Roger S. Makepeace


HUDSON, N.Y. —Roger S. Makepeace, 70, passed away from complications of Parkinson’s disease at Columbia Memorial Hospital in Hudson, New York, on Feb. 27, 2023.
Roger was born on July 1, 1952, and grew up in Middlebury, Connecticut. He graduated from the University of Connecticut with a degree in agriculture and a desire to be an organic farmer, an unusual aspiration at that time. For many years, he was in charge of the grounds and landscaping on musician Paul Winter’s estate in Litchfield.
In 1990, after his parents were gone, he searched for his true home and found it in the mountains of North Carolina. With $60,000 he bought 55 acres, a house, a barn, and a tobacco field which he refused to plant. And there he lived happily in Marshall, North Carolina, for almost 30 years.
He loved the community, was an avid contra dancer and a talented photographer, and enjoyed life among the many artists, artisans, musicians, and farmers in the greater Asheville area.
In the late 1990s, Roger became a WOOFER — a Willing Worker on Organic Farms — and spent part of each year “woofing” in New Zealand. He would work on a farm for a while, save up some money, then head for the ocean to scuba dive, or to the mountains, where he took many stunning photos.
In 2017, his sister Anne Makepeace of Lakeville realized something was wrong. Roger was falling often; he was becoming isolated, having a hard time tracking conversations.
A neurologist diagnosed Parkinson’s and Pre-Frontal Temporal Dementia (PFD), although the diagnosis later became primarily Parkinson’s. For a few years, Roger was able to stay in his house on Big Pine in Marshall, with caregivers Anne hired. When that didn’t work out, she began searching for a place closer to her home. But could Roger be happy in assisted living?
This seemed impossible.
Amazingly, she discovered Camphill Ghent, in Chatham, New York, the perfect place less than an hour from her home and located in the beautiful rolling hills of Columbia County. The Camphill movement was founded on the principles of Rudolph Steiner, and its communities are dedicated to including people with and without disabilities, to maximize their potential, “to care for, celebrate, embrace and honor the special strengths and needs of each individual.” The huge windows in Roger’s room looked out over pastureland, grazing cows, meadows full of wildflowers in spring and gardens in summer — a huge organic garden where most of the food is grown, and a flower garden. The kindness of residents and staff, and the feeling of community, made Roger feel welcome and at home at Camphill. And then he fell in love — deeply so, with Kelly Jarrard, a wonderful woman living about 40 feet from him. Their love was mutual and they were together for a year in that beautiful place.
Unfortunately, Roger’s Parkinson’s worsened and his breathing suffered. He went into the Emergency Room with aspiration pneumonia and then into the ICU on Feb. 6, intubated and sedated.
Kelly visited him every day, sang to him, hugged him and stroked his beard. For a few days, he was able to breathe on his own without the ventilator, and they talked and even sang together in the ICU. But his oxygen levels declined, he was intubated and sedated again, and within days he passed away.
Roger lived lightly on the earth. He loved everything in the living world: the bees and birds in the sky, the fish in the sea darting through coral, the animals that walk the earth, and especially the plants that grow upon it, from the tiniest flowers to the tallest trees. He knew all their names, their changing colors, their cycles and habits. On one of the days in the ICU when he could breathe and talk, his Camphill caseworker and her husband visited him. They asked whether he had had a near-death experience when he had to go back on the ventilator. He said yes, and described the experience as light, like living in the light, and that coming back it was dark. May this kind, loving man who left us too soon live on in the light, wherever he is.
Roger is survived by his sister Anne Makepeace of Lakeville, his brother Douglas Makepeace of Pittsburgh, Pennsylvania, and his true love, Kelly Jarrard. Contributions in Roger’s memory can be sent to: Camphill Ghent, 2542 Route 66, Chatham NY 12037. Condolences to Anne Makepeace, P.O. Box 6, Lakeville, CT 06039.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.