At Housatonic Valley Regional High School, winter brings packed bleachers, ecstatic student sections, and distinctive energy for basketball season. The team culture and overall energy result in a large turnout at the home games. But beyond basketball, other winter athletes endure long practices and tough competitions — often with far less recognition.
While basketball tends to draw large crowds and headlines, sports like swim, ski, indoor track, and hockey compete in front of much smaller audiences. Other than the students directly involved, many people in the school community are unaware of when these teams compete, who their standout athletes are, and how they perform throughout the season.
Part of the difference in involvement comes down to location and the nature of the sports themselves. “It’s much easier to walk into the gym than it is to walk onto a ski course,” athletic director Anne MacNeil said. Basketball is a team oriented sport played in the school gym, making attendance easy. New traditions like rival night and themed games also increase excitement. MacNeil explained that when the ice hockey team used to compete at Hotchkiss, the games were widely attended. Many winter sports are also more individual based, making it harder to build hype around one race or run than a team competition.
Beyond the challenge of drawing spectators, the teams themselves are also limited in size. Housatonic’s small enrollment contributes to smaller rosters, especially in nontraditional sports. Cost and access also make some winter sports harder for students to become involved with. “You have to be introduced to skiing. You have to be introduced to hockey,” MacNeil said. “If you look at what it takes to play those sports, there’s a money factor involved.”
For the swim team, the difference in team culture is notable. Senior Katie Crane played basketball her freshman year before fully committing to the swim team. “When I played basketball, we weren’t just showing up for our team, we were showing up for the student section too,” she said. “For swim, what fueled our energy was just the team itself.”
Riley Klein
Swim meets rarely draw big crowds, but some competitors said that reduced the pressure. “I love swim because there isn’t that competitiveness and pressure,” Crane said. “I just showed up and I would race, but I was racing for myself.” Swimmers said their teammates and coaches were supportive, even if a big audience wasn’t there to cheer them on.
The lack of visibility can also be frustrating. “It definitely feels like I put up big performances without it getting noticed because I made Berkshire League first team and no one knows,” freshman Phoebe Conklin said. “For basketball and soccer, it’s this huge deal when you make first team.”
The ski team faces similar struggles. “It’s actually a fun spectator sport,” said junior Danny Lesch. Because races are largely individual, standout performances don’t always translate into team wins, even though the team has many accomplished athletes. Lesch said the individual athletes then get less recognition despite high levels of personal success. “What a lot of people don’t realize is that probably the most successful students we have at their sport have been our best skiers,” Lesch said.
dWinter Cheney sports three gold medals after a victorious performance in the Berkshire Hills Ski League championships Wednesday, Feb. 18.
Despite the recognition gap between basketball and other winter sports, athletes and community members have recently made larger efforts to improve visibility. “That’s always been an area that I have struggled to do better in,” MacNeil said. “In the last two years, I’ve really focused on our Instagram account and trying to spotlight people.” While trying her best to equally represent each sport, MacNeil also relies on athletes themselves to send photos and stats. “I can’t be everywhere at once,” she said.
Looking ahead, the future of other sports at Housatonic may depend on overcoming challenges tied to the school’s small enrollment. “I just had to cancel girls’ lacrosse,” MacNeil said. Increasing visibility and community support can help keep teams active and competitive. Greater recognition can help spark student interest, increasing participation and reminding the community that success exists across sports with less publicity. For members of the ski team, even small efforts can help make a difference. “What we hope for is one of the races next year, we get a crowd, get people to come, just one race,” Lesch said.
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.
Melissa Gamwell, crafting custom Valentine’s Day cards in her office in Cornwall. Kevin Greenberg
Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
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New works on display at Kenise Barnes Fine Art in Kent
An intricate woodcut print by Eve Stockton and the organized chaos of Margaret Neill’s abstract drawings dazzled the eye. But much of the show’s distinctive texture came from its sculptural works.
Catherine Latson’s wire structures, tightly wrapped in hand-dyed threads, bring to mind pastel- hued sea anemones and become more impressive upon closer inspection. Translucent, hanging cast-resin vampire bats by Tristan Fitch blend into the ceiling until viewed up close, when they become an inescapable presence.
Detail of“Specimen 42” by Catherine Latson at KBFAD.H. Callahan
An intriguing sculpture by Julie Maren features acorn caps affixed to the wall, filled with vibrant, shimmering colors.
Paintings and a sculpture crafted from reclaimed wood by Maine-based artist Matt Barter demonstrated the range of mediums represented by a single artist.
While some of the works are already spoken for, all are on view through late April.
For more information, visit kbfa.com
Harriet Newman Cohen
Provided
Cohen writes fearlessly, with a good dose of wry humor, about her own struggles balancing marriage and divorce, raising four daughters, entering Brooklyn Law School in 1971 at age 38, and her ensuing legal career. According to Bernstein, “Passion and Power” is as much about the reshaping of American cultural norms as it is about one remarkable woman’s role at the forefront of legal and social transformation.
Cohen’s work in the legal profession has been pivotal to social change. A 2021 HBO documentary, “Nuclear Family,” directed by Ry Russo-Young, chronicles the landmark custody struggle of Russo-Young’s parents, a queer couple who hired Cohen as their lawyer.
Cohen is an honest storyteller, unflinching in admitting her mistakes and rightly proud of her accomplishments. Her story ranges from tales of her father’s fortune made producing the Hula-Hoop to her memory of schoolmate Kiki Bader — Ruth Bader Ginsburg — as a cheerleader waving pom-poms in Brooklyn. She also writes of her deep love of family, the stultifying suburban life of her first marriage, mentorship by legal icon Louis Nizer and riding the wave of social revolution that buoyed her career.
Norfolk author Gillian Linden writes of her step-grandmother, “Harriet Newman Cohen is a funny, edifying guide — precise, curious, warm. Entirely unsentimental. Marriage and its many paths is rich territory. This book is filled with the strange, glamorous, desperate and sadistic characters you hope to meet in the very best novels.”
For details, visit norfolklibrary.org
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