Rereadings: Sir Francis Bacon’s ‘New Atlantis,’ an eden for scientists

Sir Francis Bacon was known as a moral philosopher, a description that earlier in my life was enough to frighten me into not reading him. I later became acquainted with him because of the manner of his death, from a chill brought on by his attempt to investigate the preserving qualities of ice on a freshly killed chicken, an incident I recounted in a book about the cold. He died in 1626 and “New Atlantis” was published the following year. Even shorter than Machiavelli’s “The Prince,” it too has had a decided effect on the world.Unlike More’s “Utopia,” “New Atlantis” is a quick and fascinating read. The crux of the argument is contained in a few pages, but in the build-up to them Bacon takes witty potshots, for instance at More for some of the sillier notions in “Utopia,” at the absurdity of European society in putting marriage on a pedestal but encouraging bawdy houses and drunkenness that undermine marriage, and at Plato for his exaltation of the perfect state, Atlantis, only after it had sunk into the ocean.In Bacon’s earlier and longer book, “The Great Instauration,” he invited rational people to no longer rely for their perceptions of the world on the constructs of the ancient Greeks and Romans, and to discover on their own how the world around them worked. “New Atlantis” took that idea to its logical end, a kingdom energized by science and scientists. The book’s narrator recounts how he and a group of explorers sailed west from Peru, and, six weeks on, starving and ailing, happened on an unknown continent. Not permitted to land, they were given a note in Greek, Latin, Hebrew and Spanish, and bearing the sign of the cross. Soon, because the visitors gave no evidence of piracy, they were allowed ashore to recuperate. In a “Strangers House,” many of the sick were cured, the visitors enjoyed marvelous food and drink, and eventually had their curiosity about the kingdom and its people satisfied by lectures from the sages. The islanders were descended from a group that had fled west within a few years of the death of Christ. They developed their uniqueness by clinging to their descent from Jews. They were at peace, and had plenty of liberty, bodily contentment, variety in life, and intellectual and sensual stimulation. Every dozen years they sent spies into the world to collect books and mechanical devices, and bring them home for study and reverse engineering.“Salomon’s House” was a foundation, the country’s most prestigious, devoted to scientific experiment, and over the course of a thousand years had produced marvelous medicine, fantastic animal and plant husbandry, useful complex machines, and was attempting the perfection of man in various ways, including what we would today call genetic manipulation. The surrounding countryside also contained some products of the research — structures six levels under the ground and as high above it as half a mile, artificial lagoons, weather-manipulation devices, disease-curing facilities and kitchens serving newly created food dishes. The researchers were continually engaged in pushing the limits of knowledge to determine, e.g., how birds fly or why chemicals react. The purpose? “The End of our Foundation is the knowledge of Causes, and secret motions of things, and the enlarging of the bounds of Human Empire, as to the effecting of all things possible.” Prior to “New Atlantis,” science had been an individual exercise, with wealthy men investigating phenomena and having minimal contact with other investigators in the next town or next country. Bacon’s “New Atlantis” was adopted as a manifesto, first in the 1640s in the “invisible college,” and in 1660 to found the Royal Society of London, the world’s first scientific association, devoted to learning through experiment, peer review, and publication of methods and results — “Salomon’s House,” come to London. The Royal Society’s first journal was couched in Baconian terms: “Philosophical Transactions Giving Some Account of the Present Undertakings, Studies, and Labours of the Ingenious in Many Considerable Parts of the World.” The Royal Society also encouraged the work of Isaac Newton. A hundred years later, Thomas Jefferson — who aspired to being a scientist — hung in his study at Monticello portraits of what he called his “trinity” of the greatest men ever: Newton, John Locke and Bacon. It was not only scientific research that they inspired; Jefferson saw them, and the canons of Baconian science, as the wellspring of a wider democracy of spirit and governance. Salisbury resident Tom Shachtman has written more than two dozen books and many television documentaries.

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Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

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To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

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Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

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Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

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