The Wake Robin Inn in Lakeville has been sold for $3.5 million following nearly two years of land-use disputes and litigation over its proposed redevelopment.
LAKEVILLE — The Wake Robin Inn, the historic country property at the center of a contentious land-use battle for nearly two years, has been sold for $3.5 million.
The 11.52-acre hilltop property was purchased by Aradev LLC, a hospitality investment firm planning a major redevelopment of the 15,800-square-foot inn. The sale was announced Friday by Houlihan Lawrence Commercial, which represented the seller, Wake Robin LLC.
Tom Cervone of CR Properties Group brokered the deal for Aradev.
Representatives of CR Properties and Aradev could not be reached for comment. Terms of the transaction, including whether the closing was contingent on the previously granted special permit or pending litigation, were not disclosed.
Long known as a wedding and retreat destination, the inn is slated to be transformed into what Aradev has described as a boutique hospitality campus serving Salisbury and the surrounding region.
Under the redevelopment plan approved by the Salisbury Planning and Zoning Commission in October 2025, the number of guest rooms would increase from 38 to 54. The project also includes a 2,000-square-foot detached cabin, expanded event space, a sit-down restaurant and fast-casual counter, as well as a spa, library, lounge, gym and seasonal pool.
The commission voted 4–1 to grant a special permit after seven public hearing sessions, adopting a nine-page resolution with 40 conditions. The proposal had been scaled back from an earlier version, eliminating a detached event barn.
Despite the approval, neighborhood opposition has remained strong. Wells Hill Road residents Angela and William Cruger filed two lawsuits challenging both an underlying zoning change and the redevelopment approval.
In late January, a Connecticut Superior Court judge in Torrington dismissed the couple’s lawsuit alleging that a 2024 zoning amendment allowing hotel development in the Rural Residential 1 zone where the inn is located was illegal “spot zoning” designed specifically to benefit the Wake Robin project. The court found the plaintiffs failed to demonstrate that public notice of the regulation was procedurally deficient.
When adopted, the amendment drew scrutiny from opponents who argued it had been crafted to advance the Wake Robin redevelopment. Town officials and land-use staff maintained the change was part of a broader effort to address longstanding nonconformities affecting historic inns across Salisbury.
A second lawsuit — an appeal of the commission’s approval of the redevelopment plan — remains pending.
D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Thomas Jensen
Aerial view of The Shed at Tanglewood.
The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:
Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.
Friday, July 10, 8 p.m., in the Shed. Seong-Jin Cho plays Tchaikovsky’s Piano Concerto No. 1 and excerpts from “Swan Lake.” This special evening features dancers from Boston Ballet and will be wonderful for the ears and the eyes.
Saturday, July 18, 8 p.m., in the Shed. The BSO, with Joe Hisaishi conducting, Jean-Yves Thibaudet on piano and Song Hee Lee, soprano, will perform Hisaishi’s “Adagio for Two Harps and Strings,” Ravel’s Piano Concerto in G, Hisaishi’s “Da-Ma-Shi-E” and Hisaishi’s “Symphonic Suite from Princess Mononoke.” The multitalented Hisaishi will be the most accomplished Japanese artist to grace the grounds since Ozawa’s time. Not to be missed.
Sunday, July 19, 2:30 p.m., in the Shed. The BSO, with Andris Nelsons conducting, Daniil Trifonov on piano and Thomas Rolfs on trumpet, presents a powerful program: Haydn’s Symphony No. 22, “The Philosopher”; Shostakovich’s Piano Concerto No. 1; and Beethoven’s Symphony No. 2. This is quite a lot to take in. Rolfs remains one of the orchestra’s most compelling virtuosos, and his trumpet playing is always worth hearing live. Trifonov, legendary on piano, playing another Russian legend’s finest music; extraordinary. Then, Beethoven. Better get there early.
Friday, July 24, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and the brilliant Augustin Hadelich on violin, performs Mozart’s Violin Concerto No. 5 and Tchaikovsky’s Symphony No. 3, “Polish.” Hadelich is worth seeing again and again; the tones he produces are so sweet.
Saturday, July 25, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and Paul Lewis on piano. The super-catchy Mozart Piano Concerto No. 27, K. 595, will have Lewis demonstrating his artistic command of tempo and tone while dancing and blending delightfully with the orchestra. Tchaikovsky’s Symphony No. 4 follows after intermission, and you’ll practically float home.
Thursday, July 30, 8 p.m., in Ozawa Hall. The Danish String Quartet, which brings a lot of energy to the stage, performs Stravinsky’s “Suite Italienne,” Beethoven’s String Quartet No. 16 in F, Op. 135, and arrangements of Danish folk songs. Come to hear Frederik, Rune, Asbjørn and Fredrik. Skål!
Friday, July 31, 8 p.m., in the Shed. The BSO, with Esa-Pekka Salonen conducting and Yefim Bronfman on piano. The power of Wagner’s “Prelude and Liebestod” from “Tristan und Isolde,” followed by Sibelius’ Symphony No. 7 and Beethoven’s Piano Concerto No. 5, “Emperor,” will leave you feeling like you are the new emperor.
Other events of note: Friday, July 17, 8 p.m., in the Shed. The BSO performs John Adams’ selections from “Nixon in China.” Also, don’t miss Laurie Anderson’s curated series of events Aug. 13, 15 and 16.
For a full schedule and tickets, visit bso.org/tangle
wood
Robin Roraback
Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.
Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.
Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.
After the loss of his wife of 43 years, Cathy, three years ago, the prolific artist took a break from painting.
“I am finally getting back on my feet,” he said.“I am beginning to paint again.”
“Time Passages” is a collection of his paintings from past years. With this show, he said, he will be “getting rid of the old and starting new.” He intends to “move in a different direction,” which involves a monochromatic palette. “I am in a sepia mood right now,” he explained.
Musselman has long been known for his whimsical paintings. He recalled his first one, depicting deer ice skating, which was sold at P S Gallery in Litchfield.
He explained how he gets his ideas. “I sit and visualize things,” said Musselman. “I paint from my head.”
He is also known for local landscapes, still lifes and flowers. His wife was from East Canaan, and her family’s Ford Farm inspired many of his paintings.
Musselman, who always loved drawing, was studying to be an aviation structural mechanic in the Navy when he painted a mural in the mess hall. He recalled, “They told me, ‘You’re wasting your time being a mechanic.’” So he painted murals and created technical illustrations instead.
After the Navy, while living in Florida, an opportunity arose for a job as a graphic designer at Dotty Smith’s in Lakeville, a women’s fashion and jewelry company that closed in 2001. Musselman applied and moved to the region where his wife had grown up.
Later, he worked full time as a painter, with work in five galleries. He was in his studio “14 hours a day, seven days a week” to keep the galleries supplied.
“Time Passages” contains favorite Musselman themes, including cowscapes, local landscapes, still lifes, flowers and barns, on both large canvases and 4-by-4-inch canvases, in styles ranging from whimsical to realistic.
He is now semi-retired. Future plans include painting portraits inspired by family photos. “I’m not going to chase it anymore. I’ll let it come.”
Musselman is concentrating on a “leap of faith, a new chapter in life.”
For more information, visit huntlibrary.org/
art-wall/.
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D.H. Callahan
“Butterfly in the Stomach” by Hanna Washburn at “Bugs!” part of Upstate Art Weekend.
Artist and curator Charlotte Woolf thinks bugs get a bad rap. Her new multimedium show at Foxtrot Farm and Flowers in Stanfordville seeks to change how people see these creepy-crawly creatures.
This time of year, there’s no way to escape the onslaught on bugs closing in from the wild. The little flyers and crawlers somehow penetrate even the tightest window screens. If there’s a crack in a floor board, it might as well have a big neon “Enter” sign. Like zombies from “Night of the Living Dead,” they approach with dispassionate determination.
But bugs aren’t just trying to make you squirm. Woolf’s show, “Bugs!,” highlights the underappreciated roles that insects, arachnids and myriapods play in our lives. They break down natural waste, serve as food for birds, reptiles, amphibians, fish and mammals, and pollinate about 75% of the food humans eat. Without bugs, our world simply doesn’t work.
To shine a different light on them, Woolf has enlisted more than 40 artists working in a wide variety of media, from fiber artists and tattooists to writers, sculptors and painters for a full weekend of art and activities.
The “Bugs!” show is part of Upstate Arts Weekend, an ever-growing celebration of the arts happening throughout the Hudson Valley. This year, the weekend kicks off on Thursday, June 25, at Olana State Historic Site, the estate of celebrated American painter Frederic Church, whose 200th birthday will be part of the celebration.
Events are being held all over the valley, including a dance party at Assembly in Kingston on Friday night. Beyond the official gatherings, Upstate Art Weekend is a chance to find new art and interact with artists and like-minded creative people.
The shows themselves are far too numerous to list. Even the official Upstate Art Weekend website has more information than a mere mortal could comprehend. But with a little determination, visitors can sift through filters to organize events by region, medium or price, though many of the shows are free to the public. There’s even a feature to help plot an itinerary, complete with recommended routes based on drive time, location and preferred pace, making it easier than ever to see as much art as the human heart desires.
For more info about Upstate Art Weekend, visit upstateartweekend.org and for more info on “Bugs!” visit foxtrotfarmflowers.com/events.
Ruth Epstein
A large crowd gathered at the home of Jamie Delaney and Michael Cullen for the annual CHORE Service Garden Party.
Community members gathered at the hillside home of Jamie Delany and Michael Cullen on Saturday, June 20, to help ensure that their senior and disabled neighbors are able to remain independent.
The event was the annual CHORE Service garden party. The organization provides a variety of everyday support services people rely on, such as help with errands and light housekeeping, while also providing employment opportunities for local residents.
As guests strolled through the expansive gardens and enjoyed hors d’oeuvres, cocktails and one another’s company, they were thanked by staff and board members for their support.
“Because of your support, this past year has been one of meaningful growth and impact,” Jane MacLaren, CHORE Service director, told the audience. “Together we provided nearly 10,000 hours of essential services — an 18% increase over last year — and served 254 residents in our community. We also provided part-time employment to more than 50 caregivers.”
She shared the story of one couple in which the husband is slowing down. While he is largely independent, his wife does not feel comfortable leaving him alone for long periods. Her life had become centered on caregiving, and she felt the need for some time for herself.
She called CHORE, and now, once a week, a caregiver takes her husband out to run errands, giving him an opportunity to stay active and connected while providing her with a break from constant responsibility.
“That’s the difference a few hours can make,” MacLaren said.
She announced that CHORE is expanding its services to include nonmedical respite care for unpaid caregivers like this wife. The organization also plans to expand its transportation program in response to growing demand for rides to medical appointments and social events.
“We look forward to sharing more about these new and expanded initiatives with you in the coming weeks and to demonstrating how your support continues to shape our neighbors’ lives.”
Board Vice Chairman David Becker spoke about the Fund the Cause initiative, which has a goal of $30,000. The funds will be earmarked for transportation to medical appointments.
He noted the beauty of the Northwest Corner but said its lack of transportation options can create significant challenges for many residents.
“Uber doesn’t exist in this part of the state,” he quipped, adding, “No one should miss medical appointments because they don’t have a ride.”
Among the attendees was Darcey Markelon of Litchfield, a CHORE caregiver. She signed up four years ago after retiring as a special education teacher in New Milford. She currently has two clients, and her enthusiasm for the work quickly became apparent.
“I’ve always enjoyed working with the elderly; it’s so rewarding,” Markelon said. “My clients and I have developed close relationships. I look forward to seeing them every week, and they look forward to seeing me.”
For more information, visit choreservice.org
Lakeville Journal
The documentary Bar None: Cannabis Redemption will screen at Stissing Center in Pine Plains Saturday, June 27 at 7:30 p.m. Although cannabis is now legal in much of the U.S., hundreds of thousands still carry the weight of past convictions — and tens of thousands remain behind bars. The film follows 13 people caught in the justice system who’ve turned their lives around by entering the legal cannabis industry. The screening will be followed by a Q&A with the film’s creator. Tickets are available at thestissingcenter.org
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