Baking bread with the master, in a Zoom talk

Bread Alone founder Dan Leader will talk about his new book, “Living Bread.”


SHARON — Dan Leader is going to do a Zoom demonstration of how to make sourdough starter and a simple sourdough bread. This is a little bit like having Mozart come to your house to show you how to play “Twinkle, Twinkle, Little Star.”
Leader is the baker/owner/founder of Bread Alone, one of the only bakeries to offer artisanal breads at grocery stores throughout the Tri-state region and New York City.
There are also Bread Alone restaurants in nearby New York state in Boiceville, Rhinebeck, Woodstock and Kingston, serving sandwiches and baked goods, all for take-out these days.
The breads have been selling at a super-fast rate, Leader said.
“We can’t bake enough bread,” he said in a phone interview last week. “We’ve been at full capacity for two months. People are buying all their bread in stores now that they’re not going to restaurants.”
And of course many people are either teaching themselves to bake bread while in quarantine or are dusting off forgotten skills from years ago. As a result, it’s very difficult to find yeast and flour (especially coveted bags of King Arthur products).
Leader’s general message in his Zoom talk will be to relax a little; it’s going to work out. Which is comforting to hear from the man whose new book, “Living Bread,” seems intimidatingly scientific at first glance.
May 29 Zoom talk
“Living Bread” is the reason why Leader is offering his services for what he’s calling “Sourdough 101” online. The talk and demonstration (on Friday, May 29, at 7 p.m.) is a fundraiser for the Hotchkiss Library of Sharon, a way to make up for funds that will not be collected this year at the annual book signing, which will not take place because of COVID-19 concerns.
The library has lined up several authors to do Zoom talks. There is a fee to participate. Books can be ordered (and signed) through the library website. To sign up, go to the library website at www.hotchkisslibrary.org and click on “events” and then “Virtual Book Signing 2.0 — Book Talk With Daniel Leader.”
A limited number of tickets is available for the talk ($25) and for the talk and a signed book ($75).
The baker’s percent
Leader describes himself as a “back-door baker,” and he begins the book by talking about how he learned to bake bread by wandering around France and knocking on the back doors of bakeries. He’d get pulled in off the street and put to work right away.
Despite what he feels is his non-academic background, “Living Bread” presents recipes in an intimidating format — which, once Leader explains it, is actually quite simple.
Bakers have their own shorthand language for adapting recipes; they use a “baker’s percent” in which they throw out a number for the amount of flour used, the amount of salt and water, the time it needs to rise, all the basics of making bread. This is the language that Leader uses in his book.
He also offers metric measurements for the recipes; again, this seems intimidating until you try using a scale, at which point you realize it’s much simpler than cups and tablespoons.
Denser bread, fewer holes
The book is a sort of travel guide to bakeries in Europe that Leader has known and loved. He interviews bakers about their best breads and how they do their work, often using recipes and sourdough starters that have been handed down through the generations.
Leader is drawn more to denser breads with a tighter cell structure, as opposed to the airy artisan bread with lots of holes that he says he sees so much of on social media. These lighter breads are generally made with the newer technique of stretching and folding (or “lamination”) than with kneading (by hand or with a mixer).
“When you knead you don’t get those nooks and crannies,” Leader said. “Esthetically that kind of bread is very appealing, but if you showed it to bakers in, for example, northern Italy or parts of Germany, they’d see those holes as a flaw.
“People like to put butter on their bread, or make sandwiches. It gets messy when you have a lot of holes.”
Armchair travel
The photos in “Living Bread” make a compelling case for the aesthetic appeal of a denser bread. They were taken by Joerg Lehmann, a food photographer who traveled around Europe capturing the breads (and bakers) that Leader writes about in the book with his co-author, Lauren Chattman.
For those who are feeling restless in quarantine, this book not only offers a way to pass the hours (by learning to bake with bakers’ percents); a master class in classic bread technique taught by someone who didn’t learn it in an academic setting; and a beautiful travelogue of western Europe.
For neophyte bakers who feel frustrated at not being able to find their favorite flour brand or commercial yeast, Leader says not to worry about what flour you use for your sourdough starter. Save the best flour for making bread. His book offers information about large mills that can ship artisan flour to you. To learn about an artisan flour mill here in the Tri-state region, see the article in this week’s Compass arts and entertainment section about Wild Hive Farm Community Grain Project in Clinton Corners, N.Y.
Alec Linden
The Veteran’s Memorial is set to receive a new plaque commemorating Kent’s 44 known Revolutionary War servicemen. The stone will be displayed throughout the weekend’s USA 250 celebrations.
KENT – Kent organizers made last-minute changes to the town's Independence Day celebrations due to extreme heat and possible storms, bringing some activities inside and making slight changes to the parade. Fireworks at Lake Waramaug are planned as scheduled.
Members of the town’s USA 250 Subcommittee made the changes during a July 1 after the National Weather Service issued an extreme heat warning. With temperatures expected to reach the low to mid-90s, Gov. Ned Lamont also activated Connecticut's Extreme Hot Weather Protocol on Tuesday, which remains in effect through Sunday.
Friday, July 3
The parade is still set to kick off at Town Hall on Friday, July 3, at 7 p.m. It will finish with a reception at the Kent Volunteer Fire Department with a DJ, dancing and signing of the town’s ceremonial Declaration of Independence.
A planned bonfire has been replaced by the “KVFD Mega Soaker,” courtesy of a Kent Volunteer Fire Department truck, and cold refreshments in the vein of watermelon or popsicles will take the place of smores, which are being saved for a later event. First Selectman Eric Epstein, who is also a volunteer firefighter, said to get ready to get wet: “it’s more than a mister… it’s a soaker.”
Town Clerk and USA 250 Subcommittee member Darlene Brady warned parents to bring towels.
The group will also be providing vehicles and floats so parade participants can hitch a ride than walk through the heat, though they may still walk if they choose.
As of Thursday afternoon, 16 floats had registered, and anyone eager to join can still submit a last-minute request for a holiday-themed float.
Saturday, July 4
All of Saturday’s programming has been moved indoors, save for the raising of the flag which will occur just outside the Community House at noon. The reading of the Declaration, the nationwide bell ringing, and community picnic with concessions and local vendors and activities will take place inside the building until 3 p.m.
Fireworks at Lake Waramaug at dusk are still on schedule for 9:30 p.m., with parking for Kent residents at the shoreside Lake Waramaug State Park.
Widely scattered showers and thunderstorms are possible both days. Brady said that Friday’s parade may still go on in light rain, but that it may have to be halted if safety becomes a concern, as in the event of downpours or lightning.
“We’re hoping mother nature loves a parade!” she said.
Friday, July 3 (Lights & Liberty Community Kickoff):
2 p.m. – community bell ringing at 2 p.m. at the Eric Sloane Museum, 31 Kent Cornwall Road
7 p.m. – Lights and Liberty parade kicks off at Town Hall, ending at the KVFD firehouse for a reception with a DJ, dancing and refreshments
Saturday, July 4 (Celebration on the Town Hall Lawn & Fireworks Finale):
Noon – community signing of town Declaration and flag raising outside the Community House, 93 North Main Street
1 p.m. – Public reading of the Declaration of Independence inside the Community House
2 p.m. – Town-and-nationwide bell ringing
Noon to 3 p.m. – Community picnic, activity tents family programming and food and drink
9 p.m. to end – Rim-the-Lake with Flares followed by fireworks display

Aly Morrissey
The Hotchkiss Library of Sharon will host its 28th annual Sharon Summer Book Signing event July 31 through Aug. 2.
SHARON – Facing threats of violence amid a public dispute with President Donald J. Trump, famed author and journalist E. Jean Carroll is no longer expected to attend a highly anticipated book-signing at The Hotchkiss Library of Sharon, though library officials said they have not received formal notice that she has canceled.
The meet and greet was originally scheduled for Aug. 1 as part of the library’s Sharon Summer Book Signing event – which will take place as planned – but Library Director Gretchen Hachmeister said July 2 that Carroll’s attendance is no longer expected. She said the writer is allegedly in an undisclosed location under police protection after receiving death threats related to a recent Supreme Court decision and the president’s subsequent posts on social media.
There is no known local threat at the library or in the surrounding communities at the time of the event, Troop B of Connecticut State Police confirmed.
Hachmeister said library officials are operating under the assumption that she will not join.
“We are disappointed, of course, but her safety is our number one concern,” Hachmeister said.
Ticket sales for Carroll’s signing and cocktail party have been paused on the Hotchkiss Library website until further notice.
Carroll was planning to promote her New York Times bestselling memoir, “Not My Type: One Woman vs. a President,” which was published in June 2025 and details her highly publicized legal battles with President Trump.
The ongoing dispute has received widespread attention over the past seven years after Carroll accused Trump of sexually assaulting her in a luxury department store in the mid-1990s. She filed two separate civil suits: a $5 million sexual abuse and defamation suit, and a second $83.3 million defamation suit in 2023 and 2024, respectively. She won both cases.
Trump has made claims that he never met Carroll, calling the lawsuit a “fake case.”
On Monday, June 29, Trump took to Truth Social – a social media platform he owns and operates – after the Supreme Court declined to review his final appeal attempt of the 2023 decision.
In the post, Trump said the New York Adult Survivors Act – which temporarily allowed survivors to come forward and file civil suits against abusers despite expired statutes of limitation – was “tailormade” to “nab” him.
“I will continue the fight against this Weaponization and Lawfare Case against me, including the ridiculous claim of Defamation, with all of my power and strength,” the President wrote.
Carroll was one guest in an extensive lineup of authors scheduled to attend The Hotchkiss Library’s 28th annual Sharon Summer Book Signing, which draws authors from across the region to the Northwest Corner.
The event is scheduled to take place July 31 through Aug. 2 and will once again feature book signings, author dinners, a summer reading kids carnival and brunch with New York Times food columnist Melissa Clark. The event will also continue its second annual Page to Plate event, which brings cookbooks to life in an immersive culinary-literary experience.
Tickets are available at hotchkisslibraryofsharon.org.
Aly Morrissey
Senior awards for the HVRHS Class of 2026 have been announced.
The Housatonic Valley Regional High School senior awards were announced for the Class of 2026. The graduation ceremony was held Friday, June 19. Student speakers acknowledged the importance of community, as several reflected on overcoming significant adversity in their young lives.
Norma Lake Award - Shanaya Duprey
Frank N. Ruotolo Award - Alexa Meach
Eleanor Roosevelt Award - Madison Graney
Taconic Learning Center Adina Simonson Award - Mollie Ford
Taconic Learning Center Robert Rumsey Award - Anna Gillette
Gordon P. Heyworth Award - Shanaya Duprey
Le Prix Sandi Vanausdal - Victoria Brooks, Elizabeth Forbes, Alexa Meach Seal of Biliteracy for French - Elizabeth Forbes, Celeste Trabucco
Seal of Biliteracy for Spanish - Kevin Aguilar, Mia DiRocco, Eric Lopez Espinosa, Joseph Villa Arpi, Ayden Wheeler
National Choral Awards - Sara Ireland, Richie Crane
John Philip Sousa Award - Madison Melino
Eric Whitacre Student Composition Award - Elizabeth Forbes
CAS Arts Award - Alex Wilbur, Arianna Danforth Gold
Holly Adams Award - Gabe Sario
David B. Armstrong Memorial Art Prize - Sara Raber
Frida Kahlo Award - Madison Melino
Jack Sparling Memorial Award - Gabe Rooney
Ron Viafore ArtsAlive Award - Elizabeth Forbes
Henry P. Becton Scholarship - Silas Tripp
Berkshire Bank
Eleanor S. Sellew Scholarship - Lauren Sorrell, Wes Allyn, Cole Simonds, Chris Crane Magda M. Johnson Scholarship - Lauren Sorrell, Wes Allyn, Cole Simonds, Chris Crane
Berkshire Litchfield Environmental Council Award - Hayden Bell, Madison Melino
Berkshire Taconic Community Foundation
George and Lucille Buterbaugh Scholarship - Alex Wilbur
Margaret Derwin Scholarship - Mia DiRocco
Warren Prindle Visual Arts Scholarship - Alex Wilbur
Blue Star Mothers Scholarship - Lauren Sorrell
The Burgess Award - Francisco Mendoza Ratzan
Burkhart, Lindsay, Brockway Robotics Scholarship - Steven Barber
Canaan Northwest Lions Club Scholarship - Chris Crane
Cornwall Housatonic Valley Institute / Silas C. Beers Scholarship - Steven Barber, Everet Belancik, Graham Belancik, Hayden Bell, Simon Markow
Cornwall Woman’s Society Educational Grant - Steven Barber, Everet Belancik, Graham Belancik, Hayden Bell, Henry Berry, Mia DiRocco, Simon Markow
Couch Pipa Post #6851 VFW Scholarship - Wes Allyn, Chris Crane, Cole Simonds, Lauren Sorrell
Cranford Book Club Award - Lauren Sorrell
Anthony Dichello Scholarship - Wes Allyn, Olivia Brooks, Victoria Brooks, Madison Graney, Maddie Johnson, Anthony Labbadia, Simon Markow, Owen Riemer
Benjamin Guy Memorial Scholarship - Wes Allyn
Suzanne Dunn Memorial Scholarship - Maddie Johnson
Elliott Family Foundation Scholarship - Wes Allyn, Victoria Brooks, Madison Graney, Silas Tripp
Falls Village Scholarship Association - Mollie Ford, Silas Tripp, Madison Graney, Madeline Mechare, Ibby Sadeh
Richard Crane Award - Chris Crane
FFA Alumni Scholarship - Hayden Bell, Chris Crane, Taylor Green, Hannah Johnson, Riley Mahaffey, Madison Melino
FFA Chapter Scholarship - Chris Crane, Hannah Johnson, Riley Mahaffey, Madison Melino, Hayden Bell, Taylor Green, Lauren Sorrell
John Rice Scholarship - Chris Crane, Riley Mahaffey
Clark B. Wood Scholarship - Madison Melino
John Hoffman Scholarship - Taylor Green
HVRHS Alumni Scholarship - Wes Allyn
HVRHS Student Government Association Scholarship - Madison Graney
Housatonic Valley Regional Faculty Association Scholarship - Shanaya Duprey, Madison Graney, Mollie Ford, Hannah Johnson, Silas Tripp, Alex Wilbur, Wes Allyn, Olivia Brooks, Victoria Brooks, Simon Markow, Madison Mechare, Madison Melino, Cole Simonds, Lauren Sorrell
Jacobs Garage Technical Studies Scholarship - Daphne Paine, Hayden Bell, Chris Crane
Kent Center School Scholarship Fund
The Moira Dolan Award - Elizabeth Forbes
The James Gadiel Award - Celeste Trabucco
Donald C. Gibson Award - Abram Kirshner
Kent Grange Award - Peter Austin
The Kent Quilters Award - Taylor Green
Kent Lions Club Scholarship - Celeste Trabucco
Edward M. Kirby Scholarship - Wes Allyn, Madison Graney, Taylor Green, Madeline Mechare, Madison Melino, Chris Crane, Simon Markow, Ibby Sadeh, Cole Simonds, Lauren Sorrell, Tyler Roberts
Knights of Columbus Council #1520 Scholarship - Taylor Green
Adam S. Michalek Scholarship - Lauren Sorrell
Diane Knox Scholarship - Simon Markow
Mad Gardeners Scholarship - Hayden Bell, Chris Crane, Madison Melino
Thomas and Antoinette McBennett Memorial Scholarship - Hannah Johnson Charles and Antoinette Picken Memorial Scholarship - Madison Graney
NBT Bank
William Ash Scholarship - Wes Allyn, Chris Crane, Anna Gillette, Silas Tripp, Madeline Mechare, Lauren Sorrell
Harry Hyatt Memorial Scholarship - Simon Markow, Hannah Johnson, Maddie Johnson, Madison Melino, Olivia Brooks, Hunter Conklin
Rhoades-Robinson Fund Scholarship - Bailey Williams, Tyler Roberts
R. Frederick Perkins Scholarship - Richie Crane
Jean R. Perotti Scholarship - Madeline Mechare
North Canaan Elementary School PTO Scholarship - Shanaya Duprey, Hannah Johnson, Maddie Johnson, Lauren Sorrell, Wes Allyn, Chris Crane, Richie Crane, Cole Simonds
North Canaan Fire Company - Wes Allyn
Northwest Community Bank Scholarship - Sara Ireland
Salisbury Rotary Club Foundation Scholarship - Chris Crane, Maddie Johnson, Lauren Sorrell
Northwest Connecticut Community Foundation
Frances H. Ducci Scholarship - Victoria Brooks, Celeste Trabucco
Healthcare Auxiliary Scholarship - Shanaya Duprey
Olde Yankee Street Rods & Classic Cruisers Scholarship - Chris Crane, Lauren Sorrell
Pat Pallone Chamber of Commerce Scholarship - Hannah Johnson, Ibby Sadeh, Cole Simonds, Lauren Sorrell, Silas Tripp, Wes Allyn, Chris Crane, Richie Crane, Madison Graney, Cohen Cecchinato
Keri Perotti Memorial Sports Scholarship - Wes Allyn, Anthony Labbadia, Madeline Mechare, Silas Tripp
Tate Riva Memorial Scholarship - Simon Markow
Salisbury Pythian Building Fund Scholarship - Anna Gillette
Ann and Stanley Segalla Family Scholar-Athlete Scholarship - Wes Allyn, Ava Segalla Claudia and Stephen J. Segalla Memorial Scholarship - Olivia Brooks, Silas Tripp
Sharon Land Trust Earth and Environmental Sciences Scholarship - Hayden Bell Sharon Woman’s Club Art Award - Abram Kirshner, Simon Markow
Clyde G. Skelly Scholarship - Ayden Wheeler
Dr. Paul W. Stoddard Scholarship - Mollie Ford, Ibby Sadeh, Madison Graney, Maddie Johnson I.Kent & Fulton Scholarship - Olivia Brooks, Victoria Brooks, Anna Gillette The Alumni Pinnacle Award for Capstone Excellence - Mia DiRocco
USAF Outstanding Achievement in STEM Award - Shanaya Duprey
Kara Zinke Memorial Scholarship - Maddie Johnson
Citation Awards - Ibby Sadeh (Valedictorian), Alexa Meach (Salutatorian)

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D.H. Callahan
On Thursday, June 25, a collection of eager art enthusiasts gathered at Olana State Historic Estate in Hudson to kick off the seventh annual Upstate Art Weekend (UAW).
Helen Toomer, founder, was joined by sculptors Ellen Harvey, Jean Shin and Gabriela Salazar to discuss their work and the legacy of painter Frederic Church. Church, whose 200th birthday is being celebrated this year, is widely credited as one of the founding members of the Hudson River School of painting. The discussion took place at Olana, Church’s grand estate, where the three artists’ installations are on view.
Church’s status as an early environmentalist was mentioned repeatedly during the conversation. Shin’s sculpture “Fallen,” which graced the lawn next to the estate’s main house during last year’s event, featured a fallen hemlock tree trunk planted by Church over 150 years earlier which had been wrapped in tanned leather. She described the work as a direct reference to Church’s experience witnessing the eradication of the area’s hemlocks as the leather tanning industry wreaked havoc on the natural environment of the Hudson Valley in the mid-19th century.
The relationship between art and the environment wasn’t isolated at Church’s former home. Instead, it seemed to be found all over UAW.
Now in its seventh year, UAW works to take the art world out of the city. At its best, the weekend gives artists and curators the opportunity to interact with unfamiliar environments. Just as often, however, it serves as a literal escape, allowing New York City galleries to bring works to pop-up spaces assembled for the express purpose of displaying fine art. The “Loading…” group show in Hudson did just this.
Transplanting six New York City galleries into an intimate event space, “Loading…” featured a wide variety of artists from around the globe. Sheroanawe Hakihiiwe, an Indigenous artist from Venezuela, takes ancient practices and translates his observations of the Amazon into minimalist works. Michael Assif’s “Plant a Weed” highlights the human impact on a natural landscape while feeling like a marshmallow dream. And Margaret Curtis’ “ ‘S ” uses the backdrop of a Hudson River School-style sunset to highlight the chaos of today’s state of the American dream.
The flip side of this art-world field trip is the variety of makeshift galleries in the garages and barns of the Hudson Valley. Places like Ugly Mud Studios and Ten Barn Farm, both in Ghent, along with Foxtrot Farm and Flowers in Stanfordville, housed unexpectedly refined exhibitions. These venues all integrate sustainable practices into their business: Foxtrot is a regenerative flower farm, Ugly Mud uses locally sourced clay, and Ten Barn Farm operates a farm-to-table restaurant called The Kitchen.
But at the end of the day, UAW is about getting the art world into the wild. So it was no surprise to see a panoply of eye-catching outfits, and out-of-this-world works at Art Omi, the sculpture and architecture park in Ghent, on Saturday evening. Complete with avant-garde ambient operatic metal, the Summer Kickoff event served as a testament to the continued growth of UAW. It seems the seeds that Toomer and her collaborators planted seven years ago are flourishing, with no signs of slowing down.
Jennifer Almquist
Benjamin Reynaert
Creating a home is, at its core, an act of love.
— Benjamin Reynaert
Benjamin Reynaert is focused on creative direction and interior styling. He is market director at Elle Décor, a design consultant, and author of “The Layered Home: Inspiration for Crafting Cozy, Collected Rooms,” published this year by Clarkson Potter. He co-founded Ticking Tent, a market featuring antiques, luxury items and vintage treasures. The biannual event is held in New Preston, Connecticut, and Bedford, New York.
Adopted from South Korea at 3 months old, Reynaert grew up in Bloomfield Hills, Michigan. He always knew he wanted to be an artist. “I just loved drawing. I loved making things with clay,” he said. “Remembering what it felt like to be creative as kids and applying that to our creativity as adults is essential.” A graduate of the Rhode Island School of Design (RISD), where he earned a BFA and a degree in architecture, Reynaert also studied bookbinding in Rome. His attention to detail and aesthetic sense reflect years of training and a finely tuned eye for objects. “Attending RISD nurtured my creativity and taught me how to problem-solve,” he said.
His career began at Martha Stewart Living. A contributor to Architectural Digest, Elle Decor, House Beautiful and Veranda, Reynaert has also served as style director at Domino. He has worked with Farrow & Ball, Chairish, Neiman Marcus, Sunbrella, Anthropologie, Gap, Bunny Williams Home and Stella Artois. He shares his work on Instagram via @aspoonfulofbenjamin.
“I’ve been fortunate to travel the country and abroad for Elle Decor, covering design fairs and trade shows like Deco Off in Paris, London Design Week in England, Cersaie Tile Show in Bologna, Italy, High Point in North Carolina and the Kitchen and Bath Industry Show in Las Vegas,” he said. He is drawn to unique objects and textiles. “As a market editor, the pieces that stick with me are not the newest. They are the ones I stumble upon and imagine living with.”
Reynaert is also co-founder of Ticking Tent with Christina Juarez, president of Christina Juarez & Company. The biannual event has become a destination for collectors and designers seeking curated antiques and design objects.
“I met Ben about 15 years ago when he was a young design editor and I was early into my career as a design communications strategist having switched gears from the fashion world," Juarez said. “We immediately clicked. I was impressed by his multidisciplinary creative talents — styling, writing, vision and impeccable eye — and his passion for the thrill of the hunt. I could not ask for a better partner and friend — my brother from another mother — and a yin to my yang. Two creatively minded people with a love of old and new beautiful things, and the ability to curate what the luxury shopper doesn’t know they need and most definitely wants.”
Reynaert described the most recent Ticking Tent as the largest yet. “We hosted over 2,000 guests and transacted our most sales to date with 75 vendors,” he said. “The most exciting part is seeing friends and watching new connections being made. I’m excited for the next event, Nov. 13–14, in Bedford, N.Y.”

For Reynaert, objects are defined as much by narrative as by design. “An object is about the story — whether it’s passed down in your family, something you worked hard for, bought on a trip, or a friend gave you,” he said. “With that added narrative, it doesn’t need to be the most aesthetically pleasing thing. The memory attached makes it beautiful. I like the idea of simple, seemingly insignificant items having a ton of meaning. Treat a thrift store painting as you would a Picasso.”
Greg Domres and Peter Nichols’ residence in Litchfield, which they share with their miniature schnauzer, Bunny, is one of 15 homes featured in Reynaert’s book, “The Layered Home.” The couple hosted a book signing at George Home in Washington Depot. “I first met Ben at press events during my time at John Derian,” Domres said. “We became friends and stayed connected professionally over the years.”
The book spans interiors from Eric Goujou’s shop The Wolf Tile in Paris’ 5th arrondissement to textile designer Schuyler Samperton’s Litchfield farmhouse. “Sharing the stories of talented, stylish people I’ve met during my tenure in magazines has been a privilege,” Reynaert said. “The most inspiring interiors are layered — with personality, patina and the poetry of a life lived. This book is my love letter to that idea.”
Reynaert said he would like to travel to Japan and Australia and hopes to develop his own product line in the future. “Balancing work and life is a challenge,” he said. He spends downtime with his husband, Luis Illades, in Delaware, where they are renovating a Victorian home.
“I feel incredibly fortunate to blend my work and my life in the home I share,” he said. “Creating a home is, at its core, an act of love.”
Natalia Zukerman
Mickalene Thomas and Delano Dunn at Wassaic Project.
Before “Echoes in the Margin,” Delano Dunn’s new solo exhibition at Troutbeck in Amenia opened, the artist sat down with curator and artist Mickalene Thomas for a conversation at the Wassaic Project on Wednesday, June 24. Their wide-ranging discussion offered an intimate look into Dunn’s practice while situating the work within broader questions of history, memory and representation.
Presented by the Wassaic Project, the exhibition brings Dunn’s richly layered paintings into conversation with Troutbeck itself, the historic estate long associated with artists, writers and civil rights leaders, including W.E.B. Du Bois, Langston Hughes and many more.
Thomas, an artist whose multidisciplinary practice spans painting, collage and installation, first met Dunn when she was his graduate adviser at the School of Visual Arts. “I think your work needs to be out there more,” she said, noting the urgency of this collection in the current socio-political moment.
Dunn’s layered collages often begin with an image unearthed from flea markets, used bookstores and forgotten archives.
“I go to secondhand shops, old bookstores, any place that looks like it has history in it,” he said.
Sometimes, he explained, an image becomes the centerpiece of a work. Other times it simply sparks an idea.
“There’ll be an idea that pops into my head. I’ll read something or hear music or a lyric, and then I’ll think, ‘I’ve got to find an image that matches that.’”
His color palette also carries its own history.
“I grew up in L.A. during the L.A. riots,” Dunn said. “I would sit on my porch as a kid. I was watching the neighborhood burn, but the sky was beautiful.”
He still paints with those saturated blues, reds and oranges.
“Color can transport you. Color can make you feel safe, or happy or scared,” he said. “Those colors made me feel safe.”
For Dunn, Troutbeck’s own layered history became an active part of the work. Learning that the estate had hosted W.E.B. Du Bois, Langston Hughes, Ida B. Wells and generations of civil rights leaders informed his direction.
Dunn was given access to Troutbeck’s archives and found handwritten notes by Langston Hughes, and writings by Du Bois and Wells that found their way into the exhibition.
“There was a letter between Amy Spingarn and Martin Luther King Jr.,” Dunn recalled. “To be in its presence and hold it... you don’t see communication like that every day.”

Much of Dunn’s work invites viewers to dig deeper into history rather than accept simplified narratives.
“I want them to look at it and go, ‘Wow, this is really amazing and interesting and colorful and beautiful,’” he said. “And then I want them to be terrified shortly after that.” He accomplishes this through bold, colorful, and often playful compositions that draw the viewer in before revealing their more complex historical underpinnings. As Thomas wrote, “Dunn’s compositions invite viewers to sit within that tension and take it in.” That impulse toward deeper investigation extends to Dunn’s own children, who are often his first audience.
“They’ll ask, ‘What is this? Why does this person look the way they look? Why are you using that color? Why are you using glitter?’”
Those conversations, he said, become lessons in looking beyond appearances.
Thomas framed collage itself as a kind of storytelling practice —“the gathering of information… piecing things together”—and praised Dunn’s ability to translate research, memory and visual pleasure into a unified language. She also underscored the importance of creative joy in the process. “If you’re going to your studio and you’re not having fun,” she said, “you shouldn’t be doing it.”
Dunn said one of the biggest misconceptions he hopes to challenge is the idea that there is a monolithic Black experience.
“There are so many different perspectives out there. This is just one of them,” he said. In the same breath, Dunn said he adopts the label “Black artist” because “it would make my Grandpa proud.”
The nearly two-hour conversation shifted seamlessly between humor and history, studio practice and social commentary, ultimately returning to what both artists believe art can accomplish: encouraging curiosity, complicating familiar stories and inviting viewers to question what they see.
As Dunn put it, “History is so much more nuanced than what we’re taught. There’s so much more going on below the surface.”

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