Speed cameras remain a tough sell in NWCT

Speed readers are not cameras.
Photo by Christian Murray

Speed readers are not cameras.
“When they averaged it out, it came to almost 33,000 citable events a month on just six roads,”
Sharon First Selectman Casey Flanagan
Town leaders across northwest Connecticut are moving cautiously on speed cameras, despite a state law passed in 2023 that allows municipalities to install them.
In town after town, officials say speeding remains a concern on local roads — especially on through roads and in residential areas — but questions about cost, staffing and public support have slowed efforts to move forward.
Supporters of speed cameras argue the technology can slow traffic and improve safety, particularly in communities with limited police coverage. Critics worry cameras could turn small towns into “speed traps,” raise concerns about surveillance, and argue that they disproportionately burden low-income households.
Washington is the only town in Litchfield County to adopt speed cameras so far, and town officials there say the program is showing results.
“Speeds are coming down,” said Washington First Selectman Jim Brinton, since cameras were installed in May 2025. “We had tried everything to change driver behavior, from speed bumps to offering more education. It’s the only option that is showing positive results.”
Elsewhere in the region, the response has been more skeptical.
In Kent, voters overwhelmingly rejected a proposed speed camera ordinance by a 391–100 margin in January 2025.
“I’m concerned about the atmosphere cameras create,” Kent resident Lianna Gantt said during a public hearing before the vote. “Are we turning our town into a speed trap?”
Interviews with the first selectmen in North Canaan, Falls Village, Sharon and Kent — along with responses from officials in Salisbury and Cornwall — show a shared concern about speeding, but little momentum toward adopting cameras. Officials cited cost, the need for staff to review violations, enforcement limits and uncertainty about whether residents would support the programs.
That hesitation mirrors the picture statewide. Since the law took effect, only 11 municipalities across Connecticut have implemented speed cameras.
A new law, but a complicated path
The process for towns to implement speed cameras is extensive and, for many small towns, daunting. Before cameras can be installed, a municipality must adopt a local ordinance authorizing their use and present a traffic enforcement plan at a public hearing. The ordinance is then put before residents at a town meeting or referendum for a vote.
Any approved plan must then be submitted to the Connecticut Department of Transportation for review. Towns must also install camera equipment — a potentially costly step — and complete a mandatory public awareness period of at least 30 days before issuing citations.
After the warning phase, drivers may be fined $50 for a first violation and $75 for subsequent offenses if they are traveling more than 10 miles per hour over the posted speed limit — meaning a camera in a 25-mph zone would not be triggered until a vehicle reaches at least 35 mph. Camera systems are operated by third-party vendors, which provide images of alleged violations to the town for review.
Under state law, each alleged violation must be reviewed and approved by a qualified municipal employee, contracted agent or law enforcement officer before a fine is mailed. Many small towns say this requirement places a heavy administrative burden on limited staff, particularly those without resident state troopers.
Motorists who fail to pay a fine are referred to collections, though they may request a hearing to contest the citation.

Sharon studies cameras after traffic analysis
With Kent having voted down the program, Sharon appears to be the town in the region furthest along in considering speed cameras.
First Selectman Casey Flanagan said the town is studying whether cameras could help address speeding concerns after a traffic study found widespread violations on several local roads.
The study, conducted by Dacra Tech, a traffic enforcement software provider, examined six locations, including Route 41 south of Rhynus Road, as well as Calkinstown Road west of Williams Road.
“When they averaged it out, it came to almost 33,000 citable events a month on just six roads,” Flanagan said. “Some of these numbers are quite staggering.”
The findings raised safety concerns but also highlighted practical challenges. Sharon does not have a resident state trooper to review images, meaning responsibility for evaluating potential violations would likely fall to a town employee.
“We need to figure out who is going to review the pictures and determine whether or not a citation gets mailed out,” Flanagan said.
“That could be me, or we could hire someone and have that be their sole responsibility,” he said.
Flanagan said vendors have told town officials that citation volumes typically decline after cameras are installed as driver behavior changes. Still, he said Sharon is not rushing to a decision.
The town has already implemented other traffic-calming measures, including speed humps on Hilltop Road, though Flanagan said such measures have limited reach.
“We’re very limited in our tools,” he said. “When there’s no local police presence, residents look to the Board of Selectmen for help.”
Whether a speed camera ordinance would pass at a town meeting remains uncertain. Flanagan did not dismiss the possibility, saying it was not out of the question.
North Canaan favors speed feedback signs over tickets
In North Canaan, officials say speeding remains a concern — particularly in residential areas — but cameras are not currently under consideration.
“No one has been asking for it,” First Selectman Jesse Bunce said.
Instead, the town is focused on expanding its use of digital speed feedback signs, which display drivers’ speeds in real time but do not issue tickets. Bunce said the signs have proven effective at slowing traffic.
“For now, this is the direction we’re going,” he said.
North Canaan has expanded its use of the signs through the state-supported Connecticut Speed Management Program and is in the process of installing them along Route 44, near the Green, and on Sand Road, between Falls Village and North Canaan.
The program provides the town with detailed data on vehicle speeds collected at those locations.
“Once we have that data, we can evaluate what to do next,” Bunce said, adding that any move toward speed cameras would require further study and would not happen anytime soon. He also said it is unclear whether residents would support such a proposal.
Falls Village tests, then pulls back
Falls Village explored the use of speed cameras shortly after the 2023 law was passed but ultimately stepped back following a short-term data collection effort.
About 18 months ago, the town installed a temporary speed camera provided by a third-party vendor on Beebe Hill Road for 30 days. The device did not issue tickets and was used solely to study traffic patterns.
First Selectman David Barger said the results challenged assumptions about the extent of speeding in the area.
“We found out the speed was not as great as we thought it was,” Barger said. “It was more perception than reality.”
The town continues to rely on other tools to address speeding, including speed feedback signs, which Barger said remain effective for most drivers.
“For many drivers, they legitimately forget how fast they are going – they may have something on their mind – and speed feedback signs are good,” he said. “But there are some people who will just ignore them and need to be fined.”
Barger said the town explored cameras strictly for safety reasons.
“The only reason we would want speed cameras is for safety,” Barger said. “It would not be a revenue generator.”
Barger said the program would be costly and require additional staff time. Estimates for a two-way camera ranged from $26,000 to $28,000, he said.
Falls Village does not have a resident state trooper to review images, meaning that responsibility would fall to town staff, with Barger saying it might be left to him.
He said the town may revisit the program in the future and would likely study Johnson Road and Sand Road as potential locations.
Salisbury and Cornwall: no immediate plans
Salisbury has no plans at this time to pursue speed cameras, First Selectman Curtis Rand said in an email.
Still, Rand remains open to the concept. Speaking at a January meeting of the Board of Selectmen, he said, “I don’t think anyone is against the concept of a mechanical way of lowering speed.”
Cornwall likewise has no plans in the near term to introduce speed cameras.
Kent: no plans to revisit the program
In Kent, town officials say the issue of automated speed enforcement is settled.
First Selectman Eric Epstein, who took office in November, said there are no plans to revisit speed cameras following last year’s town vote.
“Not going to bring it up,” Epstein said. “The town was very clear. They didn’t want it.”
Washington offers a nearby example
While most towns in northwest Connecticut remain hesitant, Washington offers a nearby example of how automated enforcement has worked in practice.
The town unanimously approved a speed camera ordinance at a meeting in December 2024 and began issuing citations in May, following years of resident complaints and unsuccessful attempts at traditional traffic enforcement.
Since implementation, Washington has issued 13,748 citations totaling about $696,000 in fines, with roughly $525,000 collected as of late January, according to Brinton.
The town reviews images in-house. A constable examines the photos provided by a third-party vendor, a process that now takes about 10 hours per week. Brinton said the workload was far heavier at the outset.
“It was pretty overwhelming at first,” Brinton said. “The sheer volume of citations initially issued caused a lot of struggles.”
While Brinton stopped short of recommending cameras for every community, he said Washington’s experience shows the technology can be effective when tailored to local conditions.
“Every town and every municipality is different,” he said. “But it has worked for us.”
Aly Morrissey
Robin Wall Kimmerer inspired the audience with her grassroots initiative “Plant, Baby, Plant,” encouraging restoration, native planting and care for ecosystems.
Robin Wall Kimmerer, the bestselling author of “Braiding Sweetgrass” and a member of the Citizen Potawatomi Nation, urged a sold-out audience at the Cary Institute of Ecosystem Studies on Friday, March 13, to rethink humanity’s relationship with the natural world through gratitude, reciprocity and responsibility.
Introduced by Cary Institute President Joshua Ginsberg, Kimmerer opened the evening by greeting the audience in Potawatomi, the native language of her ancestors, and grounding the talk in a practice of gratitude.
“Gratitude is the doorway to reciprocity,” Kimmerer said.
Kimmerer, also a mother, botanist and professor, said that Indigenous wisdom does not have to be at odds with Western science, but rather it can help humans reframe the way they understand the Earth.
She also reflected on the personal journey that led to her lifelong commitment to promoting a lens of Indigenous wisdom in Western science. As a young woman entering the field of botany — then largely dominated by men — she said her path in academia was not always welcoming as a female Native scientist.
“It has been a lifelong journey,” she said. “I was born a botanist.”
Throughout the lecture, Kimmerer described how Indigenous ecological knowledge — rooted in observation, experience and ethical responsibility — can complement scientific inquiry and help solve today’s environmental crises.
She pointed to global data showing that about 80 percent of the planet’s remaining biodiversity is found on lands stewarded by Indigenous peoples, many of whom remain under threat from continued colonization and development.
A central theme of the evening was the concept of the “Honorable Harvest,” a code of practical ethics that governs what humans take from the natural world. Its principles include never taking the first one, always asking permission, taking only what is needed, minimizing harm and giving something back.
“Science is a great way to listen for the answer,” Kimmerer said, referring to the practice of asking permission of the natural world and paying attention to ecological limits.
By the end of the talk, Kimmerer turned to the question she said she hears most often: “What can I do?”
Her answer included a call to reciprocity and action. She urged audience members to consider their own “human gifts” and how those gifts might be used in service of the Earth. For example, Kimmerer said she uses her own gift of storytelling to distill complex information and inspire people to think differently about the living world.
“The Earth asks us to change,” she said.
Kimmerer left the audience with a call to action through her latest initiative. In contrast to the slogan “drill, baby, drill,” she said she has helped launch “plant, baby, plant,” a grassroots initiative that encourages people to support the living world through restoration, native planting and care for ecosystems.
D.H. Callahan
"There is no better feeling than working through something with your own brain and your own hands." —Melissa Gamwell
In an age of automation, Melissa Gamwell is keeping the human hand alive.
The Cornwall, Connecticut-based calligrapher is practicing an art form that’s been under attack by machines for nearly 400 years, and people are noticing. For proof, look no further than the line leading to her candle-lit table at the Stissing House Craft Feast each winter. In her first year there, she scribed around 1,200 gift tags, cards, and hand drawn ornaments.
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.

Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
Natalia Zukerman
The cast of “The Addams Family” from Northwest Regional School District No. 7 with Principal Kelly Carroll from Ann Antolini Elementary School in New Hartford.
Nearly 50 students from across the region are helping bring the delightfully macabre world of “The Addams Family” to life in Northwestern Regional School District No. 7’s upcoming production. The student cast and crew, representing the towns of Barkhamsted, Colebrook, New Hartford and Norfolk, will stage the musical March 27 and 28 at 7 p.m., with a 2 p.m. matinee on March 29 in the school’s auditorium in Winsted.
Based on the iconic characters created by Charles Addams, the musical follows Wednesday Addams, who shocks her famously eccentric family by falling in love with a perfectly “normal” young man. When his parents come to dinner at the Addams’ mansion, two very different families collide, leading to an evening of secrets, surprises and unexpected revelations about love and belonging.
For director Ann DeCerbo, the show’s mix of humor, spectacle and heart made it an ideal choice for a high school production.
“It’s funny and a little spooky, but underneath that it’s really about family, acceptance and learning to embrace what makes us unique,” she said.
The large cast and crew also made the musical a good fit for the school’s thriving theater program.
“What’s impressed me most is the level of commitment,” DeCerbo said. “These students are balancing school, sports, work, family, lessons, driver’s ed. The list goes on and on. But they show up ready to work and to support each other.”
Senior Gustavo Zurita stars as Gomez Addams opposite Ivy Wallace as Morticia. The cast also includes Kaileigh Grant as Wednesday and Domonic Salz as her love interest Lucas Beineke, along with Maribelle Roach as Uncle Fester, Violet Swanson as Alice Beineke, Levi Swanson as Mal Beineke, Krystal Janak as Grandma Addams, Lorelai DeCerbo as Pugsley Addams and Juan Pablo Urbina Labarrere as Lurch.
Behind the scenes, students are also responsible for set construction, lighting, sound, costumes and stage management, essential elements in creating the Addams family’s famously eerie home.
“We started by really embracing the color palette for the show,” said DeCerbo. “Black and white with very purposeful pops of color. This is the biggest set we’ve had on the NWR7 stage in as long as I can remember.”
While the story is packed with humor and gothic charm, DeCerbo said its message resonates strongly with teenagers.
“High school can be a time when people feel pressure to fit in and meet external expectations,” she said. “This show does a great job of showcasing how much we all have in common while also celebrating individuality.”
That spirit, she added, is part of what makes theater such an important space for students.
“One of the things I appreciate most about theater is that it offers a really welcoming environment where students feel comfortable being exactly who they are,” she said.
Ultimately, DeCerbo hopes audiences come ready to laugh and leave with a reminder that every family has its quirks.
“First and foremost, I hope they have fun,” she said. “But beyond that, I hope audiences leave with a reminder that families and communities don’t have to look the same to work. There’s a lot of joy in celebrating what makes people unique.”

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Robin Roraback
Garth Kobel, Art Wall Chair, Mary Randolph, Frank Halden, Ruth Giumarro, Project Chair, Maria Bulson, Barbara Lobdell, Sherry Newman, Elizabeth Frey-Thomas, Donna Heinz around “The Green Man.”
In honor of National Quilt Day, a tradition established in 1991, Hunt Library’s second annual quilt show, “Quilts of Many Colors,” will open Saturday, March 21, with a reception from 5 to 7 p.m. The quilts, made by members of the Hunt Library Quilters, will be displayed through April 17. All quilts will be for sale, and a portion of each sale goes to the library.
At the center of the exhibit is a quilt the Hunt Library Quilters collaborated on called the “Quilt of Many Colors,” inspired by Dolly Parton’s song”Coat of Many Colors.” Each member of the Hunt Library Quilters made two to four 10-inch squares for the twin-size quilt, with Gail Allyn embroidering “The Green Man” for the center square. The Green Man, a symbol of rebirth, is also a symbol of the library, seen carved in stone at the library’s entrance. One hundred percent of the sale of this quilt benefits the library.
Ruth Giumarro, who led the Hunt Library Quilters in this project, explained that the quilting group started last year with the theme “Playing With Art,” which was inspired by children’s book illustrator Eric Carle. Giumarro said, “We had so much fun last year that everyone said, ‘Let’s do it again!’”
“This has been exciting,” said Giumarro. “We started off small with seven people. This year more people came, and there are more who want to come.” The range of experience varies from none to years of sewing and quilting. All are welcome; be a resident of Falls Village is not required.
“It’s all practice,” explained Giumarro, who has been sewing since she was in seventh grade. “Getting a straight line is hardest.”
On March 6, the quilters gathered at Hunt Library to bring their own creations for the show and admire the finished “Quilt of Many Colors.” After looking at each other’s quilts and pricing them, they celebrated with cake.
The Hunt Library is located at 63 Main St. in Falls Village. More information is available at huntlibrary.org
D.H. Callahan
New works on display at Kenise Barnes Fine Art in Kent
Since 2018, Kenise Barnes Fine Art in Kent has been displaying an impressive rotation of works across a range of artists and mediums. On Saturday, March 14, art enthusiasts arrived to see a new exhibition at the gallery featuring a wide variety of new pieces.
Large-scale paintings by David Collins and Melanie Parke alongside small 3-by-3 inch oil-on-panel works by Sally Maca.
An intricate woodcut print by Eve Stockton and the organized chaos of Margaret Neill’s abstract drawings dazzled the eye. But much of the show’s distinctive texture came from its sculptural works.
Catherine Latson’s wire structures, tightly wrapped in hand-dyed threads, bring to mind pastel- hued sea anemones and become more impressive upon closer inspection. Translucent, hanging cast-resin vampire bats by Tristan Fitch blend into the ceiling until viewed up close, when they become an inescapable presence.

An intriguing sculpture by Julie Maren features acorn caps affixed to the wall, filled with vibrant, shimmering colors.
Paintings and a sculpture crafted from reclaimed wood by Maine-based artist Matt Barter demonstrated the range of mediums represented by a single artist.
While some of the works are already spoken for, all are on view through late April.
For more information, visit kbfa.com
Jennifer Almquist
Harriet Newman Cohen
Harriet Newman Cohen weathered many storms in her five-decade-long journey to become one of the nation’s most celebrated divorce attorneys. Voted one of the top 100 attorneys in New York for many years, Cohen served as president of the New York Women’s Bar Association and has been a champion of divorce reform. She and her co-author, journalist David Feinberg, will give a book talk about her memoir, “Passion and Power: A Life in Three Worlds,” at the Norfolk Library on Sunday, March 22 at 2 p.m.
What began as a personal record of her life, intended for her family, grew into a memoir that journalist Carl Bernstein describes in his endorsement as “wise and riveting.” Born in 1932 in Providence, Rhode Island, to parents who immigrated in 1920 from Ukraine and Poland, Cohen traces the arc of her life and the challenges she faced entering a legal profession that was overwhelmingly male at the time, leading to her success as a maverick divorce attorney fighting for women’s rights and equity in the law. She received her Juris Doctor, cum laude, from Brooklyn Law School in 1974, one year after Roe v. Wade was decided. She is a founding partner of Cohen Stine Kapoor LLP in New York City, a family and matrimonial law firm she formed in 2021, at age 88, with her daughter Martha Cohen Stine and Ankit Kapoor.

Cohen writes fearlessly, with a good dose of wry humor, about her own struggles balancing marriage and divorce, raising four daughters, entering Brooklyn Law School in 1971 at age 38, and her ensuing legal career. According to Bernstein, “Passion and Power” is as much about the reshaping of American cultural norms as it is about one remarkable woman’s role at the forefront of legal and social transformation.
Cohen’s work in the legal profession has been pivotal to social change. A 2021 HBO documentary, “Nuclear Family,” directed by Ry Russo-Young, chronicles the landmark custody struggle of Russo-Young’s parents, a queer couple who hired Cohen as their lawyer.
Cohen is an honest storyteller, unflinching in admitting her mistakes and rightly proud of her accomplishments. Her story ranges from tales of her father’s fortune made producing the Hula-Hoop to her memory of schoolmate Kiki Bader — Ruth Bader Ginsburg — as a cheerleader waving pom-poms in Brooklyn. She also writes of her deep love of family, the stultifying suburban life of her first marriage, mentorship by legal icon Louis Nizer and riding the wave of social revolution that buoyed her career.
Norfolk author Gillian Linden writes of her step-grandmother, “Harriet Newman Cohen is a funny, edifying guide — precise, curious, warm. Entirely unsentimental. Marriage and its many paths is rich territory. This book is filled with the strange, glamorous, desperate and sadistic characters you hope to meet in the very best novels.”
For details, visit norfolklibrary.org

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