NWCT Arts Council: Arts Connected

Matica Circus duo from Harwinton, Connecticut performing at NWCT ARTS Connected event in May
Jennifer Almquist


Matica Circus duo from Harwinton, Connecticut performing at NWCT ARTS Connected event in May
The Northwest Connecticut Arts Council (NWCT Arts) recently held Arts Connected, their first fundraiser, at the Spring Hill Vineyard in Washington, Connecticut. The evening celebration, a combination of Fellini movie, carnival, and Renaissance Fair, featured an aerialist from Matica Circus in Harwinton, and a flame and flow performer out in the courtyard under the stars. Momix, based in Washington Connecticut, under the artistic direction of founders Moses Pendleton and Cynthia Quinn, also performed. Two dancers wore Jeff Koons-style inflated red dog suits, and Momix dancer Jared Bogart wafted through the space wearing an immense, two-stories tall silk fan. Persian calligraphic painter Alibaba Awrang created a community work of art, while Ameen Mokdad, a violinist from Iraq, made music with Hartford’s Cuatro Puntos Ensemble. A young musician, Adelaide Punkin, performed an original song from the balcony of the vast space, while a giant puppet from Sova Dance and Puppet waltzed through the festivities. DJ Arvolyn Hill from Kent spun the tunes, an African drum circle set the rhythm, and there was abundant food and drink for the gathered crowd.
NWCT Arts is one of 8 regional Arts Councils designated by the Connecticut Office of the Arts, a branch of the Department of Economic and Community Development (DECD). The mission of NWCT Arts is to “elevate the role of the arts to build community and economic vitality.” The NWCT Arts was founded by Amy Wynn in June of 2003 in collaboration with the Northwest Connecticut Community Foundation and the Northwest Connecticut Chamber of Commerce.
Brian Boye, Litchfield County resident, Vice President at Nike Communications, NWCT Arts board member emphasized “Our goal with Arts Connected was to highlight the rich tapestry of artists that live and work in our community. We are blessed with such a diverse range of talent, from world-class dance ensembles like Momix to incredible visual artists like Stace Dillard who work solo in studios across our 25 towns. I am thrilled that we were able to feature more than 80 local artists in a variety of formats throughout the event. Our art gallery featured more than 60 artists and we had live performances from musicians, calligraphers, DJs, drummers, photographers, dancers, aerialists, and singers. It was such a joy to witness the community coming together to celebrate all this talent.”
Steph Burr began her time as Executive Director of NWCT Arts in the heart of the Covid pandemic. A fierce advocate for artists, Burr had to immediately shift gears to create the NWCT Artist Emergency Relief Fund to aid local creatives through the hardship caused by COVID-19. NWCT Arts raised funds to support artists in financial distress. 51 artists from 13 towns in the region applied for help; arts educators, performing artists, musicians, commercial artists, fine artists, and artisans who depend on craft fairs and farmer’s markets to sell their wares. 73% of the applicants were not receiving unemployment and 31% of those applying were housing insecure. Burr is also an artist who lives in Torrington.
For 20 years, the Arts Council has been advocating for artists and the creative process in our region. They empower, facilitate, network, collaborate, and secure funding for local arts initiatives. Burr knows it is still hard for new arts organizations, and artists, to achieve lift-off. Funding for the arts has been cut back by the State to pre-pandemic levels with no adjustment for inflation. Burr would like to see greater advocacy from more established artists and organizations to help emerging artists get on their feet.
Board member Boye said, “We want to raise the profile of the Northwest Connecticut Arts Council, which typically works behind the scenes to ensure that artists and arts organizations can continue to thrive in our 25 towns. We’ve learned over the past few years that the arts are a major economic driver here. When we have a thriving arts community, people will visit our towns, shop in our stores, eat in our restaurants and stay in our inns. In 2022, the non-profit arts and culture industry generated more than $30 million in economic activity in our community. But there are a lot of challenges artists face to live and work here. Our mission is to ensure that there’s a network of support for them. We know that access to their work brings joy to us individually, but it also positions our region as a cultural destination that has a positive economic effect that benefits everyone.”
NWCT serves the towns of Barkhamsted, Bethlehem, Burlington, Colebrook, Cornwall, Falls Village/Canaan, Goshen, Hartland, Harwinton, Kent, Litchfield, Morris, New Hartford, New Milford, Norfolk, North Canaan, Plymouth, Roxbury, Salisbury/Lakeville, Sharon, Thomaston, Torrington, Warren, Washington, and Winchester/Winsted.
Sunday Fisher, chair of the board of directors, lives in Sherman and is an operational strategist after decades working in the retail world. “Northwest Connecticut is truly a special place, renowned as a sanctuary where artists have historically come to create and find inspiration. It’s my hope that our region be recognized as a vibrant hub for all forms of art. At the Council, we are deeply committed to honoring our rich history as stewards of this artistic legacy while also forging paths that ensure the arts not only survive but thrive. Balancing these roles is essential to fostering an environment where the arts can flourish and enrich our community for generations to come.”
“The arts are a powerful economic engine for our region and are very worthy of expanded investment,” said Burr. “Our nonprofit arts organizations connect our communities and help define our culture. They also attract substantial revenue to the local economy and support many jobs and small businesses. It is no easy feat to do both.” NWCT Arts is working closely with the Connecticut Department of Tourism as the arts are responsible for increased tourism in the region.
Our state representative Maria Horn agrees with Burr. “Arts and culture are a defining part of the Northwest Corner for those who live here and those who visit the region. Communities like ours that support arts and culture not only enhance their quality of life— they also invest in their economic well-being. We know this because we’ve studied it.”

Stephen Gass, former President of sesamestreet.org, and vice board chair said, “When I was asked to join the board of the NWCT Arts Council, I said “OK” with one condition: the organization embraces the idea that our area’s sustainability does not rely solely on caring for our environment. Rather, given the countless ways the arts can feed our collective souls, fuel curiosity, create shared experiences, and critically serve as economic drivers, we champion the idea that the arts are essential to our well-being. Just as environmental sustainability requires that we think beyond a town’s borders, the NWCT Arts Council’s 25-town purview provides the “big picture” perspective that helps ensure a rich, far-reaching, and fertile arts and culture landscape for us all.”
Executive Director Burr, whose dream for NWCT Arts is to provide equity in the arts, reiterated their underlying credo, “As an arts organization, we work to put the voices that are most unheard at the forefront to empower the movement toward creative justice. The arts are a human right and bring us together to celebrate cultural diversity. Everyone deserves access to art and culture, to be included, and to feel a sense of belonging. We are dedicated to serving the needs of everyone regardless of race, age, physical or mental ability, religion, gender, sexual orientation, or economic status.”
NWCT Arts recognizes the positive impact the arts have on our mental health. Access to arts and culture is a universal human right, meeting both a social and psychological need. Jackie Armstrong, an educator at MOMA, said “Art can harness the healing power within each of us and help bring us into community with one another. When in front of an artwork, we are connected to the artist and to others who have experienced it. And connection, to us and others, is at the core of art and healing.”
Board chair Fisher continued, “As we reflect on the success of our first annual fundraiser, we’re filled with optimism about the future of the arts in Northwest Connecticut. This event has crucially boosted our ability to provide artists with the everyday tools they need to flourish. Our aim is to elevate the arts across the towns we serve, emphasizing not only their role in fostering community connections but also their significant impact as an economic driver. Looking ahead, we envision a partnership where municipalities seamlessly invest in arts and culture, ensuring every resident has access to these enriching experiences. Our first annual event marks a pivotal step towards making that dream a reality.”
Burr summed it up, “Our plan is grounded in the belief that the arts have the power to transform lives and communities and that by supporting artists and the creative process, we can create a more vibrant and prosperous region. I am so grateful for the support of our board, staff, and stakeholders. I am confident that together we can achieve our vision of a region where artists can thrive, and everyone can experience the arts.”
How can people help the NWCT Arts Council? They currently have eighty paid members. Information on how to join or support them and listings of future arts events can be found by going to www.artsnwct.org
D.H. Callahan
Cheers! The Revolutionary Whisky Series at Ten Mile Distillery, each named for a significant battle of the American Revolution, celebrates America at 250.
In December 2024, the U.S. Alcohol and Tobacco Tax and Trade Bureau officially established the Standard of Identity for American Single Malt Whisky. It was the first new classification in more than half a century, creating new possibilities for American distillers. One of the distilleries taking advantage of this new landscape is Wassaic’s Tenmile Distillery. It is well positioned to make history because Tenmile has always honored traditional whiskey-making practices.
Single malts are often associated with Scotch whisky. Perhaps that’s why, years before the new standard was adopted, Tenmile hired Shane Fraser, a Scottish master distiller with 30 years of experience at some of Scotland’s most prestigious distilleries. Fraser began designing the distillery from the ground up. Alongside owner and general manager Joel LeVangia, he emphasized time-honored traditions, favoring hands-on craftsmanship over the increasingly automated methods used by larger producers. When it comes to making the best whisky possible, Tenmile believes in learning from the past. That philosophy extends beyond the distilling process.

In late 2025, in anticipation of the 250th anniversary of the signing of the Declaration of Independence, the distillery introduced its Revolutionary Whisky Series. The collection features 57 unique expressions, each with its own combination of barrel types and aging periods, and each named for a significant battle of the American Revolution.
LeVangia sees the series not only as something collectible — a hallmark of the international craft distilling world — but also as an opportunity to educate. Most Americans learn about the Revolution in high school U.S. history classes, but LeVangia wanted to go beyond familiar stories such as Washington crossing the Delaware or the famous command to wait until soldiers could see “the whites of their eyes.” Each bottle helps tell a deeper story.
To bring those stories to life, Tenmile has gone the extra — dare they say, 11th — mile. Tom Bouldin, Ph.D., serves as the distillery’s historian. He consults on the series, helping LeVangia and Fraser connect each expression to an appropriate battle of the American Revolution. He also leads Tenmile’s lecture series. While some of Bouldin’s talks explore the history of popular music, his primary focus is the battles of the American Revolution.
With each new release, Tenmile hosts an intimate evening of history and whisky tasting. Centered on Bouldin’s meticulously researched lectures, the events often spark broader conversations about the battles, the people who fought them and what those events still mean today. It’s a style of promotion rarely seen today. Although the distillery and its grounds are stunning, these gatherings are not designed as Instagram photo opportunities. Instead, they bring together a small group of people eager to learn from the past while tasting something new.
That is what the Revolutionary Whisky Series — and Tenmile Distillery as a whole — is all about: learning from history while forging its own.
D.H. Callahan
Belinda Sinclair
Sinclair’s show explores the ways women have been practicing forms of magic for centuries, and there is plenty of history to tell.
Belinda Sinclair is the kind of magician who impresses people who don’t like magic. Her tricks are mind-boggling. Her stories are captivating. And if she picks you to write your name on a card, get ready to be wowed. Repeat attendees of her shows, of which there are many, take almost as much delight in watching new jaws drop as they do in seeing an illusion reach its astonishing conclusion.
Since the summer of 2025, Sinclair has been baffling local audiences at the Hughes Memorial Library in West Cornwall, but her magical run comes to a close at the end of August.
For 45 years, Sinclair, a New York City native, has been hosting small, intimate performances in the “Conjuring Room,” her Victorian parlor in Hell’s Kitchen. It’s a place made for magic, with built-in surprises designed to disorient. But the Hughes Library doesn’t have the same potential to perplex. The room is, as the name suggests, a library, with shelves packed tightly with old books. Some of those books, stocked by Sinclair herself, dive into the history of women and magic. That particular topic is the organizing principle of her show.
Today, we live in a world with large-scale magic productions from household names like David Blaine. Penn & Teller and Criss Angel had widely popular television series, while performers like magician and comedian Justin Willman have found audiences on Netflix. David Copperfield, the most commercially successful magician in history, only recently had his 25-year Las Vegas residency cancelled, after allegations connected to the Jeffrey Epstein investigation resurfaced. But very few women, arguably none, have reached the highest levels of fame in the magic world.
Sinclair’s show explores the ways women have been practicing forms of magic for centuries, and there is plenty of history to tell. Her head is simply full of historical anecdotes and interpretations. She seems to know everything there is to know about magic and how, over the centuries, it has been feared and misunderstood.
It’s knowledge she acquired through decades in the world of magic. Sinclair got her start by accident. After graduating from New York City’s High School of Performing Arts, she was hired to entertain a long business conference as a clown. Despite having no clowning experience, she did so well that she was hired for a party on the spot where she was expected to perform magic. She didn’t know a single trick. So she headed to Tannen’s, the legendary Manhattan magic shop that is still open to this day, and asked them to teach her.
She was so captivated by the first trick she learned that she soon began illustrating the shop’s newsletter, the “Trickune.” Soon, she had worked her way into the world of magic. But her trajectory seemed limited. Women in magic were, and frequently still are, relegated to the role of “lovely assistant,” and Sinclair was no exception. She played along, laughing at the bad jokes and flirting with the right men, all the while knowing she could perform better than most of them.
Soon, she stopped playing along. She started developing her own routines. She became increasingly proficient with a deck of cards. She practiced and practiced and practiced. Eventually, the magic establishment took notice of this young magician with the audacity to be a woman.
As her reputation grew, so did the challenges she faced. Breaking into the inner circles of magic is no easy task, but Sinclair knew that if she wanted to be taken seriously, she needed to impress the people at the top. The Magic Circle, a prestigious British society whose members have included Penn & Teller, Stephen Fry and King Charles III, evaluates prospective members through a rigorous performance examination that includes required tricks. Sinclair earned a perfect score of 100 out of 100, proving not only that a woman could perform magic, but that she could perform it as well, if not better, than anyone.
As remarkable as her skills are, there’s a lot more to Sinclair than magic. She’s a ceramicist, hypnotherapist, author, game creator, actor and coder. But perhaps most importantly, she’s a teacher.
Sinclair thrives on helping others navigate through whatever obstacles life throws their way. For a time, that meant helping military veterans with PTSD transition to civilian life. She teaches children how to code so they can build their own websites. She works with unhoused children, using magic to boost their confidence. But if she has her way, the most important lesson she can teach is that with the right amount of work and determination, anyone — and especially little girls — can do the impossible.
Richard Feiner And Annette Stover
Renée Fleming, Andris Nelsons and Thomas Hampson.
On Friday, July 17 at 8 p.m. in the Koussevitzky Music Shed at Tanglewood, two of the greatest American voices of their generation, soprano Renée Fleming and baritone Thomas Hampson, join Music Director Andris Nelsons and the Boston Symphony Orchestra in a performance of excerpts from John Adams’ groundbreaking opera “Nixon in China.” The piece, performed earlier this year in Boston and at Carnegie Hall in New York City, is a highlight of a program that also includes “Meditations on Grace” (2024) by BSO Composer Chair Carlos Simon, and the melodic and technically demanding Violin Concerto by Samuel Barber.
Fleming is internationally celebrated for her vocal and dramatic artistry, as well as for her advocacy for the powerful impact of the creative arts in health. Hampson has long been recognized as one of the most innovative musicians of our time and has received countless international honors for his singular artistry and cultural leadership. Both performed in “Nixon in China” earlier this year at the Paris Opera under the baton of Kent Nagano.
Adams’ “Three Scenes from Nixon in China” is a suite taken from the opera and prepared especially for the BSO performances with Fleming and Hampson in the roles of Pat and Richard Nixon. The suite includes Act I, Scene I, in which the Nixons arrive in Beijing; Pat Nixon’s “This is prophetic” aria from Act II, Scene I; and Nixon’s speech followed by a chorus of toasts and cheers (“Gam bei!”) in Act I, Scene III.
The full opera premiered in 1987 and has become one of the most celebrated works of contemporary American music. As The New Yorker wrote, “Not since ‘Porgy and Bess’ has an American opera won such universal acclaim as ‘Nixon in China.’”
The libretto is based on Nixon’s groundbreaking February 1972 visit to reestablish diplomatic ties with the People’s Republic of China. The production was controversial at the time: an opera about a recent American president whose resignation was still vivid in the country’s memory. Created by a first-time opera composer, a poet new to opera (Alice Goodman) and a young avant-garde director (Peter Sellars), the piece defied expectations of what a contemporary opera could be.
Yet “Nixon in China” has proved to be something far more than a provocation; it has been hailed as helping to revitalize American opera. It uses realistic scenarios based on recent historical events to make direct statements about big social questions, especially the status of women in history and society. It is also credited with helping to create the subgenre of the “headline opera,” works that refract the mythology of recent real-life events and personalities through the lens of operatic music, words and staging.
Adams’ score is a dazzling fusion of rhythmic vitality and luminous choral textures with the psychological intricacy of character drama. It reflects the composer’s ongoing search, as he has put it, to find “the sacred in the everyday.” The result is a distinctive kind of music theater that transforms historical and contemporary narratives into modern parables in order to explore the tension between public facade and private reckoning, and between human motive and moral choice.
This Tanglewood concert promises to be a highlight of the summer’s music season. It is part of the BSO’s E Pluribus Unum festival, a multiyear celebration that shines a spotlight on American music to explore the country’s history and ideals and to raise critical questions on topics that shape our collective experience.
For more information and to purchase tickets, visit bso.org.

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Jack Sheedy
The cast and crew of “Rebeltown: The Musical.”
John Alan Segalla was working in Boston a few years ago, giving historic tours at the site of the Boston Tea Party. Now, as America celebrates 250 years as a nation, the Canaan native is about to debut a new version of his original musical, “Rebel Town,” inspired largely by the Boston Tea Party, the protest that helped launch the American Revolution.
“It wasn’t until I got to Boston and learned the Tea Party story that I fell in love with this moment in history, and I saw the story as wildly compelling and very important, and really a story that was very misunderstood, mistaught in schools,” Segalla said at a recent rehearsal in Stockbridge, Massachusetts, ahead of the show’s July 10 opening.
Segalla wrote most of the script during 2020, hoping to produce it by 2023, the Tea Party’s 250th anniversary. He finally mounted a version of the show in Stockbridge in 2024. It ran a bit long, he said, so the current iteration is more compact, running well under two hours.
The musical focuses on the lives of carpenter William Grey (played by Segalla), his wife Sarah Grey (Emma Robertson) and apprentice Peter Slater Jr. (Ryleigh Fillio), with appearances by historical figures such as Paul Revere (Chris Vecchia), Samuel Adams (Ryan Mascilak) and John Hancock (Christopher Boswell).
The action follows the clandestine meetings of the Sons of Liberty as they plan the bold destruction of British-taxed tea in Boston Harbor, culminating in Paul Revere’s storied ride, featuring a mechanical horse designed by technical director Ronald Piazza. According to the show’s website, “As rebellion turns to revolution, the cost becomes deeply personal: families are torn apart, loyalties tested, and the line between heroism and sacrifice begins to blur.”
The show is directed by Actors’ Equity member Michael Siktberg, who has worked at Bucks County Playhouse, Sharon Playhouse, the Ogunquit Theatre among and other venues during the past 20 years. He said, “I originally agreed to do this because of John, because of my love and respect for him and our growing friendship.”
He said he sees parallels between events of 250 years ago and today, noting “how they echoed the themes of our lives now.”
The participants in the Tea Party thought they would make a difference. “What is fascinating to me,” Skitberg continued, “is that they really tried to do it peacefully, they really tried a statement without bloodshed.”
But it didn’t work. King George III retaliated with the Intolerable Acts, ultimately inspiring the Declaration of Independence and the Revolution.
Rebecca Gardner, assistant stage manager, said the show could be thought of as the “Hamilton” of Boston. “It’s not Hamilton’s Revolutionary War story; it’s not ‘1776’; it’s another story of that era, which hasn’t been told before,” she said.
Emilyn Bona, also an assistant stage manager, said she has known and worked in theater with Segalla since high school. Even though she now lives in Albany, she said she jumped at the chance to work on Segalla’s latest creation.
Segalla is a Dramatists Guild member and holds a Bachelor of Arts degree in Theater from Russell Sage College. He has toured nationally as Jack in “Magic Tree House: Soars with Reading.” He co-authored a farce, “Moral Dilemmas of the Modern Day Vampire,” which was produced Off-Off-Broadway and in New England. He has performed extensively and received numerous awards, including the New Hampshire Theatre Award for Best Supporting Actor in a Drama for his performance as Don Armado in Shakespeare’s “Love’s Labour’s Lost.”
“This is not a musical that’s taking any political side, left or right,” said Segalla. “It’s meant to be a unifier, and it’s meant to be something to educate and to remind people that this moment in history seeded the Declaration.” He said he hopes it will inspire “a renewed sense of pride in the earliest American values of what we wanted to be, a renewed sense of spirit in what we could become: that shining city on a hill.”
“Rebel Town: The Musical” runs July 10 through 19 at the Kathleen E. McDermott Auditorium, Monument Mountain Regional High School, Great Barrington, Massachusetts. For tickets and more information, go to www.rebeltownthemusical.com.
Natalia Zukerman
Community mural design by Macayla Muzzulin will be painted by volunteers on July 11 in Franklin Plaza in Torrington.
From 10 a.m. to 4 p.m. on Saturday, July 11, Five Points Arts in Torrington will host a community mural project celebrating the nation’s 250th anniversary. Volunteers of every age and artistic ability are invited to help paint a 20-by-6-foot mural designed by artist Macayla Muzzulin. The mural will be completed in one day, transformed from a numbered outline into a permanent public artwork along the river in downtown Torrington.
“We firmly believe art is for everyone,” said Five Points founder and executive director, Judith McElhone. “It’s so great to be able to do this with such talent, and with Launchpad artists, volunteers and staff there to help.”
A recent graduate of the Hartford Art School, Muzzulin is one of Five Points’ Launchpad artists, an initiative that provides shared studio space and professional support to emerging artists. About two dozen artists work from studios above the downtown gallery, where they have access to facilities, mentorship and a creative community.
Muzzulin’s connection to Five Points began long before she became a professional artist.
“She’s been with us since she was 14 years old as a volunteer,” said McElhone. “I knew her skill level and that she would be perfect for this.”
Muzzulin has not created a finished color rendering of the mural. Instead, participants will be working from her numbered design, matching paint colors to corresponding sections. Like many community murals, the artwork will emerge through collective effort rather than individual authorship.
Five Points has expanded steadily over the years. What began as a 740-square-foot summer storefront gallery through the Torrington Arts and Culture Commission’s temporary Art Space Torrington initiative in 2012 has evolved into one of Connecticut’s leading contemporary arts organizations. Today, the nonprofit includes a gallery that has exhibited nearly 1,800 artists and an Arts Center that provides studios, exhibition space and educational programing. This community mural continues that evolution by bringing art beyond the gallery walls and into the heart of downtown, further cementing Five Points’ role in Torrington’s cultural revival.
The project is sponsored by The City of Torrington, Neag Foundation, Jerry’s Artarama in West Hartford and the NWCT Arts Council. For more information, visit fivepointsarts.org.By Natalia Zukerman
From 10 a.m. to 4 p.m. on Saturday, July 11, Five Points Arts in Torrington will host a community mural project celebrating the nation’s 250th anniversary. Volunteers of every age and artistic ability are invited to help paint a 20-by-6-foot mural designed by artist Macayla Muzzulin. The mural will be completed in one day, transformed from a numbered outline into a permanent public artwork along the river in downtown Torrington.
“We firmly believe art is for everyone,” said Five Points founder and executive director, Judith McElhone. “It’s so great to be able to do this with such talent, and with Launchpad artists, volunteers and staff there to help.”
A recent graduate of the Hartford Art School, Muzzulin is one of Five Points’ Launchpad artists, an initiative that provides shared studio space and professional support to emerging artists. About two dozen artists work from studios above the downtown gallery, where they have access to facilities, mentorship and a creative community.
Muzzulin’s connection to Five Points began long before she became a professional artist.
“She’s been with us since she was 14 years old as a volunteer,” said McElhone. “I knew her skill level and that she would be perfect for this.”
Muzzulin has not created a finished color rendering of the mural. Instead, participants will be working from her numbered design, matching paint colors to corresponding sections. Like many community murals, the artwork will emerge through collective effort rather than individual authorship.
Five Points has expanded steadily over the years. What began as a 740-square-foot summer storefront gallery through the Torrington Arts and Culture Commission’s temporary Art Space Torrington initiative in 2012 has evolved into one of Connecticut’s leading contemporary arts organizations. Today, the nonprofit includes a gallery that has exhibited nearly 1,800 artists and an Arts Center that provides studios, exhibition space and educational programing. This community mural continues that evolution by bringing art beyond the gallery walls and into the heart of downtown, further cementing Five Points’ role in Torrington’s cultural revival.
The project is sponsored by The City of Torrington, Neag Foundation, Jerry’s Artarama in West Hartford and the NWCT Arts Council. For more information, visit fivepointsarts.org.
Lucia Iandolo
Gridley Chapel at The Wassaic Project.
The Wassaic Project will host its first musical act of the season at the Gridley Chapel on Saturday, July 11. The event is free and was made possible with funding from a grant from the New York State Council on the Arts.
Officially opening in October, the Chapel will come alive with the sounds of sinonó, a trio featuring vocalist and composer isabel crespo pardo, cellist Lester St. Louis and bassist Henry Fraser. The group draws on Latin American folk and classical chamber music to create what it calls “poemsongs.”
NYSCA is a state agency that provides funding for artistic projects through grants, including the Support for Artists grant opportunity.
Kasssandra Gonzalez, development and communications assistant at the Wassaic Project, said the program allows the organization to support artists in their current and future projects.
“We really care about supporting artists and sustaining artistic practices,” Gonzalez said. “A big part of that, which no one likes to talk about, is having enough funds to make projects possible.”
The Wassaic Project has received this grant since 2022 to support artists in New York state who are part of its program and need funding for future projects. The grant includes nearly $10,000 in direct support for artists’ creative work and allows the organization to present programming it might not otherwise be able to offer, including the July 11 performance.
Gonzalez said there is a common misconception that accessible arts programming is available only in New York City, and the Wassaic Project continues working to make art available to everyone in the community.
“Wassaic Project continues to be a force for good and remains very focused on community,” Gonzalez said. “The idea behind the suggested donation, and making sure that everything is essentially free, is to let people in the area know they can come here and make this their community space.”
The Gridley Chapel is located across the street from Maxon Mills at 37 Furnace Bank Road, Wassaic. Doors open at 7 p.m., and the performance begins at 7:30 p.m. Admission is free, and guests can RSVP at wassaicproject.org

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