Threats of school violence on the rise in Connecticut

Winchester Chief of Police Christopher Ciuci with Police Sergeant Peter DeLouis (left), and Officer Scott Twombly (right).
Photo by Jennifer Almquist

Winchester Chief of Police Christopher Ciuci with Police Sergeant Peter DeLouis (left), and Officer Scott Twombly (right).
More than 50 Connecticut school districts have been affected by “death threats” made on social media since the beginning of the school year. Public schools were evacuated and locked down in Winchester, Bristol, Bridgeport, Ansonia, Westport, Meriden, Norwalk, Waterbury, Fairfield, Uniondale, West Babylon, and Torrington as school officials erred on the side of caution. As of Oct. 25, 20 juveniles have been arrested.
Commissioner Charlene Russell-Tucker of the Connecticut Department of Education sent out a letter on Oct. 22 addressed to parents and guardians. The letter, also signed by Governor Ned Lamont (D) and Commissioner Ronnell Higgens of Emergency Services and Public Protection, serves to address parents’ fears and asks them to support safe schools.
“Plans focus on prevention, protection, mitigation, response, and recovery. Safety and security begin at home. We encourage parents and caregivers to help us with this.”
In a recent discussion concerning the “dangers of technology,” Governor Lamont highlighted “Kids Online Safety Act” (KOSA) introduced by U.S. Senator Richard Blumenthal (D-CT) and U.S. Senator Marsha Blackburn (R-TN) (which passed the Senate on July 30, 2024), and Blumenthal was asked about statewide online school threats.
KOSA, according to Blumenthal, “Creates a duty for online platforms to prevent and mitigate specific dangers to minors.”
“Social media is an accelerant, like in a fire,” said Blumenthal. “It can spread and deepen harmful comments, threats and bullying.” Blumenthal continued, “I think effective law enforcement, as we’ve seen in Connecticut, as well as disapproval from contemporaries, peers and fellow students, can have an enormous effect.”
“Police are being very careful to see which is a serious threat and which is maybe some lark. Or somebody thinking it’s a mischievous prank,” said Lamont. Blumenthal added, “This is no joke.”
According to The Children’s Defense Fund: “Gun violence remains the number one cause of death for children ages one to 19, with the gun death rate for children at almost five in every 100,000 in 2020. Babies born the year of the watershed Columbine massacre are now 24 years old. No youth today knows a world without the threat of sudden deadly gun violence.”
The Lakeville Journal interviewed Winchester Chief of Police Christopher Ciuci following recent threats and school closings affected Winsted.
Almquist: Chief Ciuci, when did you begin working with the Winchester Police Department?
Ciuci: I’ve been in Winsted for a year and a half, after just shy of 29 years in Berlin. I grew up in Fairfield County and now I’m learning Litchfield County.
JA: Parents on social media said they were afraid to take their kids to Pearson School in Winsted (elementary school serving 300 children grades 3 to 6) recently. There was talk of a boy threatening with a gun on their school bus. There seemed to be a lot of confusion — parents concerned about what’s real and what isn’t. There was also a lot of criticism of the response from various authorities, including school administrators and police. After school shootings like the recent one in Georgia, there is usually an uptick in copycats on social media, but this seemed different. The threats were more prevalent — more national and widespread. Do these threats seem different to you?
CC: There was a contagious effect throughout Connecticut. What exacerbated that really was the social media. Once it got out there, it just kind of spiraled. It is hard dealing with all these different social media platforms. Getting out the proper message — there is a lot of misinformation. We have dealt with things like this in the past, so there are plans in place. We have a good relationship with the schools, and Emergency Management in Winsted. When you’re talking about school safety, it’s really that partnership between all of us — the parents, the community, the town, the Police department, the Fire department, and Emergency and Emergency Management — everybody. There are plans in place at the school required by state law — school safety plans, lockdown drills.
JA: Was the school’s response adequate?
CC: I thought the principal over at Pearson School did a good job. They were dealing with a child that is only 9 years old. In Connecticut you can’t even charge a child under 10 with a crime. To be honest with you, we don’t even want to get involved with a child so young. With juveniles, our first default mechanism is to divert from the criminal justice system. Especially with a child that age. We have diversion programs; a juvenile review board here, but in this situation, nothing really fit that criterion, because of the age of the child. The school had procedures in place. They met with their social workers, and threat assessment team. They did what they were supposed to do and made an assessment.
JA: Why were parents so critical of the response?
CC: I know where things got carried away because instead of the parents dealing directly with the school, or dealing directly with us, they just started putting stuff out on social media. Then that triggers and creates alarms, and that is what we want to try to avoid. After any incident like this it’s important to sit down, look at how it was handled, and determine what can we do better next time.
JA: It was reported that recently in Ansonia, a 13-year-old girl confessed that she made a threatening school post. She was charged with first-degree threatening and second-degree breach of the peace. In Florida, Sheriff Mike Chitwood perp walked an eleven-year-old suspect into custody, and a video of the child being arrested was shown to the public. The authorities said they wanted to publicly shame the parents and their child. How do you respond to that approach?
CC: It is hard to determine a lot of these threats that that are circulating now, because the technology allows them to know they’re anonymous. We don’t know where they’re coming in. They are disguising the numbers, disguising emails, disguising the social media posts. So, it’s difficult to track that back to the source and pursue it criminally. Make no mistake, if we can identify them, we really have a zero-tolerance policy at this department when it comes to threats. If a child was of age to be criminally charged, we would still follow through with that referral process, but we would divert them to the juvenile review board. But if there was a crime committed by someone of age, the message we want to send the child is that we’re going to pursue criminal charges.
JA: How do you determine a real threat?
CC: It is a multi-layered problem when the threat is real — you have the actual perpetrator, you have an actual crime that’s going to be committed. I think probably the hardest thing is determining whether a threat is real or not. We’re a small department without enough staffing. When you talk about school safety it takes a town-wide commitment. Not just supporting the people involved in public safety, but financially supporting them as well. Providing public safety is not cheap. But it’s in between handling calls for service such as dealing with school incidents which pulls everybody away from everything else.
The Children’s Defense Fund states: “Our nation’s young people deserve the chance to have a childhood free from violence and a country with leaders who ensure that they are safe in their schools, neighborhoods, and communities.”
Lakeville Journal
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Lakeville Journal
Lakeville Journal

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Dee Salomon
Fireweed attracts the fabulous hummingbird sphinx moth.
You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.
These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.
So how do we ensure that there are sufficient caterpillars for them? That is the question, as caterpillars are very particular. Their butterfly or moth mothers cleverly attach their eggs to the very specific plants their tiny babies require. Once they hatch, the caterpillars eat the leaves of these plants until they are either picked off by birds to feed their young or create a chrysalis and turn into a moth or butterfly to repeat the cycle of life.
Some caterpillars are generalists and can survive on a variety of plants, but most — 90 percent, according to scientists — are specialists, relying on only one or two types of plants for survival. In their winged form, dietary restrictions ease as they source pollen more widely, but when it comes time to lay eggs, they use a keen sense of smell to find the specific plants that will help their young survive.
Research by Doug Tallamy shows that 90 percent of butterfly and moth species rely on just 14 percent of native plant species for food, which makes the planting of these “keystone” plants critical. Let’s review a few.
Goldenrod: Not all goldenrod is created equal. Old field goldenrod, (Solidago nemoralis), is a shorter and less aggressive alternative to the tall, aggressive goldenrod we are familiar with, as is wrinkleleaf goldenrod, (Solidago rugosa), a compact species that has arching sprays of bright yellow flowers supporting more than 100 species of insects. This species is deer-resistant with no serious pests or diseases. Last year, Mt. Cuba Center, a conservation center out of Delaware, focused its trials on goldenrod, and its research report, available online, is sortable not just by aesthetic attributes but also by the number of insects seen on each species.
Scarlet strawberry: (Fragaria virginiana), is one of the plants I have had great luck growing in the woodland. When there is a new sunny spot, which happens when a tree or large branch falls, I plant a few strawberries, which I dig out of a spot where they are thriving. These plants make a great groundcover and are especially nice used under trees for caterpillar “soft landings.”
Spotted Joe-Pye weed: We see this plant, (Eutrochium maculatum), on roadsides in late summer, but it looks as sharp as an ornamental in the hands of Michael Trapp, who, in the garden behind his shop in West Cornwall, encloses a bed of Joe-Pye weed with a short boxwood hedge, dignifying this plant that supports between 35 to 40 caterpillar species, including those that become the three-lined flower moth, Clymene moth, ruby tiger moth, Eupatorium borer moth and great spangled fritillary moth.
I am less familiar with fireweed, (Chamaenerion angustifolium), but will be adding it this year, as it may be the prettiest of the keystone plants in our region and attracts the fabulous hummingbird sphinx moth. I will let you know when I find a local nursery that stocks it and, when planted, how it fares here.
Also keep in mind this spring: smooth aster, (Symphyotrichum laeve); white yarrow, (Achillea millefolium); and the beautiful Canadian columbine, (Aquilegia canadensis), which is the first food for hummingbirds’ arrival in the Northwest Corner.
Dee Salomon ‘ungardens’ in Litchfield County.
Robin Roraback
Stephanie Haboush Plunkett
"The field of illustration is very close to my heart"
— Stephanie Plunkett
For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.
Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.
“The field of illustration is very close to my heart,” she said. Inspired by that example, she studied illustration at Pratt Institute and began her career as an illustrator before shifting toward museum work. An internship at the Brooklyn Museum proved pivotal. “It was inspiring to see the children come alive in front of art,” she recalled.
In addition to her curatorial work, Plunkett is the author of two children’s books, “Kongi and Potgi: A Cinderella Story from China” and “Sir Whong and the Golden Pig,” and has written or co-authored numerous books on illustration, including “Drawing Lessons from the Famous Artists School” and “Leo Lionni: Storyteller, Illustrator, Designer.” She earned an MFA from the School of Visual Arts and built a museum career that included positions at the Brooklyn Museum, the Brooklyn Children’s Museum and the Heckscher Museum of Art before joining the Norman Rockwell Museum, where she has worked for 31 years.
But elevating illustration has meant challenging decades of critical skepticism.
“The goal has been to shine a light on this important American art form and to elevate public awareness of its artistic and cultural importance,”Plunkett said.
As a popular and widely circulated art, illustration is sometimes thought of as inferior to fine art, such as painting and sculpture. Plunkett considered why. She theorized that the 1913 New York Armory Show, the International Exhibition of Modern Art, with works by artists such as Picasso, Matisse and Duchamp, initially contributed to this evaluation. In the 1930s and ’40s, abstract expressionism became the art of the nation, and the rift widened further.
“Norman Rockwell became the antihero for many art critics of the time,” said Plunkett. “Illustration was viewed as too commercial and sentimental because of its emphasis on visual storytelling.”
Plunkett calls illustration “art with a job to do.” She explained, “Illustrators are adept at solving visual problems for their clients while expressing their own aesthetic and artistic vision.”

She noted that the line between the fine and applied arts “is much more porous now, with many artists working across platforms and styles.” She cited late-20th-century illustrators like Marshall Arisman, Barbara Nessim, Robert Cunningham, Bernie Fuchs and Mark English as illustrators who forged unique approaches to working and seeing.
Plunkett commented that people want to see the original illustrations. “Generally, Rockwell exhibitions bring high attendance. Currently, our traveling exhibition, ‘Norman Rockwell: From Camera to Canvas,’ is at the New Britain Museum of American Art, but we’ve traveled Rockwell and illustration to 45 states and several countries, including Japan, France, Italy and Germany.”
Nowadays, illustrators take on subjects that are important to them. “The children’s book industry is committed to sharing the richness and diversity of people and cultures with young readers.” Plunkett cited the late illustrator Jerry Pinkney’s commitment to this goal. As a boy, Pinkney found no books portraying children like him, and “his life’s mission as an artist was to present inspiring, positive images of children of color.”
The Norman Rockwell Museum and Rockwell Center seeds were sown when “Rockwell placed the first 199 artworks in the care and collection of the Norman Rockwell Museum upon its founding in 1969, some of which he personally acquired for the fledgling collection,” said Plunkett. “The museum’s current Rockwell holdings include 865 original artworks, the artist’s Stockbridge studio and an archive of 400,000 photographs, letters, props and first uses of the artist’s work. We also hold about 25,000 illustrations by other artists, from the historical to the contemporary.”
“We call ourselves the home for American illustration. We have a real commitment to illustrators and what they’ve accomplished,” said Plunkett.
The Norman Rockwell Museum is located at 9 Glendale Road, Stockbridge. For more information and to purchase tickets, visit
nrm.org
Brian Gersten
Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.
The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.
East Mountain House grew out of a realization that “there are so many issues with how we are taking care of our dying in our community,” said David. “We wanted to provide a solution for some people where they can die in a serene and calming home-like setting.” This compassionate approach at East Mountain House is carried out with the support of seven staff members and 42 volunteers who do everything from reading to residents, gardening, cooking, communicating with family members and assisting with therapeutic treatments. East Mountain House houses just two residents at a time, and staff and volunteers work around the clock to accommodate their needs.
In a culture where we are trained to panic when a loved one is dying, and where a clinical space like a hospital is the norm for many individuals at the end of their lives, Davis feels that East Mountain House is an alternative with a natural and organic approach to death. It’s a place where death can be celebrated and viewed as something that is simply a part of life. Davis’ vision for East Mountain House is more than a decade in the making, and he is eager to introduce his work and his perspective to locals at the upcoming community screening.
One of the reasons Davis was interested in sponsoring a screening of “Come See Me In The Good Light” was because the film gracefully explores themes of vulnerability, resilience and the search for meaning in the face of death. Through its deeply personal storytelling, the film highlights how people navigate loss, transformation and the desire to be seen for who they truly are. The documentary’s emphasis on compassion and human connection aligns closely with the mission of East Mountain House, making the post-film discussion a natural extension of the evening.
Davis hopes the event will serve as both a cultural offering and a community touchstone — an opportunity for neighbors to gather in a welcoming space, share ideas and reflect on the importance of end-of-life support systems. The screening is free and open to the public, though advance registration is recommended due to limited seating.
For registration, go to themoviehouse.net.

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