have had when they were young,” he said. “And now that they’re retired, they want to hear it again.”
Hermans still reviews between 700 and 1,200 new music releases each week through the store’s distributor, Alliance Entertainment, carefully deciding what belongs on Oblong’s shelves.
That same commitment to place has led Hermans into a wide range of community projects. His work with the Harlem Valley Rail Trail is among the efforts he mentions when reflecting on his years of civic involvement. He has also served on the school board and has been involved with the Millerton Business Alliance and the Irondale Schoolhouse. He is now involved with The New Pine Plains Herald, which he sees as complementary to the work of The Millerton News and The Lakeville Journal.
“I really think that the important thing about this award is that people understand what a newspaper does to connect them to their community,” he said. “And if that means anything to their lives, they gotta support it.”
Hermans knew Mary Lou and Robert Estabrook and remembers them as people who were deeply conscious of their responsibilities to the community.
“They were really nice folks,” he said. “They were very conscious of what their role in the community was.”
There is, in fact, still plenty on his plate. Hermans admits he needs to scale back because he has taken on more than his current abilities can comfortably accommodate.
“To be given this award is very special,” he added. “But I don’t feel like I’m done.”
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Tending the Fire: Homelands PowWow brings Mohican culture home to the Berkshires
Natalia Zukerman
Sep 30, 2026
Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.
Joeseph Plante New Media Storytellers
Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands.
For the Stockbridge-Munsee Mohican people, the Berkshires are not simply a place to visit. They are ancestral homelands.
On Saturday and Sunday, Oct. 3 and 4, the Homelands PowWow returns to Shakespeare & Company in Lenox, Massachusetts for its second year, bringing members of the Stockbridge-Munsee community together with neighbors and visitors for two days of traditional dance, drumming, food, art and cultural sharing.
The Homelands PowWow was founded by enrolled Stockbridge-Munsee tribal members and Massachusetts-based allies to strengthen connections between Mohican people and their ancestral lands in the region. Proceeds from the gathering help cover travel and lodging expenses for tribal members making the journey from Wisconsin.
That distance is the result of generations of displacement. The Stockbridge Mohicans were forced from Massachusetts to New York in the mid-1780s amid mounting pressure on their land. Their displacement continued in stages westward, including to Indiana, before the tribe settled in Wisconsin in the 1820s and 1830s. Today, the Stockbridge-Munsee Community, Band of Mohican Indians, is a federally recognized tribal nation based in Wisconsin.
Its connection to this region, however, has never disappeared. Mohican ancestral homelands encompass the Hudson River Valley and surrounding areas, including what is now western Massachusetts. The Homelands PowWow creates an opportunity for tribal members to gather on those lands again while sharing traditions with the wider community.
In 2025, the inaugural Homelands PowWow brought Mohican community members back to the Berkshires for a gathering organizers described as the first of its kind in the region in centuries.
This year’s theme, “Tending the Fire,” reflects an intention to make that return an enduring tradition.
“Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands,” organizers state on the event website.
The weekend is open to the public and will feature traditional dancing and live drumming, as well as Indigenous artists, makers and food vendors. Grand Entry, the ceremonial opening of the powwow, takes place at noon both days.
Among those helping organize the gathering is Shawn Stevens, an enrolled member of the Stockbridge-Munsee Band of Mohicans and a Mohican language scholar who has served on the Tribal Language and Culture Committee and Historic Preservation Committee. Stockbridge-Munsee elder Ginger Stevens, a traditional dancer and longtime advocate for cultural preservation, serves as the organization’s Mohican travel coordinator.
Organizers are also careful to distinguish the nonprofit behind the powwow from the tribal government: Homelands PowWow does not officially represent or speak for the Stockbridge-Munsee Tribal Council. Instead, its work is centered on creating opportunities for connection and helping Stockbridge-Munsee people return to their ancestral homelands.
For tickets, a complete schedule and more information, visit homelandspowwow.org.
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Ancram Center’s “A Number” doubles questions of identity
D.H. Callahan
Sep 30, 2026
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
Jeff Mousseau
How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.
Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.
In “A Number,” Churchill explores the existential ramifications for a man who discovers he’s been cloned. With only two actors — John Wojda playing the father and Drew Ledbetter as the son and his clones — the play play uses a spare, intimate structure to explore complex questions.. Premiering in 2002, “A Number” examines identity, individuality and the implications of human cloning.
Ledbetter, who takes on multiple versions of the same person, has performed in a variety of Off-Broadway and regional productions, including “Hamlet” and “King Lear.” He’s appeared in “The Blacklist” and HBO’s “Succession” and was featured in the WordPlay e-Book version of Shakespeare’s “Romeo and Juliet,” which pairs acted video scenes with the original written word.
Wojda, who’s appeared in several Broadway productions, also has extensive experience with Shakespeare, including “The Merchant of Venice” and “MacBeth.” He has toured nationally with “Spring Awakening” and internationally with “West Side Story,” itself an adaptation of “Romeo and Juliet.” Like Ledbetter, Wojda has also appeared in “The Blacklist” but boasts a robust list of other television productions, including “Blue Bloods,” “Mr. Robot,” “Madam Secretary” and iterations of “Law and Order.”
For tickets to “A Number,” visit www.ancramcenter.org.
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Dispatches from the Farm
Janna Siller
Sep 30, 2026
Adamah Farm crew members planning out the day’s tasks on a late September day.
Janna Siller
“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.
The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.
Over my 15 years of growing vegetables in Falls Village, I’ve exerted my will over all kinds of conditions, from drought to humidity to crows with a taste for cantaloupe. That’s what farming is all about. You zip around the field, hopping on and off tractors, moving hoses and chasing weeds, all in an effort to arrange conditions in favor of your crops. It is the crops’ job to gulp up sunlight and move water through their stems, to transform solar energy into your next pesto or ratatouille or butternut squash soup. It is the job of the farmer to irrigate just enough but not too much, to slice dandelion leaves without damaging delicate cabbage roots, to pander and pamper and stay in tune with what plants need to thrive.
The easy part of farming is trusting plants’ resilience. I have seen bright green shoots barrel ahead out of a plant torn to shreds by hail. I’ve watched wilty, heat-stressed seedlings turn rigid overnight and greet the next morning with vigor. The hard part is letting go of what you can’t control. As our crops lapped up Friday’s gentle sunshine and I considered the weekend forecast, I imagined roots holding tight to wet earth and branches supporting each other in sideways, pelting rain. I made sure all of our storage crops were already harvested and tucked away. I battened down the sides of our greenhouses and wished the remaining field crops good luck.
The nor’easter didn’t materialize too dramatically in our corner of New England. A few broken branches and debris blown about, nothing like the July Fourth storm that sent half a tree crashing onto the deer fence and left crates of fresh veggies in coolers without power.

Farming is an exercise in acceptance. To do it well and return year after year, you have to balance hubris and humility. The prize can often be a certain equanimity, a training in the art of moving into the next day even when the last one scrambled all your plans.
Epic change is not always about the unexpected. It also comes like clockwork on the seasonal calendar. As I type, the last of summer’s watermelons wait naively on the vine for a few hot days to finish ripening. Broccoli are holding their leaves wide as they did in June and July, only to find that the hours of sunlight decrease with each earlier sunset. Plants can’t pick up and go south or call the manager to order a bonus round of sunshine. Their growth slows and they get a resigned look to the hue of their leaves, so different from the frenzied growth of summer.
The release of fall is not tragic or gloomy. It is not an ending because so many fall tasks are about setting up for the new beginnings in spring.
We turn the vines that yielded thousands of pounds of fruit into the soil, where healthy microbes feast on their rotting stems. Then we plant cover crops — a mix of cereal grains like rye and oats and legumes like peas, vetch and clover. Cover crops hold the soil and its nutrients in place over winter, feeding the soil food web and adding organic matter that next season’s crops will need to grow.
We sort sprinklers and repair hoses. We inventory tarps. We take notes about which plants did well where and how we might try a new approach for this or that. We stack crates of cured garlic and onions and winter squash in a cool, dark room.
We save seeds from tomatoes and beans and lettuce, carefully labeling each variety for next season’s long, sunny days.
Janna Siller is the farm director at Adamah, a community farm in Falls Village offering CSA shares, educational programs and a food access program.
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Pinchas Zukerman brings an all-Beethoven program to Hotchkiss
Thomas Jensen
Sep 30, 2026
Pinchas Zukerman to perform at Hotchkiss Oct. 4
Cheryl Mazak
The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.
The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.
Beethoven’s Violin Sonata No. 4 in A minor, Op. 23, is a three-movement chamber work marked by stark emotional contrasts and dramatic energy. Its three movements take the listener on quite a journey.
The first, a Presto in A minor in an unusual 6/8 meter, is propelled by an urgent, relentless, tarantella-like rhythm. Intensely minor and austere, it creates tension and sets the mood for what follows.
Next, an Andante scherzoso, più allegretto in A major serves as both a slow movement and a playful, subtle scherzo. It features intricate, delicate fugal textures and a trilling second theme. The third movement is an Allegro molto, back in A minor. An anxious, turbulent rondo finale, it features middle sections in which Beethoven playfully misaligns the timing of the violin and piano, creating a tense, out-of-sync dialogue that eventually collapses into a quiet, gloomy conclusion.
Violin Sonata No. 5 in F major, Op. 24, “Spring,” was Beethoven’s first violin sonata to depart from the traditional three-movement Classical format by adding a brief scherzo. Its four distinct movements will give Zukerman and Wosner ample opportunity to display their technique and musical interplay.
Driven by a soaring, lyrical opening theme shared between violin and piano, the first movement is an Allegro in F major. Next comes an Adagio molto espressivo in B-flat major, a deeply sentimental, songlike dialogue that builds on gentle variations.
The third movement, Scherzo: Allegro molto, is a brief, comic interlude featuring rhythmic playfulness as the two instruments purposefully fall out of sync. The fourth movement, Rondo: Allegro ma non troppo, is a grand finale written in a pleasant, courtly style with contrasting dramatic shifts.
Beethoven’s Violin Sonata No. 7 in C minor, Op. 30, begins with an Allegro con brio featuring a dramatic and tense opening movement. It is the first of Beethoven’s sonata-allegro movements to break with tradition by omitting the exposition repeat.
Next comes an Adagio cantabile in A-flat major. Serene, deeply lyrical and comforting, it contrasts with the intensity of the first movement, flowing like an expressive song and offering a momentary emotional respite.
The third movement, Scherzo: Allegro, is short, playful and sharply rhythmic, contrasting with the overall somber gravity of the sonata. The finale, Allegro: Presto, returns to C minor. Restless, suspenseful and driving, it builds immense tension before exploding into a furious Presto coda. Beethoven ends the work with a sizzle.
Zukerman and Wosner perform Sunday, Oct. 4, at 4:30 p.m. at The Hotchkiss School in Lakeville. Admission is free and first-come, first-served.
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