“And then my heart with pleasure fills, And dances with the daffodils.”
Those lines, from the poem, “I Wandered Lonely as a Cloud,” by William Wordsworth, are inscribed on a stone marker at Laurel Ridge Farm in the Northfield section of Litchfield.
It rings true to visitors who go to see the more than ten thousand daffodils and narcissus that were planted at Laurel Ridge Farm beginning in the early1940’s. The bulbs were planted in a field considered too rocky to plant crops. The stone marker that holds the poem by Wordsworth also explains: “These daffodils were planted for all to enjoy by Virginia and Remy Morosani, 1941.”
Since then, the Morosani family has maintained the daffodils and set up a foundation for their care. More bulbs were planted over the years. Maintenance includes digging up and separating bulbs when they become over-crowded.
A visit on April 10 found that only a few daffodils were in bloom. A couple who goes yearly and had come to check predicted, “Maybe a week or two more until peak.”
The daffodils at Laurel Ridge Farm in Litchfield. Photo by Robin Roraback
From about mid-April to early May, thousands of visitors are welcomed to see the daffodils. There are three rules: No dogs, no picnicking, and no picking or stepping on the flowers. They also ask that no one park on the east side of the narrow road so that emergency vehicles gain access if needed.
It is a magical experience to walk the more than ten acres of meandering paths, with woods and ponds, surrounded on all sides by daffodils and narcissus in shades of yellow from pale, almost white to golden yellow.
The Visit Litchfield CT Facebook page (www.facebook.com/VisitLitchfieldCT) posts updates and will post when the daffodils peak. Laurel Ridge Daffodils Facebook page also posts updates on when the peak is expected.
Laurel Ridge Farm is located at 66 Wigwam Road, 1.3 miles south of the intersection withRoute 254. A sign for Laurel Ridge Farm is at the beginning of Wigwam Road. There is no admission fee. It is open from sunrise to sunset while the daffodils bloom. After that, it is closed until the next year.
Travel league baseball came to Torrington Thursday, June 26, when the Berkshire Bears Select Team played the Connecticut Moose 18U squad. The Moose won 6-4 in a back-and-forth game. Two players on the Bears play varsity ball at Housatonic Valley Regional High School: shortstop Anthony Foley and first baseman Wes Allyn. Foley went 1-for-3 at bat with an RBI in the game at Fuessenich Park.
Anthony Foley, rising senior at Housatonic Valley Regional High School, went 1-for-3 at bat for the Bears June 26.Photo by Riley Klein
Uncommon books at the intersection of art and literature.
Pearson first encountered the world of alternative publications — magazines filled with experimental writing, artworks in the form of a book, and samizdat literature — as a young writer living in Berlin just before The Wall came down in 1989. Later, in New York City, she spent a great deal of time with artists “who were always making and assembling, whose continuous art-making made the thin membrane between art and life even more porous,” she explained.
Pearson traces the idea of publishing to a 2001 exhibition of artist-poet Joe Brainard. That show led to “The Nancy Book,” Siglio’s debut title in 2008, and she’s never looked back. The book contains over fifty full-page reproductions of Brainard’s dazzlingly accomplished and witty drawings of the cartoon strip character, Nancy. It includes essays and contributions by Robert Creeley, Ann Lauterbach, Frank O’Hara, Ron Padgett, and other poets of great renown, all thrilled to celebrate and remember Brainard (sometimes called “a poet’s artist”) who died of AIDS in 1994. Pearson said, ‘My first project with Brainard was such a good experience, I kept going. “
Since then, Pearson, the sole proprietor of Siglio, has designed, edited, and published over 40 books and other printed editions. Her books are characterized by unexpected juxtapositions of texts and images and collage-like assemblages, as well as for carefully designed and gorgeously printed volumes. Her list includes many “rediscoveries” of unpublished manuscripts and little-known publications. At the same time, she has commissioned new work from an impressive array of artists and writers such as Christian Marclay, Sophie Calle and Cecilia Vicinua among others.
Uncommon books at the intersection of art and literature.Richard Kraft
Though most Siglio books feature work by artists and writers from the 1960s to today, one standout— “Tantra Song” (2011) — showcases vibrant 17th-century Indian tantric paintings collected by poet-ethnographer Franck André Jammes, their modernist feel echoing Hilma af Klint or Brice Marden. Siglio also frequently draws on the spirit of the Fluxus movement, reissuing works by figures like John Cage and Ray Johnson with editions that honor their playful, ephemeral, and poetic origins.
Siglio also excels at photo-narratives rooted in highly specific, often eccentric concepts. “Memory” (2020), by avant-garde writer Bernadette Mayer, reproduces her journal and daily rolls of 35mm film from a month in the Berkshires in 1971, capturing the texture of each day. “Call and Response” (2022), created during COVID lockdown by composer and visual artist Christian Marclay, pairs his photographs of London’s quieted streets with musical scores composed in reply by his friend Bruce Beresford—each image in dialogue with sound.
Siglio books are sold through it’s website (sigliopress.com), as well as museum or specialty bookshops. (The Lenox Bookstore represents a number of Siglio books; the newly opened Lakeville Books & Stationery has copies of “Tantra Song.”) In all cases, Pearson strives to make “two or three degrees of connection” with each book buyer, including a “special gift” — often a piece of printed ephemera — with each purchase.
