Ellen S. Kloke


NORTH CANAAN — Ellen entered the world on Jan 23, 1959, at Sharon Hospital, born to George and Sue Schaefer of the village of Canaan. She exited in her TARDIS during the early-morning hours of Jan. 26, 2023, three days after her 64 th birthday, at home with her husband and sister at her side.
Ellen was a life-long resident of Canaan, growing up on West Main Street during a time when it was safe for kids to make their own entertainment, staying outside for hours no matter the season to play and explore with her brothers and sisters and all the other neighborhood children. She graduated from North Canaan Elementary School and Housatonic Valley Regional High School, enjoying many of the schools’ activities.
She took a brief hiatus to achieve a degree in Accounting from Central Connecticut State University.
After passing the state test to be licensed as a Certified Public Account she remained living in the Hartford area to work with public accounting firms. Despite having an out-of-town mailing address, she was home frequently enough for family events and visits to be considered as never-having-left.
Ellen returned to Canaan in 1986 to work locally and to be closer to family. A short time later she met Lyle Kloke who had recently moved to Canaan. They married on May 27, 1989. They bought and moved into a small house on Barlow Street in May 1990, where they have lived since.
Ellen was a master in her trade, meticulous in her accuracy and attention to detail. Because of her profession her computer literacy began early when “laptops” were the size of suitcases that used two floppy disks because hard-drives weren’t yet available. She was adept in numerous software packages leading to responsibility for implementation of many accounting and point-of-sale systems for several small businesses in addition to performing her standard tasks.
Ellen liked to garden and spent years nurturing her perennial beds to create a bee, bird and butterfly-friendly environment with the assistance and guidance of her friend, Scott. She enjoyed taking her daily walks around to observe how things changed through the seasons. She never failed to stop to smell the roses, the lilacs, the clethra, and her plumerias. Or, just wonder about such delicate beauty.
Ellen enjoyed nature in general but especially during her walks with her sisters in the woods, or along the river, or just along roads in the area. Enjoying each other’s company with conversation and laughter.
Stopping from time-to-time to focus on a particular plant or view along the way. She enjoyed camping, hiking and anything involving water — going to the beach, swimming, canoeing, kayaking, paddle-boarding, and simply floating. She relished the hours spent just relaxing on the screen porch, reading, looking over her gardens, watching the butterflies flutter by, listening to and watching the splashing of the birds in their bath, never ceasing to be amazed and amused by the acrobatics and antics of the feisty hummingbirds.
Ellen enjoyed cooking and could always be counted on to bring a dish or dessert to any gathering. Her herbed rice was most frequently requested. She was a long-time supporter of and contributor to community-sponsored agriculture and the preservation of Connecticut farmland.
She enjoyed arts and crafts of all different kinds. She liked embroidery, faux finishes, sketching, and Zentangle. She liked to make candles in a variety of sizes, experimenting with various blends of colors and scents to develop ones that she favored.
She especially liked digital photography. She got her first camera, when they first became available, using the proceeds from a winning Superbowl pool. She had a lot of fun with it, and the ones that followed as image quality improved. She’d chase butterflies from flower-to-flower until she got a good shot. Tried to sneak up on birds for a close-up. Zoomed-in on particular flowers that caught her eye.
Acted as Event Recorder, curating cameos of family and friends at all the planned and ad hoc gatherings and parties. The photos were her raw material to produce greeting cards, invitations and other items.
Her favorite for several years running was the preparation, from scratch, of annual limited-edition calendars for her Portly buddies.
Ellen also enjoyed puzzle-solving of all types. She relished several-thousand-piece jigsaws, using her method of sorting pieces by color, pattern and form, creating stacks of trays to peruse for that one particular piece she needed. The Sunday NY Times satisfied her weekly diet of word and number games.
Googling obscure clues was educational, not cheating.
Ellen’s most prized possession was her family, second were her friends. She never failed to make herself available at any time to help them in any way they needed. She gave them a sharp wit, good humor, a bright smile, and an infectious laugh. They gave her boundless love providing countless memories of all their antics for the stories that she liked to share.
Ellen was predeceased by her parents. She is survived by her sisters and brothers and their partners — Mary Ann and Jeff, Joe and Lisa, Tom and Sherry, Dolores and Francis, Jean and Pete, Christine. Nieces and nephews and their partners — Laura and Pete, Charlie and Katie, Ollie, Joey and Becky, Meghan and BJ, Marcus and Maryellen, Clara, Mary and Evan, Will and Sam, Ted, Elizabeth and Gabe. And, grandnephews— Emmett, Owen, and Clay. Uncle Joe and cousins. Not to mention her many friends.
Ellen will be missed.
A private Celebration of Life for Ellen was held in February. Ellen requested that any donations in her honor be made to the North Canaan Volunteer Ambulance Corp. and/or the North Canaan Fire Company.
For Brooklyn-based artist Taha Clayton, history isn’t something sealed behind glass. It breathes, moves and stands before us in the bodies of everyday people. His upcoming solo exhibition, “Historic Presence” at the Tremaine Gallery at Hotchkiss, takes its philosophical cue from James Baldwin’s declaration that “History is not the past. It is the present.”
Clayton’s luminous portraits center on elders, friends and acquaintances whose quiet dignity embodies what he calls “the common everyday story” often missing from official narratives. “The historical is talking about something from the past,” Clayton said, “but these are men and women that are living in this day, walking with the ancestors, creating the stories.”
Clayton describes the series as rooted in a search for these overlooked narratives. “It started with Baldwin and John Coltrane… and then it blossomed to the people of the times, the stories that get overlooked.” His subjects are people he knows or meets through everyday encounters. “It’s the models, it’s their lives. It’s us collaborating, as opposed to me putting a costume on someone,” he said.
Born in Houston, raised in Toronto and now based in Brooklyn, Clayton brings a cross-cultural sensibility to classical realism. His figures frequently appear in clothing inspired by mid-20th-century style, echoing the visual language of the 1930s through ’50s. But rather than nostalgia, he’s after something more layered, a kind of collapsing of timelines. “I’m documenting this moment,” he explains, “but I’m also challenging myths and creating new ones.”
The use of fabric is a striking element in Clayton’s work, operating on both aesthetic and symbolic levels. “I’m playing on ideas like ‘being cut from the cloth,’ ‘the thread’ of an idea,” he explained. The act of painting on cotton alone carries layered historical meaning, but he deliberately reframes it as a site of empowerment. For him, cloth/cotton signals ceremony, resilience and transformation.

Clayton has an evolving and deepening relationship with this area. As an artist-in-residence at the Wassaic Project in Amenia, he said, “We were the first residency out of the pandemic, and I brought my wife and daughters. It was a two-week residency that ended up being the whole summer. It just kind of evolved and that’s how my relationship upstate has been.” His series “The Cloth” was presented at Troutbeck in Amenia in 2022 and he has returned as a featured speaker and educator for the Troutbeck Symposium, the multi-day gathering at Troutbeck where middle and high-school students present year-long research projects on under-told local and national histories. “It’s been four years I’ve been with them, so I’m like artist/mentor now,” said Clayton.
Clayton will be in residence again at Hotchkiss for the week leading up to the opening, offering students multiple ways to engage with the artist and providing a rich, hands-on experience of his practice as well as his guidance. “Taha is a remarkable artist to work with because he meets students where they are,” said Tremaine Gallery director, Terri Moore. “He listens deeply, treats their ideas with real respect and shows them that their own stories are worthy subjects. That combination of humility, rigor and generosity is rare — and it’s why students respond to him so strongly.”

Clayton’s career has garnered international — even interstellar — recognition, including exhibitions in cities from New York to Barcelona. One of his works was selected for the Lunar Codex’s “Nova Collection” in 2024, part of an ambitious global archive designed to preserve creative works on the Moon as a time capsule of human culture. Clayton recalled the moment the capsule landed with characteristic understatement: “I’m just on the computer watching with a beer thinking, ‘Ok, this is cool.’ But, like the next day, I still had to get up and take the kids to school.”
Interspersed throughout the gallery are ceramic shields that add to the warrior-like quality of some of the subjects. The repetition of a water fountain is particularly evocative, another reclamation that amplifies history without obscuring the truth that shaped it.
Clayton describes his practice as a form of meditation, saying he feels time dissolve while working. “It’s like past and future is all happening,” he said. That sense of temporal layering resonates with the exhibition’s central idea that personal memory and collective history are inseparable. Clayton’s portraits are about recognizing and celebrating the magnitude and multitudes contained in ordinary lives, the reclamation and attention to historical detail and the carrying of history forward with incredible beauty and unwavering dignity.
“Historic Presence” will be on view Feb. 14-April 5 at the Tremaine Gallery at Hotchkiss, 11 Interlaken Road, Lakeville. An artists’ talk is scheduled Thursday, Feb. 19, at 7 p.m., followed by an opening reception Saturday, Feb. 21, from 4 to 6 p.m.
"This truly is a dream come true...to create something containing all the things I’ve loved."
Bobby Graham
Bobby Graham and his husband, Matthew Marden, opened their home and lifestyle shop, Dugazon, in a clapboard house in Sharon six months ago. Word spread quickly that their shop is filled with objects of beauty, utility and elegance. Graham and Marden tell a story of family, tradition, joy, food, community and welcome.
Jennifer Almquist sat down with the couple for a conversation about design, storytelling and building a life — and business — together.
Jennifer Almquist: When did this dream begin?
Bobby Graham: This truly is a dream come true. I wanted to open this shop for more than 30 years, to create something containing all the things I’ve loved that have inspired me.
Matthew Marden: Dugazon has exceeded our expectations. Having our own business, no longer part of a large corporate structure, allows us to tell our stories and work together.
JA: What is your earliest memory that set you on your journey?
BG: My earliest memories include going to flea markets and antique shops with my mom. I still have my vast collection of wooden animals that my mom started when I was a little boy.
JA: What are your earliest memories that drew you to beauty, design and fashion?
MM: I’ve always been a visual person. I was fascinated with The Muppet Show and Sesame Street. I loved their imaginative worlds. It was the late ’70s, and I remember being oddly interested in pop culture, loving the colors and textures of the different puppets, their crazy hair or colorful fur.
JA: What were your favorite stories growing up?
MM: I grew up in Hopkinton, a small town in New Hampshire. I loved “Goodnight Moon.” I remember C.S. Lewis’ Narnia books and their combination of fantasy and reality. I was a voracious reader, drawn to the more macabre world of Stephen King. My dad read me “Watership Down.” I remember the “Madeline” books. I was terrified by the nuns.
BG: I loved books that were visual, especially a pop-up book called “The Great Menagerie,” published by the Metropolitan Museum in the ’70s. I loved “Danny the Dinosaur” and “Cloudy With a Chance of Meatballs.”
JA: What roles do family and tradition play in your lives?
BG: My mom was a homemaker in Sioux Falls, South Dakota, where I grew up, but she was from Baton Rouge. I spent three weeks every summer with my grandparents in New Orleans. It was all about food and family. In our home, Matt and I keep those traditions alive.
MM: We have been married almost two years, but we’ve been together 20 years. When we first started dating, we discovered that despite being from different parts of the country, we had much in common. Family is important to us both.
JA: Are your families supportive of your new venture?
BG: They’re so proud of us. My dad calls every day.

JA: Matt, what drew you to fashion as a career?
MM: I studied art history in college. For five years, I worked at a New York fashion photography gallery, Staley-Wise. I worked at Town & Country, was a fashion director at Interview, then fashion director at Details magazine, where I stayed most of my career. I became style director at Esquire.
JA: Bobby, what was your experience in advertising and publishing?
BG: I worked in banking for a couple of years using my business degree, but it just wasn’t right. I went to work at Condé Nast as a sales executive for Vogue, GQ, Vanity Fair, AD and The New Yorker.
JA: How did you meet? When did you marry?
MM: It was my first morning at Details. I noticed Bobby in the elevator. We were married in August 2024.
JA: What is your business philosophy?
BG: My business philosophy is that you work hard, you have integrity, you have fun and the money will come. There are no shortcuts in life.
MM: At Dugazon, we sell what we love.
JA: What is your most beautiful, most favorite item in Dugazon?
MM: A photograph by our friend Matt Albiani called “Lost,” shot under a pier in the summer. We had a copy in our house on Fire Island for years.
BG: My favorite item is our candle wall. I just love the way it presents visually. I love the colors.
Dugazon is located at 19 West Main Street, Sharon. For more information and shop hours, visit: dugazonshop.com.
Jack and Dolly Geary outside the new location in Salisbury.
Geary, a contemporary art gallery with roots on New York City’s Lower East Side, is opening a new chapter in Salisbury, relocating to a restored 1840 building at 14 Main St. after five years in Millerton. Owned by Jack and Dolly Bross Geary, it was at 34 Main St. in Millerton and is reopening in the handsome teal-colored, two-story building built in 1840 and until recently owned by the interior design and architecture studio of Hendricks Churchill. Geary’s first show in the new building is scheduled for Feb. 21 and will feature the work of one of the gallery’s five artists, Alan Prazniak.
“Our lease on the gallery space in Millerton was coming up in March, and we questioned whether or not to renew,” Jack Geary said. “We were interested in owning our next space, and fortuitously, the Salisbury building came on the market.” The new building offered more space than the Millerton location — 5,000 square feet on two floors in turnkey condition. “In addition to three exhibition rooms, there’s even a bedroom with an en suite bathroom for a visiting artist to stay,” said Jack.
The Gearys founded their gallery in 2013 on the Lower East Side in New York City, then moved to Varick Street in SoHo before landing at their final New York City location on the Bowery in 2020. When the COVID-19 pandemic hit and the Gearys found themselves living primarily in their Lakeville home, they discovered the Millerton space on Main Street. With its white walls and track lighting, they determined it would be the perfect spot for a gallery. As it turned out, having two geographically disparate spaces proved cumbersome to program and maintain, so they consolidated their efforts in Millerton which they will transfer to Salisbury.
The Gearys are already planning events for the new space, including art classes, lectures, readings and parties. During the gallery’s time in Millerton, from 2020 to the present, Geary hosted 28 exhibitions, as well as performance art events, poetry readings and dinners celebrating exhibitions. Most recently, they hosted a dinner for artist Dana Sherwood in conjunction with her exhibition. Ever the creative artist, Sherwood made all the plates, candlesticks and serving bowls used at the dinner.
The gallery currently represents five contemporary artists: Will Corwin, Tura Oliveira, Alan Prazniak, Reeve Schley and Sun You. Most are painters, though some also work in sculpture and installation. “We are focused on showing our represented artists,” Dolly said, “but we also enjoy showing other artists with whom we have relationships.” The Gearys have exhibited at art fairs in Miami, Chicago and San Francisco and have placed works in museum collections and exhibitions, raising artists’ profiles and building momentum for the gallery’s future.
Alan Prazniak, whose work will be featured in the opening exhibition, describes the show, “Earth Tones,” as “a collection of work that chronicles the time after moving my studio to the Catskills from Brooklyn in 2024. ‘Tones’ refers to the colors, but also — maybe more importantly — to the frequencies of the mountains. There’s a music to them; it can be overwhelming if you let it in. Staring at a giant hill in the distance, listening to it hum, falling under the spell of whatever’s out there. But finally turning your back to it to go into the studio, trying to make something of it.”
Geary is open Friday through Sunday from 11 a.m. to 5 p.m. and by appointment. Information is available at info@geary.nyc

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Steve and Julie Browning, co-owners of No Comply Foods in Great Barrington, have built a restaurant that reflects their skate-punk spirit and love of globally inspired comfort food.
At No Comply Foods in Great Barrington, skate culture, punk music and globally inspired comfort food collide in a pink frame house on Stockbridge Road where community matters as much as what’s on the plate. Opened in 2024 and named for a skateboarding trick, the restaurant hums with eclectic music while its walls double as a gallery of patron-gifted art — brightly colored skateboard cartoons, portraits of the owners’ pug, Honeybun, and offbeat collages.
High school sweethearts Julie and chef Steve Browning both loved skateboarding and punk music, especially the 90s California ska-punk band, Skankin’ Pickle. They also share a love for good food and a strong sense of community and fairness. After stints at Lutèce and the 21 Club in New York City, Steve helped open Prairie Whale in Great Barrington as the inaugural chef and worked there for 10 years. His partner, Julie, is a full-time special education teacher at Housatonic Valley Regional High School in Falls Village.
They opened No Comply Foods with their unique vision. “It’s a place that we did on our own terms,” said Julie. “Despite people trying to tell us things that we needed to do to be a successful restaurant, we do the things that we want to do.” Those things include no alcohol, no tips and no reservations. “It’s a place that anybody can come into, just sit down, eat and feel welcome. A complete reflection on who Steve and I are, and who we have been. That’s what this place is.”

Clearly, their formula is working. In its August 2025 issue, Bon Appétit Magazine named No Comply Foods one of the 14 best new breakfast spots in the U.S.
Brunch on the first warm Saturday this winter offered Turkish eggs with labneh; two sunny-side-up eggs on a Japanese sweet potato topped with chili crisp; tender soft-boiled eggs resting on steamed spinach with silky béarnaise sauce, rye toast and smoked bacon; a plate piled with buttermilk pancakes with a dollop of maple butter and circles of powdered sugar; and mugs of strong coffee. The place stayed packed for hours, every seat filled as families fresh from skiing — suspenders hanging, boots clomping -— came in for warming meals. One couple marked a post-Valentine’s moment by sharing a chocolate heart doughnut by Pastries by Hanna, a baker in Canaan, Connecticut.

Browning cooks globally influenced food with chef Dimitri Koufis, and the dinner menu changes daily. Recent offerings have included French fries with black pepper aioli; fried cauliflower with couscous, olive tapenade, orange and fenugreek yogurt; hot dogs and fries with jalapeño cheddar and special sauce; leek and mushroom pot pie with oyster mushrooms, spinach, cream and mascarpone; and rigatoni Bolognese with Grana Padano, onion soubise and herbed breadcrumbs. If you still have room for dessert, you might try an apple crostada with caramel sauce and ice cream or chocolate mascarpone mousse.
Prices are reasonable. The menu emphasizes fresh food to reduce waste, and produce is seasonally sourced from local farms. Guests can plan a party in the brightly lit upstairs space, enjoy special evening events that might include live music or comedy, or attend themed menus such as Greek Night. No Comply Foods is dog-friendly.
For hours and more information, visit: nocomplyfoods.com
Spring arrives early at Berkshire Botanical Garden.
The Berkshire Botanical Garden in Stockbridge is offering the perfect solution to the winter doldrums with its annual Bulb Show, beginning Feb. 20. Depending on how long the bulbs bloom, the show is estimated to run until about March 20.
Inside the Fitzpatrick Conservatory, hundreds of tulips, daffodils and grape hyacinths will be waiting to give visitors a welcome taste of spring.
Some rarer blooms to look for are the “Hoop Petticoat Daffodil” (Narcissus bulbocodium) and three from South Africa: “African Corn Flag” (Chasmanthe bicolor), “Fairy Bells” (Melasphaerula ramosa) and “Forest Lily” (Veltheimia bracteata).
Preparation for the bulb show begins in summer, when bulbs are chosen and ordered. They are planted in fall and then spend about 15 weeks at temperatures simulating winter.
Eric Ruquist, director of horticulture at BBG, explained. “We have
two small, air-conditioned rooms, or CoolBots, in the basement. We pull out our pots of bulbs in three stages. The first pull was Feb. 7, and since we didn’t get too much sun last week, they are off to a bit of a slow start, but they are all budded up and I’m sure we will have blooming bulbs for our opening day.”
A point of interest besides the blooms is the display of succulents. Ruquist said to look for “hens and chicks, aloes, agave and sedum.”
“The Bulb Show is BBG’s gift to the community,” Ruquist said. Admission is free, but donations are welcome. Multiple visits are encouraged to enjoy a range of blooms.
Berkshire Botanical Garden is located at 5 W. Stockbridge Road, Stockbridge, Massachusetts.
The Millbrook Garden Club and Millbrook Library are launching a “Garden Matters” series, a free lineup of talks, walks and workshops on eco-friendly gardening presented with Stonewood Farm.Beginning Feb. 21 and running through July, the program highlights local experts sharing practical tips on soil health, regenerative growing, native plants and pollinator habitats.
Sessions include a soil-building workshop with farm managers, a creative seed-starting class led by Jessica Williams of Odd Duck Farm, a pollinator garden walkthrough with designer Andrew J. Durbridge, and a native meadow tour at the Cary Institute guided by president Joshua Ginsberg. All programs are free and open to the public at the library unless noted. Details and schedule updates: millbrooklibrary.org.

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