Regional leaders explore membership in waste management coalition

Eager eyes watch as regional leaders discuss municipal solid waste solutions for the Northwest Corner.
Jennifer Almquist

Eager eyes watch as regional leaders discuss municipal solid waste solutions for the Northwest Corner.
The Northwest Hills Council of Governments (COG) has put municipal solid waste management solutions on the front burner.
State contracts for refuse hauling are due to expire in 2027, by which time Connecticut towns need to have alternative providers in place. Some COG towns have signed contracts with USA Waste & Recycling, but 11 have not.
A subcommittee of the COG has been exploring options throughout 2024. Creating a regional waste authority and purchasing Torrington Transfer Station to be used as a central hub has been proposed as an option. A permanent destination for the solid waste is still up in the air.
At the July 11 monthly COG meeting, Jennifer Heaton-Jones, executive director of Housatonic Resource Recovery Authority, shared information on the regional model used for the group’s 14 member towns.
HRRA covers towns from Kent to Ridgefield and has created a model that allows municipalities to continue normal operations at no additional cost. Local transfer stations collect waste as they always have, the waste gets short-hauled to a central hub (ie. Torrington Transfer Station), and then HRRA picks it up for processing.
Most garbage gets sent to the waste-to-energy facility in Bridgeport for burning. Bulky waste and construction debris is railed from Danbury to out-of-state landfills. Recyclables are processed at Oak Ridge Material Recovery Facility in Shelton, Connecticut. Scrap metal and other large recyclables are repurposed in-state.
“Our members do not pay a fee to be part of this authority. There is no financial obligation.” Heaton-Jones said. “Our revenue essentially comes from our hauler registration fees, our permits, and our program fees.”
Heaton-Jones offered a way for the 11 COG towns without a solution in place to join the HRRA. Those towns are Barkhamsted, Canaan/Falls Village, Colebrook, Cornwall, Goshen, New Hartford, Norfolk, North Canaan, Salisbury, Sharon and Winsted.
She said the growth would put a strain on HRRA’s small team in the transition. The group would need to hire more staff, so a $250 per town, per year fee, plus $2 per ton of MSW and $5 per ton of recycling, would likely need to be implemented on the new towns.
Heaton-Jones said these fees would end once the registration and permit revenues catch up to costs: “When the HRRA started in the late 80s, we had membership fees. That went away once the program fees were put in place and solid.”
COG seemed receptive to the suggestion and entered a private executive session to review the proposal. No action was taken in the session and the idea will be discussed further in the August meeting.

America’s 250th
Connecticut is gearing up for numerous events in commemoration of the 250th anniversary of the signing of the Declaration of Independence.
Rachel Gonzalez, the Administrative Assistant of CT Humanities informed the COG on community programming surrounding the occasion.
CT Humanities is coordinating activities and providing grants for 250th-related projects. They’ve awarded nearly $160,000 for 13 projects and over $2 million for capital improvements through their Good to Great fund.
Local communities are encouraged to form their own planning committees and submit events to include on the official CT 250 website calendar. “We do hope that organizations will work to tell inclusive stories that will enable Connecticut residents and visitors to see themselves in the nation’s narrative. Hopefully trying to broaden the view of the story of the Declaration of Independence,” said Gonzalez.
The commission is striving to create a celebration that reflects the nation’s founding ideals. It has outlined four key themes: telling inclusive stories, considering the power of place, encouraging civic engagement, and “Doing History” or grounding events in an accurate historical context.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.