A cultural journey at The Stissing Center
Mexico Beyond Mariachi explores dance and music across Mexico.
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Anna Handler makes her BSO debut.
Hilary Scott
Velinzon and the stings were superb — a powerfully played Brahms. Handler made her mark. She bowed modestly, placing hand to heart, and pointed to credit various sections and individuals. She strode off stage with pace and quickly returned for Schumann’s “Symphony No. 4.”
No. 4 begins with somber tones and develops into something else: Ziernlich langsam (Rather slow) to Lebhaft (lively) to Romanze: Ziernlich langsam, to Scherzo: Lebhaft — Trio, then. Langsam — Lebhaft — Schneller — Presto (slow — lively — faster — very fast.)
It was exquisitely performed with Handler bringing both artistry and quality. It flowed like a river — meandering, then surging with power, until it exploded into a torrent. The build up was sharp; the conclusion loud, and vibrant.
Handler turned to the audience, now a broad smile. She shook Velinzon’s hand. Her deeper bows greeted a standing ovation — a glimpse into a bright future.
Anna Handler at Tanglewood.Hilary Scott
After intermission, it was up to Hadelich to follow a great orchestral performance.
A large man with larger hair, he dwarfed Handler as he waited onstage to begin his part in the famous Tchaikovsky “Violin Concerto.” Velinzon and the orchestra led the soft opening bars. Hadelich lifted the 1744 “Leduc / Szeryng” Guarneri (lent to him through the Tarisio Trust), and began. Sweet tones emerged.
He had previously played the 1723 “ex-Kiesewetter” Stradivari but switched recently after hearing the mellow, more human-like voice he was in search of — and found — in the Guarneri. What followed was smooth, soft, gentle brilliance.
Allegro moderato – Moderato assai served as a warm-up. Then came Canzonetta: Andante —and things really got going. The Finale: Allegro vivacissiomo, Hadelich flew up and down the neck of the Guarneri with such speed and precision that, through binoculars, I caught Velinzon chuckle and shake his head in disbelief from the best seat in the house.
A virtuoso performance.The crowd roared.
An encore followed: Forrester (arr. Hadelich) “Wild Fiddler’s Rag” — fun and flirtatious.
Will there be other evenings as bright as this? Likely, but few and far between.
Will Velinzon and the orchestra continue to create rare conditions where these thermonuclear pyrotechnics are possible?Absolutely.
Elias Weiss Friedman, aka The Dogist, photographing adoptable pup Petunia from the Little Guild at Troutbeck.
Leila Hawken
A best-selling author, Friedman brought along his latest book, “This Dog Will Change Your Life,” that was greeted with brisk sales and the chance to obtain a signed copy. His Instagram postings have amassed a loyal following of more than 11 million and growing. To date, he has photographed more than 50,000 dogs.
“Dogs complete every aspect of human life,” said Charlie Champalimaud, Troutbeck owner, who served as interviewer for the event. “I just love dogs, and I’m very excited to see people come together,” she added. Her own family dog, Rocky, accompanied her and charmed the audience with exemplary behavior.
“I’ve been following you for years,” said Priscilla McCord of Lakeville, speaking with Friedman before the event began. McCord also serves as a board member at The Little Guild.
“You are an artist and storyteller,” said Champalimaud, introducing Friedman to the audience of more than 100 dog lovers gathered in Troutbeck’s pole barn.
Elias Weiss Friedman signing books after his talk.Leila Hawken
Friedman said he has been developing The Dogist concept and brand for the past 11 years.
“I had an understanding of the cultural phenomenon of dogs,” he said. “Dogs are a source of joy. I wanted to write about that,” he added, noting that dogs are also hilarious.
“I was a shy kid with a dog,” Friedman recalled. “Dogs are generous with their eye contact.”
“I’ve moved the needle a bit in how we appreciate our dogs,” he said of his role as The Dogist. Over the years, his work has included helping dogs find homes or receive service dog training.
Asked about recent advances in artificial intelligence in learning to communicate with animals — particularly current research into communicating with whales — Friedman noted that we already communicate with dogs, though often through our own ego. “There is no shortage of communication,” he said.
He added that some dog owners might not want to know their dogs’ honest opinions about their circumstances or lifestyles.
Looking ahead, Friedman will be international in scope, exploring how different cultures view their relationships with dogs. He expects to find meaningful differences and insights across borders.
Next in the Luminary series at Troutbeck will be a talk by Mark Ronson on Sunday, Sept. 7. He will speak about his book, “Night People,” pairing the talk with a DJ session. For more information, go to www.troutbeck.com.
