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Remembering that silents were once a new art form

FALLS VILLAGE — Donald Sosin and Joanna Seaton provided a true silent film atmosphere during their presentation, Silent Clowns, at the D.M. Hunt Library on Saturday, March 29.The program opened with Seaton singing Irving Berlin’s “At the Picture Show,” with Sosin on piano. She explained that in the early days of American cinema, films and live vaudeville acts were often combined on the same bill.The theaters provided musical accompaniment for the silent films. Depending on the town, and the prosperity of the theater owner, this could range from a single pianist (“the Sunday School teacher,” Sosin said) to an orchestra.Seaton said many songwriters of the day made direct, specific reference to both the films and the actors. This helped the box office, and the sale of sheet music.She sang, “Come Out of the Kitchen, Mary Ann,” complete with brogue. The song is about Mary Ann, “a picture fan.” The chorus goes:“Come out of the kitchen, Mary darlin’/ Come out of the kitchen, Mary Ann/ Why waste your time cooking Irish stew /When Mary Pickford and Theda Bara will step aside for you /How would you like to be starred with Charlie Chaplin/ Your picture pasted on each garbage can?/ It’s a cinch there’s nothing to do/ Just let him kick you black and blue /Come out of the kitchen, Mary Ann.”Seaton said the songs were often aimed at immigrant groups. Even if the lyrics contained stereotypical imagery, the immigrants were generally pleased to be mentioned.In one film from the presentation, “The Adventurer,” Chaplin plays an escaped convict. While being chased by police, he manages to save a pretty girl’s mother from drowning, and insinuates his way into the family — much to the chagrin of a large fellow with a dramatic beard and glowering expression.Sosin played an improvised accompaniment on piano while Seaton provided percussive sound effects, both electronic and physical.That Chaplin’s work is timeless was evident, with parents and small children laughing heartily at the gags.One has Chaplin absent-mindedly dropping the contents of his ice cream cone off a balcony. The ice cream goes down the back of the dress of a wealthy lady, distressing the occupant of that dress.Seaton said after the performance that audiences consistently enjoyed this kind of humor, where a wealthy person is seen at a distinct disadvantage.Also shown was Buster Keaton’s “One Week,” where he is a newlywed who learns he has inherited a home from his uncle. When he and his bride arrive at the address, they find the home is in numbered crates, awaiting assembly.Unfortunately, the spurned suitor of the bride changes the numbers on the crates. The result is a frame house that looks like it was designed by Salvador Dali on one of his off days, and built by Pablo Picasso, ditto.Again, Sosin and Seaton provided music that complemented the film.Sosin said it is difficult for modern audiences to appreciate the revolutinary aspect of what was then a new art form, and to understand the worldwide popularity of Chaplin.He said 2014 is the centennial of Chaplin’s arrival at Mack Sennet’s film company. “He found some old clothes and thought they would make a good costume.“Two years later he was the most famous man in the world.”

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