Thank you!
Your support is sustaining the future of local news in our communities.

To our readers

This year, I had the honor of stepping in as CEO/Publisher of two of the oldest surviving community weekly newspapers. After more than 20 years with The Lakeville Journal and The Millerton News, I’ve witnessed the highs and lows – including the pivotal conversion to a 501(c)(3) nonprofit in 2021. I am glad to report that because of your support, this has been a strong year for our local community publications.

News

Our mission is to deliver trusted local news to our communities. On that front, we have expanded the newsrooms of both The Lakeville Journal and The Millerton News which has added breadth and depth to our coverage and set us on a path to a more sustainable news operation.

This year’s reporting highlights include the invasive hydrilla threat to our waterways; the EMS cost crisis in Millerton and beyond; policy changes in our schools and challenges around a proposed merger at Sharon Hospital. We continue to cover key projects like the proposed redevelopment of the Wake Robin Inn and efforts to rebuild the pool at Eddie Collins Park.

We welcomed several new members to our newsroom, including Colleen Flynn, a Marist College journalism graduate and former intern, as a reporter for The Millerton News; Alec Linden, a recent Dartmouth College graduate, to The Lakeville Journal; and Nathan Miller, a University of Missouri journalism graduate, as Editorial & Digital Content Coordinator. Krista Briggs, with a background in journalism and education, joined us this fall as Managing Editor of The Millerton News (see story, here).

In the Spring, Natalia Zukerman was promoted to Engagement Editor and worked to launch a new email newsletter titled “What To Do”, with great success. I’m excited to share that she will be expanding her editorial role to a new position of Arts, Lifestyle & Engagement Editor and will be responsible for guiding and further developing all of our arts and lifestyle coverage.

Sustainability

The sustainability of local news has been in the headlines recently and we are working very hard to ensure we continue serving our communities for the long term.

To that end, we’re building our business staff both through internal promotions, including Caitlin Hanlon’s new role as head of our Production department, and through new staff including Sally Andre as our Development Associate, and Tom Carley, a former New York Times executive, as Chief Operating Officer.

And, we have identified additional Board members rooted in our communities. This year, we were fortunate to add Henry Blodget of West Cornwall, Rob Fish of Salisbury, Meg Downey of Millerton, Scott Siegler of Sharon, and Dick Hermans of Pine Plains.

Generous grants are helping to stabilize our infrastructure, including multi-year support from the Foundation for Community Health, along with contributions from the Cowles Charitable Trust, and The Miami Foundation. The Google News Initiative is supporting website improvements, and LION Publishers is funding upgrades to our financial systems.

Community Engagement

This summer, we met with community members in Norfolk and Millerton to hear directly about what you would like to see in your local news source. And, we again convened a festive gathering of local nonprofits at the Street Fair in Salisbury.

And, in October, we presented the inaugural Estabrook Community Leadership award to the Harney family at a Jubilee Country Luncheon. In addition to honoring the Harneys for their community leadership and spirit, we welcomed a broad swath of community members.

The Next Generation of Journalists

We continue to nurture the next generation of journalists thanks to the generous support of The William and Mary Greve Foundation, the Northwest Connecticut Community Foundation, the Berkshire Taconic Community Foundation, the 21st Century Fund — along with individual donors. This year, we hosted nine interns from across the region and beyond. We are encouraged by the strong interest in our program and each “intern season” is an opportunity not just to share what we know, but to learn from these talented people.

As always, our top priority remains delivering the news and information essential to life in our communities.

Thank you to our readers, subscribers, advertisers, and donors. Your trust, partnership, and support enable us to look ahead to a strong 2025. With gratitude.

James H. Clark

CEO/Publisher


Reach out to us

Please don’t hesitate to contact me directly with questions, comments, concerns at 860-435-9873 x401 or jamesc@lakevillejournal.com.

News: reach Editor-in-Chief John Coston at johnc@lakevillejournal.com, Lakeville Journal Managing Editor Riley Klein at rileyk@lakevillejournal.com and Millerton News Managing Editor Krista Briggs at kristab@millertonnews.com.

Letters to the Editor may be emailed to publisher@lakevillejournal.com or submitted via our websites.

Obituaries may be submitted to editor@lakevillejournal.com or via our websites.

Advertising questions can be directed to Roxanne Lee, roxannel@lakevillejournal.com, or Mary Wilbur, maryw@lakevillejournal.com. And for classified line ads, Lyndee Stalter at lyndees@lakevillejournal.com.

Legal Notices can be sent to Michelle Eisenman at legals@lakevillejournal.com.

Subscription questions including new subscriptions, renewals and address changes can be sent to circulation@lakevillejournal.com.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.