We gather together: A homeless family’s story

Cristina and Kayla Garcia shared their story with The Lakeville Journal Nov. 19.
Jennifer Almquist
Cristina and Kayla Garcia shared their story with The Lakeville Journal Nov. 19.
Here in the Northwest Corner of Connecticut, where the first frost comes early, and black bears hibernate, the woods are inhabited by hundreds of people sleeping rough.
There has been a 14% rise in homelessness in Connecticut since 2022. There are now 482 “people in need of homeless response systems”, according to Connecticut Coordinated Access Network (CAN), many of them senior citizens.
Cristina and Ricardo Garcia asked a simple question, “Why is there no place in the world for us?”
The Garcias, with their 22-year-old daughter Kayla, are a family who spend each night sleeping in a tent city in Waterbury. They take a bus in the morning to the Gathering Place in Torrington for warmth and showers, then eat their meals together at the Community Soup Kitchen in town. Their fierce desire to stay together as a family has its genesis in years of suffering, deprivation, substance abuse, prison, and escape.
Family is all that matters to them. It is all they have.
“My daughter is shy, so speak quietly to her,” Cristina whispered, explaining further that Kayla and her sister Jessica, who is 18, are on the autism spectrum. Cristina and her girls escaped years ago from her abusive husband. Her girls were then taken from her when they were 12 and 14. Cristina, who has been clean for two years, suffered from substance use disorder. It has been six years since Cristina has seen Jessica.
Her daughter Kayla, her long braids tucked under a watch cap, was wearing headphones to mask out loud shouts of men heatedly discussing the mistreatment of criminals. Kayla’s expressive brown eyes gave away her discomfort. The homeless resource center was packed with women and men in from the November cold; some on cellphones, some waiting with their towels for a warm shower, others quietly sipping hot coffee.
The Gathering Place in Torrington is a daytime drop-in center for the 482 homeless neighbors who live in Litchfield County, Connecticut. The food pantry at Friends in Service to Humanity (FISH) in Torrington serves more than 2,000 people.
There are currently 51 shelter beds in Northwest Connecticut: 16 in Winsted and 35 in Torrington with 5 restricted to veterans. As of today, there will be 30 overflow shelter beds for the winter season.
Cristina Garcia, left, working at the Community Soup Kitchen in Torrington.Jennifer Almquist
At the Community Soup Kitchen in Torrington’s Trinity Episcopal Church Nov. 19, Cristina folded her family’s laundry on the table she had just cleared from the breakfast crowd. She paused to talk and reflect on her difficult journey.
Cristina Garcia: My husband Ricky just started working. He’ll be coming home with literally $72. a week. Sometimes I feel like no one cares. We’ve been clean for two years. We’ve had our ups and downs with our kids. My adoptive mom passed away and my dad passed away in a housefire. So, I don’t have any family. I had an abusive relationship basically, which I escaped with my daughters because it was very bad. My new husband Ricky and I met here, and we’ve been together for almost four years. Because of my earlier situation, my kids were taken from me.
Jennifer Almquist: How old were they when they were taken from you?
CG: They were taken away for six years when Kayla was 14.
JA: During that time were you allowed to have any communication, or hear how the girls were doing?
CG: Like I said, I was in an abusive relationship, and he was in charge. Kayla came back to me last January. It was rough. It is hard when you have no family, nothing to fall back on. Family is just me, my husband and my kids. Now there’s the Gathering Place, and the soup kitchen people that I consider family. They open their arms to us and have been very good, very kind to us.
JA: Did you have housing at some point?
CG: I did, but I lost my housing voucher because I was out of the household for over 20 days. I was incarcerated due to charges from five years ago. I was legally married, but they wouldn’t take in consideration the impact on the girls. The rent was still being paid - it was still being paid the whole time but they took the voucher away. So now it’s like, “do you have a lawyer - somebody to step forward?” Nobody comes forward. We didn’t appeal. We lost everything, so altogether we’ve been out on the street since I got out, so in and out, trying to keep the apartment, but we got notice from the city to quit the apartment, so now we’re on the streets.
JA: Do the charges on your record mean you have to start all over again to get a housing voucher?
CG: We’re just hoping for another voucher.
JA: Is that a lot of pressure when you are trying to stay straight?
CG: It is great to keep my mind straight by volunteering at the Soup Kitchen. When we first started coming here, my husband and I kept telling the boss DJ, if you guys need help, just let us know. You’re helping us out by giving us breakfast, giving us lunch. Suddenly one day the foundation that helps them provide the food wanted to interview somebody that was coming here. Someone that could explain to them the impacts, and how welcoming it is here. They interviewed me, and since that day I’ve been volunteering here. I basically go to the Gathering Place in the morning, take the shower and do laundry, come straight here by 9:30. From that time until around 2:30 I work in the kitchen and prep and serve food. I like it because it’s community. I love being here just because they are so kind to us. My daughter has a hard time talking to new people or getting to know new people. She has a close relationship with someone here now.
JA: What was her living situation when you weren’t with her?
CG: Kayla and Jessica were in foster care. I had no access to anything. Now it’s like starting all new, trying to apply for Social Security, Kayla’s been denied numerous times, and getting a copy of her birth certificate is expensive. That’s what I’m going through right now. She needs help. They say “we can’t help” because they don’t think she has that many issues because she doesn’t hear voices, and she’s not, in their minds, crazy like other people. Kayla does have mental health issues. Jessica didn’t start talking until she was six. It’s just sad that people don’t take in consideration what the impact of situations like being in foster care, or being homeless, are on kids. Especially if you’re a sensitive kid. Kayla is 22 but her mentality sometimes isn’t like her age.
JA: How does Kayla do with the sleeping arrangements and the cold?
CG: No, it’s horrible. All you just have is a tent in the world. People take your stuff; you can’t trust anybody -that’s just how it is. We have a small U-Haul as a storage unit that is expensive. We had to get rid of most of our stuff. It’s just hard, really hard especially with the holidays coming up.
JA: How do you three get warm in your tent?
CG: We layer up with four blankets on, then jackets and sleeping bags. Ricky puts a wooden pallet under the tent, but it’s like sleeping on the floor.
JA: What are you doing for Thanksgiving?
CG: The soup kitchen is not open on Thanksgiving. When you’re homeless you don’t get a break, you don’t get time, the days are endless. Holidays are just another day, not like anything special. We can’t plan anything. We have no way to cook anything. Every day in the woods, it’s just eating out of cans. We may not be able to have a Thanksgiving feast this year, but for Christmas, for my kids and my step kids, there’s no hope of getting them something special. Sometimes I just feel like I’m screwed. I just feel like as much as I try, it’s like I’m trying for what is not possible. It’s hard to keep hoping. These holiday times hurt the most. This is our first holiday back together in six years now that she’s back with us. I want am waiting until my youngest is 21 and graduates this June. For her to be allowed to come home, I must have housing. I feel like it might be a lot to ask, but I just want my family back together.
JA: What are you grateful for?
CG: Kayla loves her stepdad, and he’s very good to us. He walks up the mountain to work at Target. He walks because he can’t drive. We want to get him a bike. Hopefully by December the warming center will reopen. Lori at the Gathering Place helps us so much. She’s an amazing person. I had open heart surgery. They put in a pacemaker that needs replacing, but they can’t do the surgery and then discharge me to the street, so my surgery is being put off. I have seizures, so I need a calm setting. I’m grateful for Lori because she watches out for us. I have met amazing people through her, like the people in this kitchen, for DJ and Bill, and the opportunity to give back, you know. It’s important because I want to make sure I stay on track with my sobriety. Being around positive people helps me. I am trying not to cry. I want to have everyone together for Thanksgiving.
While playing outside in the early post-pandemic days, Berkshire Busk! founder Eugene Carr had an epiphany: why not expand the idea of performing on the street (aka busking)into a full-fledged festival in Great Barrington?
As an entrepreneur and cellist, Carr envisioned a well-organized jamboree featuring regional talent, including musicians, acrobats, storytellers, fire-eaters, and more. He formed a team, connected with local businesses and the town of Great Barrington, and launched Berkshire Busk! in 2021. Since then, Berkshire Busk! has grown into a summer staple for Great Barrington.
In the summer of 2024, over 25,000 people experienced Berkshire Busk!. The festival is free to the public, provides a big boost to local businesses, and spectators can tip performers.
Busking takes place all over the world, either organized by individual performers or via busking festivals. Artists like The Roots, Tracy Chapman, Phoebe Bridgers, and Old Crow Medicine Show have all cut their teeth performing on the street.
General Manager Carli Scolforo is a Berkshire native with a love of music and writing. She can often be seen roaming the streets of Great Barrington, making sure everything’s in order, and serves as the festival’s face on social media.
“This year is the fifth anniversary of Berkshire Busk!, and it’s been an amazing summer,” said Scolforo. “We were able to welcome back a lot of our favorite performers, and bring in some new experiences as well. After getting rained out last year, we were able to host our first outdoor movie night in partnership with The Triplex Cinema and the Boondocks Film Society.”
Scolforo added, “This summer, we also introduced our first Open Mic Night, hosted by local recording artist and music producer Jackson Whalan. We were really pleased with the turnout of talent. The sheer amount of talent that’s hidden within an hour or so drive of Great Barrington always astounds us.”
Local businesses sponsor various busking spots, like the Berkshire Money Management Stage in the parking lot between the Triplex Cinema and Mama Lo’s BBQ. Typically, buskers bring their own amplification, while there are few spots — such as Berkshire Mountain Distillery in Sheffield — provide power.
Berkshire Busk! will end its season with a fireworks display on its last night on Saturday, Aug. 30.
Berkshire Busk! is endorsed by the Select Board of the Town of Great Barrington and is entirely supported by sponsorship fees from companies and organizations, as well as philanthropic donations from granting organizations, individuals and the Town of Great Barrington.
It operates under a fiscal sponsorship agreement with the Nonprofit Center of the Berkshires and participates in Mass Cultural Council’s Card to Culture program — in collaboration with the Department of Transitional Assistance, the Department of Public Health’s WIC Nutrition Program, the Massachusetts Health Connector, and hundreds of organizations — by making cultural programming accessible to those for whom cost is a participation barrier.
For more information, visit: berkshirebusk.com
What if the dog onstage was played by a person? That’s the delightful twist in A.R. Gurney’s “Sylvia,” opening at the Sharon Playhouse on Aug. 29. In this clever and heartfelt comedy, the title character — a stray pup who disrupts the lives of a married couple — is portrayed not in costume but by an actor who brings insight, charm, and chaos to the role.
Stepping into Sylvia’s paws is Jen Cody, who is returning to the Sharon Playhouse in a starring role for her third year in a row, ready to bring this spirited dog to life. She’s joined by Jonathan Walker as Greg, the middle-aged man smitten with his new four-legged friend, and Jennifer Van Dyck as Kate, his wife, whose patience and identity are tested by Sylvia’s sudden presence in their home.
Directed by Colin Hanlon, this production balances elements of comedy and emotional depth. Gurney’s script may be filled with laughs but at its core, “Sylvia” explores loyalty, companionship, and how love sometimes arrives in unexpected forms. The play premiered Off-Broadway in 1995 and has since become an audience favorite for its wit, warmth, and originality.
Rounding out the cast is Sienna Brann, taking on a trio of roles that highlight the play’s comic versatility. The design team includes Christopher and Justin Swader (scenic), Kathleen DeAngelis (costumes), Bobbie Zlotnik (wigs), Wheeler Moon (lighting), and Graham Stone (sound), ensuring the story is grounded in a fully realized world, albeit one occasionally seen from a dog’s point of view.
Performances run through Sept. 7 at the Sharon Playhouse. For tickets and more information, visit sharonplayhouse.org.
Anna Handler makes her BSO debut.
On Saturday, Aug. 16, we were excited to see the debut of new Boston Symphony Orchestra assistant conductor Anna Handler, and the return of violinist Augustin Hadelich. Another warm evening in Lenox with humidity near 100 percent, couldn’t stop a massive crowd from gathering.
Handler strode onto the Shed stage with purpose, greeted the evening’s concertmaster, Alexander Velinzon, and took the podium for Brahms’ “Tragic Overture.”Right away, her crisp, powerful conducting style — clearly reminiscent of Andris Nelsons’ — was effective at bringing Brahms to life. She urged forth the strings, waved in the brass and percussion with verve, and caressed her winds in an emotional way.
Velinzon and the strings were superb — a powerfully played Brahms. Handler made her mark. She bowed modestly, placing hand to heart, and pointed to credit various sections and individuals. She strode off stage with pace and quickly returned for Schumann’s “Symphony No. 4.”
No. 4 begins with somber tones and develops into something else: Ziernlich langsam (Rather slow) to Lebhaft (lively) to Romanze: Ziernlich langsam, to Scherzo: Lebhaft — Trio, then Langsam — Lebhaft — Schneller — Presto (slow — lively — faster — very fast.)
It was exquisitely performed with Handler bringing both artistry and quality. It flowed like a river — meandering, then surging with power, until it exploded into a torrent. The build up was sharp; the conclusion loud, and vibrant.
Handler turned to the audience, now a broad smile. She shook Velinzon’s hand. Her deeper bows greeted a standing ovation — a glimpse into a bright future.
Anna Handler at Tanglewood.Hilary Scott
After intermission, it was up to Hadelich to follow a great orchestral performance.
A large man with larger hair, he dwarfed Handler as he waited onstage to begin his part in the famous Tchaikovsky “Violin Concerto.” Velinzon and the orchestra led the soft opening bars. Hadelich lifted the 1744 “Leduc / Szeryng” Guarneri (lent to him through the Tarisio Trust), and began. Sweet tones emerged.
He had previously played the 1723 “ex-Kiesewetter” Stradivari but switched recently after hearing the mellow, more human-like voice he was in search of — and found — in the Guarneri. What followed was smooth, soft, gentle brilliance.
Allegro moderato – Moderato assai served as a warm-up. Then came Canzonetta: Andante —and things really got going. The Finale: Allegro vivacissiomo, Hadelich flew up and down the neck of the Guarneri with such speed and precision that, through binoculars, I caught Velinzon chuckle and shake his head in disbelief from the best seat in the house.
A virtuoso performance.The crowd roared.
An encore followed: Forrester (arr. Hadelich) “Wild Fiddler’s Rag” — fun and flirtatious.
Will there be other evenings as bright as this? Likely, but few and far between.
Will Velinzon and the orchestra continue to create rare conditions where these thermonuclear pyrotechnics are possible?Absolutely.