The Ungardener: by the books

The Ungardener: by the books

Michele Paladino’s nursery, “Lindera” in Falls Village.

Dee Salomon

It was a bit unfair, in my last column, to write a critique of a well-regarded plant reference book (“When the guide gets it wrong”) without recommending a satisfactory replacement or two.

As a novice gardener, I found plant selection — native or not — to be overwhelming and relied on website databases that let me enter soil, moisture, light and critter criteria, then return options I could research. Unsurprisingly, this yielded little garden satisfaction in situ. It may well be that it takes a little poetry to create a garden.

That’s where books come in.A well-written reference book can provide the kind of commentary that goes beyond a plant’s likelihood of survival in one’s garden.

Page Dickey’s (a well-known garden writer and landscape designer who lives in Falls Village) go-to on native plants is the three-volume set by Michael Cullina who led The Wildflower Society (now called The Native Plant Trust). Each book delves into different categories of plants: one on native trees, shrubs and vines (“one of my bibles” is the inscription on the opening page), another on native ferns, mosses and grasses and a third on wildflowers.

Dickey’s copies evidence of heavy use; in addition to hand-written commentary, there are check marks for the plants that she has either grown or identified. After a perusal, I looked more closely to get Cullina’s take on some of my favorite plants. While disappointed to find only one of the three types of aralias I admire — Aralia spinoza, the Devil’s Walking Stick — I was amazed to read about some fantastic species I didn’t know.

With their ease of use and combination of fact and considered opinion, the books function a bit like Dirr’s “Hardy Trees and Shrubs,” the subject of my last column. Unlike Dirr’s book — which ignores the role of native plants in maintaining habitats and glosses over the invasive tendencies of many plants that Dirr extolls — Cullina’s books help the reader understand the importance of specific plants and the roles they play in keeping our environments healthy for all animals, including us.

Doug Tallamy, the renowned entomologist and co-founder of Homegrown National Park, once provided data that was incorporated into the Native Plant Finder database for the National Wildlife Foundation. He stands by the practicality of digital databases for supplying information that can be updated as the environment continues to change.

Dee Salomon

Still, Tallamy is partial to a number of reference books and cited two he has relied on for years: “Native Plants of the Northeast” by Donald J. Leopold, and “Native Trees for North American Landscapes” by Guy Sternberg.

“They were among the early books I encountered when I started thinking about native plants,” said Tallamy. “They are rich in good photos, and they describe the conditions under which various species do well. I like Guy’s books in part because he does his best to talk about how they meet the needs of various animal species. No other book talks much about the insects that plants support because when they were written, we knew little about host plant associations.”

Much of what I’ve planted successfully in the past two years came at the recommendation of Michele Paladino, a plantswoman, landscape designer and proprietor of Lindera, a nursery specializing in native plants. She recently relocated the nursery to the former Falls Village Flower Farm.

Like Dickey and Tallamy, Paladino also turns to a few essential sources. “When I’m working on a project, I really want to ponder trees and their character. I always go back to books for inspiration.”

She, too, recommends Sternberg’s book as a go-to reference on trees, and highlights the two books by Carol Gracie on both Spring and Summer wildflowers. These two books delve more deeply into fewer plants — most, but not all, native — pointing out the insects and birds that they attract and including hand-drawn illustrations.

I was surprised to see two pages dedicated to broadleaf helleborine, a non-native orchid I’ve had my eye on in the woods for a while. Gracie argues both for and against this plant; her verdict is: pull them out.

Although she would not want to be characterized this way, Paladino is the best kind of human reference guide to native plants, sharing both essential plant information and her editorial perspective.

With Fall planting season at our doorstep, I recommend a visit to her nursery, located where the Falls Village Flower Farm used to be. Come with questions, as Paladino likes to consult and collaborate with clients.

There is always lasting affection for books that sparked our curiosity for a lifelong passion. The books Dickey, Tallamy and Palladino recommend were last published a couple of decades ago. They recognize that they are trading some up-to-date accuracy of information for prose that inspires and provokes — sentiment is preferred.

Might publishers reissue these books in digital form? That would allow for contemporary updates on plant diseases, soil chemistry changes and invasive species associated with climate change — as well as the resulting species decline we, and entire ecosystems, are rapidly experiencing.

Done well, it could thread the needle between accuracy and allure.

Dee Salomon ‘ungardens’ in Litchfield County.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.