Thank you!
Your support is sustaining the future of local news in our communities.

The Litchfield Jazz Festival returns for year 29

Now celebrating its 29th year, The Litchfield Jazz Festival will take place July 26-28 at the Tisch Auditorium and the Bourne Courtyard at the Frederick Gunn School in Washington, Connecticut.

Presented by Litchfield Performing Arts, the festival began as a classical series supplemented with dance and theater and jazz. Executive Director Vita West Muir spent time consulting with jazz gurus like DJ Ken Woods from WPBX Long Island, going to concerts, visiting other festivals in New York and New Orleans, and gathering advice from friends.

As a popular summer destination, Litchfield County sees many visitors eager for entertainment. The summer crowd helped seed the festival’s audience. Early performances featured Marian McPartland and Tony Bennett and were a hit.

One of this year’s more exciting acts includes The Matsiko World Orphan Choir, whose mission is “to transform the lives of our world’s most vulnerable children through a complete education.” The choir is composed of sponsored children from Liberia, Peru, India, and Nepal.

“They came to us through the Amina Figarova Sextet. Amina’s husband and bandmate Bart Platteau sold me the idea. I have served disadvantaged kids since I started Litchfield Performing Arts 43 years ago. Like Matsiko, we raise the funds to help kids. Bart and I connected immediately around shared goals. I have been writing promo stuff for them and this concert in the hope of a large and generous audience who will find it in their hearts to support Matsiko,” Muir explained.

Generally, Muir books all types of jazz with the exception of free jazz. “I love straight ahead, excellent vocals, and all types of Latin,” Muir stated.

The camp is an equally important component of the festivals with students from age 13 and up

“This year we have among our handful of older students an 83-year-old classical clarinet player, a retired doctor I met on a jazz cruise who longs to learn to play jazz. The fest attracts mostly 40 - 60+ plus students of course who are younger,“ Muir noted.

Like many festivals, Covid affected programming, which Muir adapted to by doing live streaming of shows throughout the year. This morphed into a partnership with Mike Gow of the New England Arts and Entertainment at the Poli Club in Waterbury.

“He’s been doing a show about every three weeks for 11 years now and we joined him for 8 additional shows last year including Sunday Jazz Brushes. The show features the first of our competition for young people: The Litchfield Jazz Camp Talent Search, a 16-year-old violinist who is incredibly musical,” Muir explained.

Challenges of producing the festival include coming up with a lineup of excellent musicians who will sell tickets, paying them competitive fees, and attracting audiences to fill the house in a way that is profitable for all involved.

“We don’t count on tickets to cover costs; no one ever does. We fundraise to cover any shortfalls and offer sponsorships for shows. Two of this year’s shows have individuals underwriting them,” Muir stated.

For more information, visit www.litchfieldperformingarts.org

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.