
Natalia Zukerman playing for a group of school children at the Autism Nature Trail.
Loren Penmann
Natalia Zukerman playing for a group of school children at the Autism Nature Trail.
At Letchworth State Park in Castile, N.Y. the trees have a secret: they whisper to those who listen closely, especially to those who might hear the world differently. This is where you can find the Autism Nature Trail, or ANT, the first of its kind in this country, perhaps in the world. Designed for visitors on the autism spectrum, the ANT is a one-mile looped trail with eight stations at various intervals, little moments strung together, allowing visitors to experience everything from stillness to wild adventure.
The idea for the ANT was born from a conversation in 2014 between Loren Penman, a retired teacher and administrator, and her neighbor. The two women were discussing the new nature center at the park and Penman’s neighbor said that her grandson, who loved the park, probably wouldn’t be able to enjoy a nature center. He had autism and at age seven was still without language and in a state of almost constant agitation. Her neighbor went on to say, however, that she had observed her grandson finding great calm at Letchworth, a state of being he couldn’t achieve almost anywhere else. Speaking to another friend with an autistic grandchild, Penman heard the same sentiment about Letchworth; it completely calmed her grandchild. What was it about this special place that soothed the spirit?
According to the research of Michael Terman, PhD, a professor of clinical psychiatry at the College of Physicians and Surgeons at Columbia University, a concentration of negative ions produces a positive effect on human beings’ general well-being.
Letchworth Park is roughly 17 miles long, following the course of the Genesee River as it flows north through a deep gorge and over several large waterfalls. Full of these tiny, invisible particles, it’s like a natural prescription to help humans feel better, happier, and calmer. Armed with this research and many personal observations, Penman and two friends, Susan Herrnstein and Gail Serventi, reached out to Temple Grandin, a famous voice for autism and neurodiversity. Grandin replied almost immediately and became a consultant in the creation of the ANT which opened to the public on October 1, 2021.
Fast forward to October 2023. Penman reached out to me to see if I would write a song, an original “ANThem” for the trail. Penman and I met in 2010 when I was playing at a venue in Buffalo, New York. We’ve stayed in touch. She was working on securing a grant that would pay for the song, my travel, several school group visits to the park, and an evening performance for the public. Having never been to the park, I had my work cut out for me.
Autism diagnoses have soared by 175% since 2000. According to the CDC, the incidence of autism in 2024 is 1 in 36. Theories abound - environmental toxins, maternal infections, older parents, the rate of prematurity, and on and on. Little is conclusive, but more and more people are being diagnosed, perhaps due simply to the fact that there is more awareness, and that the “spectrum” is widening.
Throughout my years as a teacher, I have worked with children on the autism spectrum and what I have observed is that they seem almost unbearably alert to the world’s wonders and its dangers all at once. Crying is common, but not necessarily for the reasons that have come to be associated with tears- like sadness, grief, or pain - but more an overwhelm at the connection between joy and sorrow itself. The world is terrifying and mystifying and emoting as a way to try to comprehend it seems necessary. Music can be a great source of relief for children on the spectrum, a way to express the inexpressible, a way to alchemize the experience and mystery of being alive.
Grandin said, “The world needs all types of minds.” A slight alteration and “All Kinds of Minds” became the song. I arrived at the ANT early on the morning of June 5 and spent the day with students from Batavia, Mt. Morris, Perry, and Warsaw Schools, teaching them the song. The children ranged in age from kindergarten through elementary school and varied greatly in terms of how they presented on the autism spectrum. Some were nonverbal, using handheld devices that could “speak” for them. Some kids sang along, some shouted. Some cried, some laughed; all of them seemed intrigued by their surroundings, the guitar, and this new song written just for them. Under a bright blue sky, surrounded by ancient pine trees and waterfalls, we sang the chorus together, again and again:
I don’t know why
But I feel better by the water
And the deep wood pine
I can take my time
Cuz the world needs
The world needs
All kinds of minds.
To find out more about the ANT and to donate, visit: autismnaturetrail.com/allears/
Natalia Zukerman is Engagement Editor at The Lakeville Journal and The Millerton News. She also is a singer, songwriter and visual artist. Her cartoons appear weekly in The Millerton News.
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino