The garden is dead, long live the garden

Bowman’s Root in Page Dickey’s garden.
Dee Salomon

Bowman’s Root in Page Dickey’s garden.
It is indisputable that we are moving toward a new garden aesthetic. I would even go one step further to propose that gardening’s "man over nature" ethos — which has a classic exemplar in the formal gardens of Versailles — is now over. Nature reminds us, with greater frequency and intensity, that she is in control, and we are beginning to come to terms with the reality that it is a fool’s game to try to tame her.
As you think about your spring planting plans, slide into a new mindset. Let’s call it "human abetting nature." This mindset finds beauty less in rigorous planting schemes and more in the creation of habitats. The aesthetic associated with this new mindset is, thankfully, more forgiving — not so much the baggy dress to the tailored suit, but a looser beauty that can still be shaped or contained in ways we find pleasing.
As with many of our choices these days, mindfulness is the first step. Where are you planting?
And what are you planting there? When planting at the edge of the woods and in her fields, writer and garden designer Page Dickey will only plant natives. Here she has incorporated American hornbeam, Carpinus caroliniana, redbud, Cercis canadensis and gray dogwood, Cornus racemosa. In her book "Uprooted," Dickey writes about her experience moving from a home where she crafted and tended an intricate garden to her current home in Falls Village with acres of woodland, fields and fen. Instead of working to transform the land into something else, she now listens to the land and responds to nurture it.
This new mindset does not mean that aesthetics are less important than before; rather, the aesthetic has shifted. In Dickey’s garden beds that surround her house, she mixes non-natives with native perennials, such as her favorite Bowman’s Root, Gillenia trifoliata (The Cornwall Garden Club native plant sale will offer Bowman’s Root plants among other native perennials Saturday, May 25, in West Cornwall. cornwallgardenclub.org)
Among Dickey’s favorite native shrubs are Fothergilla, Clethra alnifolia, gray dogwood, Cornus racemosa, and the American cranberrybush viburnum, Viburnum trilobum. She also used Viburnum lentago, called nannyberry, in place of adding more lilac, that had originally tempted her, for a hedgerow along a rough track on her property. From "Uprooted": “Surely I could plant something with more to offer, a plant that would enrich our wild habitat.” I can attest to the beauty of this native tree which grows at the edges of our marsh. It can get as tall as 15 feet and has a wide spread if given the space and light. Flowers in spring, nutritious berries for birds in fall.
Deborah Munson is one of our area’s top horticulturalists and landscape designers, who happily admits that her approach to garden design changed over the past decade: “In an ecologically driven garden/landscape I love a wilder and much freer style where there is little to no delineation between the wild and cultivated landscape and incorporating natives as often as possible; a landscape that over time can find its own way, being nudged occasionally by the human hand, often planted to allow the plants to drive the design, allowing self-sowing and covering ground.” One of her favorite native plant combinations is “shadblow, Amelanchier arborea underplanted with our native foam flower, Tiarella cordifolia and miterwort, Michella diphylla is a favorite combo. Add some snowdrops and white daffodils if you’re not a ‘native only’ purist.”
Out with precision edging. Out with yards of trucked-in mulch covered beds: “We can often create our own mulch on site by composting leaves and other garden debris as well as using plants as a living mulch. One should be aware that trucking in products can often bring new diseases and pests.”
Key to our new mindset, Munson reminds us, is "learning about a plant’s behavior… i.e. invasives (don’t plant) or colonizers (be careful what you ask for.) Is it a generalist, a plant that will grow almost any condition or specialist; for example, a plant that will only grow in wetlands or only in well drained acidic conditions?”
Many of Dickey's and Munson’s favorite native plants — from Redbud to Shadblow to Clethra, Sweet Fern, Viburnum Lentago and Anenome Canadensis — will be available from the Northwest Conservation District annual plant sale. You can preorder at nwcd.org and attend April 19-21 at Goshen fairground.
More on spring plant selection in next month’s column. If you have any questions regarding spring planting, please send them to dee@theungardener.com
Dee Salomon “ungardens” in Litchfield County.
WEST CORNWALL — Crews will temporarily dewater a portion of Mill Brook to repair the rubble foundation walls of a house along Sharon Goshen Turnpike.
The Inland Wetlands & Watercourses Agency approved the application, submitted by Bruce Whiteford, at a regular meeting Tuesday, Feb. 3.
“There’s holes under the concrete wall and it’s scoured out, so that’s where they want to repair,” said Chairman Bill Hurlburt. Flowable concrete will be used in the compromised areas.
Water will continue to flow downstream around the sand-bagged work zone and equipment will be lowered in. The project is expected to take two weeks, weather permitting.
Crews were asked to notify Land Use Administrator Spencer Musselman before work begins.
CANAAN — It is with great sadness that we share the passing of Charles Lemmen, 87, of Canaan, on Jan. 1, 2026, after a long period of declining health.
Chuck was a loving father and husband with an inspiring and unquenchable work ethic. He gave much back to his community through his volunteering, including to the Canaan Historical Society, the Falls Village Library, and Music Mountain. He was a voracious reader, especially historical works, a hobby eclipsed only by his love for classical music which he exercised at every opportunity. He also loved to travel, a penchant that took him to Italy, Scandinavia, and as far afield as Antarctica.
Chuck was predeceased by his wife of 58 years, Barbara, his sister Gwendolyn Kraay, his brother Robert, and his grandson Kevin Whitley. He is survived by his daughters Barbara Lemmen (husband Geoff Nunes) and Nicola Whitley, his son Stuart Lemmen (wife Jen Margo), and his grandchildren Hannah Whitley, Sidney Nunes, Alex Nunes, and Elijah Lemmen.
He was born in Holland, Michigan, May 19, 1938, to Benjamin and Lucille (Vander Werf) Lemmen, where he also grew up. He graduated from Hope College in 1960 and Case Western Reserve University in 1968.
Chuck was a philosophy and logic professor, an insurance agent, and then a computer programmer for Edward R. Hamilton Bookseller in Falls Village for over 40 years.
He was a self-taught roofer, carpenter, vegetable gardener and builder which helped to raise his family of five over so many years.
Arrangements were handled by the Cremation Society of New England. A memorial service will be held later this year.
In lieu of flowers donations may be made to Tanglewood or the Connecticut Food Bank.
NEW PRESTON — Edwin A. French III passed away on Jan. 31, at St. Mary’s Hospital in Waterbury after a brief illness. Born July 16, 1951, in North Adams, Massachusetts, he was the eldest child of the late Edwin and Barbara French II. He grew up in Greenwich and attended Greenwich Country Day, Rye Country Day, and Greenwich High School.
Ed served as a volunteer firefighter and later as a decorated Greenwich police officer, also playing bagpipes with the Emerald Society Police Band.
After retiring, he lived in Sherman, Kent and New Preston, Connecticut.
Independent and adventurous, he loved hunting, fishing, traveling, and sharing stories—especially of his motorcycle trip to Alaska. He was always ready to help friends and family.
He is survived by his sons; Steven (Francis) and Marc (Mary); his brothers David (Charlene) and Daniel (Cheryl); several grandchildren, nieces, and nephews; and his brother‑in‑law Steve Gerwin.
He was predeceased by his sister Faye Gerwin.
A private memorial will be held at the family’s convenience. Donations may be made to the American Liver Foundation at liverfoundation.org
CORNWALL — Tim Prentice, architect turned kinetic sculptor, died at home in Cornwall on Nov. 25, 2025, at the well-lived age of 95.
Born in New York City on Guy Fawkes Day in 1930, Tim was the son of Theodora (“Dody”) Machado and architect Merrill Prentice. That same year, his parents bought a 150-year-old house in Cornwall, and Tim’s connection with the town as his lifelong “spiritual home” began.
He attended Rumsey Hall in Cornwall Village, the Brooks School, and Yale College. While at Brooks, a field trip to the Addison Gallery in Andover proved quietly decisive: in the lobby hung a mobile by Alexander Calder, which moved in response to otherwise invisible air currents. Tim was riveted. Decades later, that moment would resurface as destiny.
Graduate school was postponed by four years of Navy service during the Korean War. Tim served as a bombardier navigator with the Sixth Fleet, flying off aircraft carriers on grueling eleven-hour missions and navigating using a demanding three-star fix, an experience that left him with a sailor’s respect for wind, balance, and motion.
After the war, he returned to Yale, earning a Master’s degree at the School of Art and Architecture. He studied with the modernist Paul Rudolph and took Josef Albers’s famed color class not once, but twice.
In 1960, Tim married Marie Bissell in her parents’ backyard in Canton, Connecticut. Both were enthusiastic amateur folksingers. In 1963, they were sent by the State Department on a goodwill journey through Asia and East Africa, guitar and banjo in hand, sharing and gathering new melodies to carry home.
In 1965, back in New York City, Tim co-founded the award-winning architectural firm Prentice & Chan with Lo-Yi Chan from I.M. Pei’s office. Among many projects, Lo-Yi designed middle-income housing for NY State, and Tim designed houses in Connecticut.
During this time, Tim also became a member of MOMA’s Committee on Architecture and Design and President of the Municipal Art Society, where he helped lead a successful campaign to save Grand Central Terminal from demolition.
In 1975, Tim left the firm to pursue his new career in sculpture in the living room of his apartment and, on weekends, in a century-old ice shed on their farm in Cornwall. He taught architecture at Columbia and continued to design and remodel houses in the Cornwall area — over 60 all told. His architecture balanced international modernism with a deep affection for the plainspoken New England barn and, often, a wry sense of humor. Among his creations were a pool house shaped like a miniature Parthenon, complete with Elgin Marbles rendered in plywood, and a new house masquerading as a renovated hay barn.
Tim’s big break came in 1976 with a nearly three-ton commission for AT & T. More than 150 commissions followed throughout the U.S. and the world. Ranging from the 230-foot-long ‘Red Zinger’ in Hartford’s Bradley Airport to a set of turning circles for Renzo Piano’s Aurora Place in Sydney, Australia. He also made dozens of smaller sculptures that sold like hotcakes at local shows and exhibits.
In the mid-1980’s, Tim and Marie moved to Cornwall full-time and became involved with local affordable housing initiatives.Tim co-founded the Cornwall Housing Corporation (CHC), organized the annual House Tour benefit, and designed several houses for the CHC’s parcel program. Additionally, he spearheaded an unsuccessful but passionate effort to save the Greek Revival Rumsey Hall building in Cornwall Village, which, prior to demolition, was listed on the National Register of Historic Places.
In 2012, Tim and longtime associate David Colbert formed Prentice Colbert, Inc., to continue the adventure of making large-scale site-specific pieces.
A monograph, Drawing on the Air, was published in 2012. Tim received the Connecticut Governor’s Arts Award in 2014 and was honored in 2021 with a solo exhibit at the Aldrich Contemporary Art Museum in Ridgefield.
In the 1990’s, Tim developed macular degeneration, but he never stopped working as his eyesight diminished.In 2024, the American Macular Degeneration Foundation’s Vision & Art Project premiered a film about his life, aptly titled The Air Made Visible.
Whimsy, playfulness and music were an important part of Tim’s life. For decades, he created an annual calendar for family and friends and was a frequent illustrator for the Cornwall Chronicle, where his drawings tended to skewer local issues. The Prentice barn was legendary for everything but cows: instruments constructed out of plywood and PVC tubing, concerts, picnics, weddings, art shows, memorials, anniversaries, birthdays, songfests, family reunions, raucous hootenannies, and even as a test site for a‘bolt-together’ house.
He is survived by his two daughters, Nora and Phoebe, and by his adored grandchildren, Zeke and Zed Homer. His infinitely beloved wife, Marie, predeceased him in 2018.
One of Tim’s favorite reflections captures the arc of his life:
The engineer wants to minimize friction to make the air visible.
The architect studies matters of scale and proportion.
The sailor wants to know the strength and direction of the wind.
The artist wants to understand its changing shape.
Meanwhile, the child wants to play.
Donations can be made to: The Cornwall Housing Corporation: P.O. Box 174, Cornwall, CT 06753
No memorial is planned yet.
Thank you to all of Tim’s great caregivers.