Thank you!
Your support is sustaining the future of local news in our communities.

1816 : the year without a summer

In the year 2000, weather men told us that we had emerged from the second coldest and wettest July in more than 100 years. While I haven’t been around that long, this is one statement made by meteorologists that I will accept as factual without double checking.

I also don’t doubt they were correct in stating that July 2010 tied the record for the hottest July ever recorded. All those high temperatures from down in the valleys make us glad we live up in the hills.

Going further back in history, a few dates stand out as having meteorological events that we all relate to. The flood of 1955 is one, as is the hurricane of 1938. Many of us remember these, having lived through them.

Then there are tales our grandparents talked about, such as the blizzard of 1888 — or perhaps the granddaddy of them all, the Year Without a Summer, 1816.

“Eighteen Hundred and Froze to Death� was the way many farmers referred to 1816. The major event behind this abnormally cold spell was the eruption in 1815 of Mt. Tambora on an island that is now part of Indonesia. This eruption was so powerful that it reduced the height of Mt. Tambora by some 4,200 feet and ejected some 25 cubic miles of rock, ash and dust into the atmosphere.

Climatologists rank the eruption as the greatest producer of atmospheric dust between 1600 and the present. The dust circled the earth in the stratosphere for several years, reducing sunlight, which in turn lowered temperatures. It also produced spectacularly brilliant sunsets and sunrises.

The year 1816 in New England began with normal temperatures, but by May, farmers began to comment on the lateness of the spring. June began normally, but on the sixth, the first of three cold waves moved eastward into the Northeast, leaving behind 6 inches of snow on the ground in northern New England.

A second cold front on July 9 produced a killing frost, as did a third and fourth on Aug. 21 and 30. Only the hardiest grains and vegetables made it to harvest time.

An apprentice clockmaker in Plymouth, Conn., Chauncey Jerome, wrote in his diary that as he walked to work on June 7, dressed in thick woolen clothes and an overcoat, his hands got so cold that he had to lay his tools down and put on a pair of mittens.

There are many accounts of strange weather patterns that year, but having set the stage for you, so to speak, I would like to share with you some meteorological statistics from Sandisfield, Mass., kept by a farmer who lived just over the state line past Prock Hill. Daniel Sears kept a running account of what he considered to be noteworthy weather events for a 17-year period from 1803 through 1820. But he doesn’t even mention 1816!

While your first impression might be that he kept sloppy or inaccurate records, when you read what weather observations he did make, it becomes clear that, at least for him in his geographical location, conditions for some reason or other were not quite as unusual as what occurred throughout much of New England. Here are some of those observations:

“8th of May, 1803, the snow fell 6 inches deep, and ice froze 2 inches thick. 1st of March 1804, the snow 5 foot deep. Stormed and blew so I could not water my cattle for three days.

“10 October 1804, the snow fell 10 inches deep and lay four days.

“20th February 1806, the ground bare and all frost is out. So warm I heard frogs peep and cowslips as large as cents. [A cent in those days was a copper coin the size of a 50-cent piece.]

“16th June 1806, the sun totally eclipsed and dark as night. Many stars to be seen at ten o’clock in the morning.

“31 March 1807, a most tremendous snowstorm and lasted five days without intermission. Many buildings damaged with wind.

“23 May 1807, severe hailstorm. Hailstones big as bullets [mothball size] and covered the ground.

“25 May 1807. This season the coldest and wettest I ever knew. No corn planted, not much flax sowed.

“30 May 1807. Sowed my flax and oats and dragged them in mud in the south mowing. No time to sow it sooner.

“22 April 1808. Sowed my flax in the south mowing.

“1809 – Cold, backward spring. Cold, cloudy summer. Crops small, all but grass.

“4th November 1809, first snow. Ground froze, snow 3 inches deep.

“1812, cold, backward spring. Cold, wet summer. Cold fall. No crops but grass.

“1814, Sept. 6. Severe frost and cold, wet summer. Grass pretty good.

1820, cold winter. 20 April, ground settled. [The frost went out.]

“1820, Nov. 13. Severe snowstorm. Snow 8 inches deep. Good sledding several days.�

So you be the judge: if you had endured the types of weather that Daniel Sears had in the Colebrook-Sandisfield area during that time period, would you have taken notice of an “average� year which only produced a few scattered frosts?

Bob Grigg is the town historian in Colebrook.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.