Sarah Cooke Picton


SALISBURY — Sarah (Cooke) Picton, age 76, of Salisbury, died June 17, 2024, at Geer Nursing and Rehab Center in Canaan of complications from Alzheimer’s Disease. Sarah and her loving husband, Jim Picton, had fourteen golden years together.
Sarah Herritage Cooke (she dropped “Herritage” when she married, and yes, they did spell it with two ‘r’s) was born in Richmond, Virginia, on Oct. 2, 1947, the youngest of four siblings to the late Richard Caswell Cooke and Caroline Myers, both of Richmond. She was predeceased by her oldest sibling, Caroline, and Caroline’s husband, William Dinsmore Holland, both of Cookeville, Tennessee. She is survived by her brother, Richard Caswell (“Caswell”) Cooke, Jr., and his wife, Mary Davis Cooke, both of Lawrenceville, New Jersey; also her sister Anne Gordon Cooke of Richmond. Anne’s husband, Rev. Charles Daniel Curran, Jr., predeceased her. Sarah also leaves many devoted nieces and nephews, one of whom, Lawrence Curran, predeceased her. Sarah had no children of her own, but two loving godsons, Peter Boyd of Charles City, Virginia, the son of Sarah’s longtime friends Julie and Randy Boyd, and Gordon Cooke of Derry, New Hampshire, the youngest son of brother Caswell. It should also be said here that there was not a better-loved pair of cousins either side of the Mason-Dixon Line than Willson Craigie (yes, two ‘L’s) and his wife, Susan Craigie, both of Richmond, whose friendship with Sarah and husband Jim figured prominently in their lives and grew deeper over the years.
In fact, as children, Sarah, Willson, and sister Anne would spend part of each summer together at Cricket Hill, the rural cabin, pond, and stream retreat father Dick fashioned for the family. Many stories emanate from that time, which must have made a deep impression on Sarah who, when she finally began to loosen her grip on reality, would often tell visitors that she lived at Cricket Hill still — which, in a way, must have been true. On Sundays when it didn’t rain (it never did, in the lore), Dick would conduct outdoor services under the weeping cedar, mostly consisting of hymns sung a capella.
Although not religious in later life, Sarah grew up attending Grace and Holy Trinity Episcopal, a church her great-grandfather helped to found in the 19th century. She attended St. Catherine’s, an Episcopal Diocesan school beginning in 6th grade, graduating 12th grade in 1965. Hollins College followed, a female-only school at the edge of the Blue Ridge Mountains, where Sarah thrived (she and her schoolmates were known as “Hollie Collie Dollies”), earning a bachelor’s degree in art history with a minor in math.
At this point, work at the Virginia Museum of Fine Arts was available, and although Sarah eventually took a job there, the urge to travel and see more of this country was overwhelming. Sarah struck out for the West. A series of visits over the next few years led her to jobs on a dude ranch in Wyoming, a sojourn in California (think: camping next to an avocado plantation), bartending in Denver, and a job with the Denver Art Museum, organizing fundraising shows and concerts in Larimer Square. She took credit for, among other things, introducing Bluegrass to the country music fans there when she organized a concert with Hot Rize, a group still heard on the radio today.
Though she loved the clear skies and surrounding natural beauty of Colorado and Wyoming, Sarah yearned to be closer to the New York art world, and so moved to New York, taking an apartment next to an old school friend in a third floor walk-up in Hell’s Kitchen (as she liked to remind us). Sarah was an artist, working in pencil, ink, and watercolor. She sketched every day, drawing from photographs and from life. In New York, she designed a line of greeting cards and sold them to Caspari, Inc. Many years later, after retirement, Sarah re-started her card business, marketing her work to local shops. But in New York, the card business didn’t cover all the bills, so Sarah found work at the Betty Parsons Gallery. After working at the Parsons gallery, Sarah was offered, and quickly took, a job as office manager and general jobber for Jasper Johns.
The relationship with her employer and the artists and “buzz” surrounding him was so successful that Sarah settled into Manhattan for good, moving to Connecticut only after Johns did. They were both fond of each other; Sarah stayed on for about 28 years, retiring finally to spend more time with husband Jim who, as one of the contractors who took care of the Johns campus, had to answer to Sarah’s ironclad rule before proceeding with any work, and fell in love with the boss in the process. Three years after first husband Bill’s death, Sarah allowed Jim into her life. They were subsequently married, in 2014. Visits to Cape Cod and to Maine, and a trip to Ireland to celebrate Sarah’s seventieth birthday, were among the pleasures of retirement, before Alzheimer’s became evident.
A memorial gathering and simple service will be held for Sarah in Salisbury and also Richmond, after summer. Notice will be published so that all who wish may attend these remembrances. Those who wish to make a charitable contribution in Sarah’s memory may consider the Housatonic Valley Association, a local conservation organization Sarah liked to support: Housatonic Valley Association, 150 Kent Road, PO Box 28, Cornwall Bridge, CT 06754.
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.
 
The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com