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The Lakeville Journal and The Millerton News 2026 interns
Lakeville Journal
Meet the next generation of community journalists. Eight interns joined The Lakeville Journal and The Millerton News this summer. Below, each shares a brief note on their experiences.

Mia DiRocco
My name is Mia, and I will be a freshman at Northwestern University this fall, where I will be majoring in journalism. I first began working with The Lakeville Journal through the revival of Housy’s student newspaper, HVRHS Today, last spring. There I first discovered journalism as a career, and The Lakeville Journal’s Summer Internship program. What began as a fun extracurricular has turned into a passion and career path in journalism I can’t wait to pursue.
I am relatively new to this area, having moved here from Long Island five years ago. I feel that writing for The Lakeville Journal helped me really get to know this community. From going hula-hooping at the Hunt Library to discussing how to dispose of 55 gallons of melted ice cream with Grassland’s owner, I’ve learned so much about local journalism and the people that make up this area.
Not only this, but the chance to have articles published opened doors for me that I could never have dreamed of. From a summer academy with the New York Times in the city last summer, and now my dream school to study journalism in Chicago, I’ve found that local journalism has a much farther reaching impact than just this community. The experiences and opportunities I’ve had here were the focus of my senior year capstone project, which won the Pinnacle Award for Capstone Excellence. None of this would have been possible without the skills and values I learned from working at The Lakeville Journal.
I’d like to thank The Lakeville Journal’s staff for all their work with the internship program. Local journalism is incredibly important, and I will always be grateful to have gotten to be a part of this paper.

Allison Gollenberg
My name is Allison Gollenberg, and this fall I’ll be a senior journalism major at the University of Connecticut. There, I’ve written about everything from tick populations to tactical urbanism. I decided to study journalism because I love to learn, and with this kind of job, every day I get to research something new. I get to talk to all sorts of people, to make sense of an eclectic selection of topics each week, and it’s super fulfilling to share what I learn with the world as a writer.
Growing up here in the Northwest Corner it sometimes felt like I was from the sleepiest place on earth. But looking at it with a journalistic eye has made me realize there’s a lot going on everywhere I go. This summer I could be found zipped inside of an inflatable whale, traipsing through a rail yard in the rain, dancing to colonial era music or at board of selectmen meetings where I was the only attendee who wasn’t also a selectman—and I got to do it all in pursuit of a good story. It was a great reminder that you have to keep your eyes wide to the world around you. Once you do, you see there’s a story behind everything.
I’ve spent a long time trying to figure out what exactly I want to do with my life— the only things I’m really able to say about myself are that I get bored easily and I think people are the most fascinating thing we’ve got. In a selfish way, I love this work because it lets me try on a bunch of different hats, to be nosy for a paycheck. In a less selfish way, I love this work because it keeps me in touch with the workings of the world around me, and I get to keep others informed through what I write.

Annie Prinz
Hi, my name is Annie Prinz, and I’ve lived in Lakeville full-time for almost 12 years. This fall, I will be starting my senior year at The Hotchkiss School. Before attending Hotchkiss, I spent my ninth-grade year at Indian Mountain School, after graduating from Salisbury Central School, where I attended middle and elementary school.
From a very young age, I’ve maintained a love for reading. As I’ve gotten older, that love has also translated into an enjoyment of writing. Whether through journaling or more academic forms of writing in my humanities classes, I’ve found that it’s where I feel most engaged and excited. To be honest, apart from watching Rory in Gilmore Girls, I hadn’t thought much about journalism.
However, when I found the information for this program back in the fall, it sparked my interest. I love the town I’ve grown up in, I enjoy writing, and I love meeting new people, so I figured what better way to do all of that than through this program? Six weeks ago, I was intimidated entering a room where I was the one with the least amount of experience, but it ended up being the greatest opportunity for me to grow and learn.
My time at The Lakeville Journal has shown me some of the most important components of what it means to be a journalist, specifically in a smaller community like ours. I can confidently say that I am walking away from this experience feeling so much more connected to the place I call home. Throughout this program, I’ve been able to work on my ability to build connections with strangers, ask important questions, look at a story from a completely different perspective, and so much more.
I know that all of the experiences and conversations I’ve had because of this program are uniquely meaningful, and I feel very grateful for that.

Phoebe Tobin
My name is Phoebe Tobin, and I’m a rising senior at Loomis Chaffee in Windsor, CT, though I live in Lakeville. Prior to Loomis, I attended Indian Mountain School, where I revived the school newspaper, formally discontinued in the 50s, entitled Le Scoop, and served as editor-in-chief. At Loomis, I write for our student-led publication, The Loomis Chaffee Log.
I’ve always been someone who loves writing, though throughout the earlier years of my life I was drawn to creative rather than journalism, writing fantastical stories about creatures of my own invention and journeys through time. At IMS, within my idea and eventual execution for the newspaper, I found the stories that happen on earth with the people around us. A curiosity for the stories of those I saw every day, and seeking out what could count as “newsworthy” solidified my love for journalism and is what brought me to spending my summer with The Lakeville Journal.
Interning at The Lakeville Journal gave me a new insight into the community I thought I understood just by existing around it in a bubble of my own convenience, speaking only to a circle of people I knew and few beyond that. In six weeks, I’ve attended many events I truthfully never would have known about beyond a posted sign, like Sharon’s 4th of July Celebration and the Jane Lloyd Fund Clambake, and experienced the greater depth of my community through the stories of those I talked to. Additionally, showing up at big events alone, bugging total strangers with questions as I practically shoved a recorder in their face is not something that necessarily came naturally. But as I did it more and more, I improved significantly and will take a new confidence from it back to Loomis and beyond.
This internship confirmed for me that journalism is something I hope to keep exploring, no matter what I choose to study down the road, and I’m so grateful for the chance to spend my summer getting to know my community a little better.

Lucia Iandolo
I am a rising senior at Ithaca College studying television, photography and digital media production with a concentration in photography and a minor in journalism. On campus, I have worked with our independent, student-led newspaper, The Ithacan, as a writer, videographer and photo editor. Photography has always been important to me as someone who loves storytelling, and from a young age I knew I loved documenting moments of time through the camera. I find it fascinating that we can show so many perspectives through one series of images. At Ithaca College, I knew I wanted to be involved in something that could further my passion. Joining The Ithacan was one of the best decisions I have made. Being a part of the newspaper not only taught me more about photography, but it introduced me to journalism, where I can hear and share more stories with the local community.
I grew up in Dover Plains, New York, and have truly cherished the opportunity to report on my hometown this summer. While growing up, I did not know much about my town or the news surrounding it. Through this internship program, I have learned so much about my home while talking to people in the community. I was also given the opportunity to write for Compass, where I wrote stories about music performances, art showings and vibrant members of our community.
While being a part of the internship program this summer, I gained so much knowledge from the incredible editors and reporters. My love for storytelling only grew, and I am so grateful to Nathan Miller, Natalia Zukerman, Christian Murray, and everyone at the Lakeville Journal for their support and kindness.

Jacquelyn Drain
I was born and raised in West Hartford and am a rising senior at Marist University. On campus I am a Managing Editor and City/National Section Editor for the Marist Circle. My time at Marist has been essential to my development as a writer and a journalist. However, my connection to Dutchess County is not new. My dad was raised in Poughkeepsie, meaning I grew up making frequent trips to the area to visit my grandparents or my aunt and uncle, who still live in town. When the time came to decide where to attend college, Poughkeepsie felt like a second home and one I knew I could thrive in.
I have always considered myself a writer but was unsure how best to use my skills. I didn’t know much about journalism, let alone consider it a possible career path until my senior year of high school. The part of the job that I didn’t anticipate was the social interaction, though it has quickly become my favorite aspect.
This summer I have had the pleasure of exploring a different side of the area during my time with The Millerton News. I was assigned the Town of North East and Village of Millerton as my coverage area and have since had the privilege of meeting many new people and exploring the beautiful area. From The Moviehouse to zoning board meetings, I have learned so much both about the town and journalism itself.
This internship has taught me so much about the triumphs and tribulations of being a journalist. Learning how to apply what I have learned in classes has been an irreplaceable opportunity. I want to give a huge thank you to the entire Lakeville Journal/Millerton News staff but particularly Nathan Miller and Graham Corrigan for their incredible guidance during this experience.

Sophie Gardiner
My name is Sophie Gardiner and I’m from New York City. I’m a rising sophomore at Northwestern University, where I study Journalism, Classics and Political Science. At school, I’m a reporter on the city desk for The Daily Northwestern and a member of the College Democrats. As a person deeply interested in the intersection of communications and politics, I also work on political campaigns in the broader Evanston area.
This summer, I’ve had a great experience diving deeper into journalism, particularly because of how local and community-focused The Millerton News is. I’ve had a strong passion for journalism for as long as I can remember, both because of its purpose as the Fourth Estate and because of my love for writing. Interning with The Millerton News has solidified my conviction in journalism as essential to a thriving community and it’s been really rewarding to gain hands-on experience in such a meaningful way. I’ve also learned a lot about how a newsroom operates, which makes me excited to continue exploring the industry in all its capacities – from social media to publishing and law.
My skills have undoubtedly improved from my time at the paper: always keeping my eyes open for a good story, asking the right questions and more. When I return to Northwestern in the Fall, I’m excited to bring my sharpened skills to the Daily. I’m also excited to join more magazine-style publications, where I’ll focus on the type of long-form feature writing I’ve enjoyed so much here. I’m so grateful for my experience this summer and I cannot thank everyone at The Lakeville Journal and Millerton News enough.
When I’m not in a newsroom or library, you can typically find me curled up with a good book, trying new restaurants with friends or going on long walks with a good playlist.

Eloise Pickering
I’m Florida born and raised and a rising senior at Loyola University New Orleans. Salisbury has been a summer destination for me since 2010. Every July for as long as I can remember, we packed our bags and escaped the brutal Florida heat staying with family.
I’ve been studying journalism and working at Loyola’s paper, The Maroon, for three years now. The highlight of my college newsroom has been serving as the paper’s editor-in-chief for the last year. During that year, we were awarded finalist for the Society of Professional Journalist’s Best All-Around Student Newspaper for colleges under 10,000 students. I was thrilled.
When it was time to search for summer internships, my great-aunt and Salisbury resident proposed The Lakeville Journal. So, I applied and kept my fingers crossed. I was elated when the internship offer hit my email.
Being a student journalist in a big city, I was excited to have the opportunity to learn in a small town setting, and I did learn so much. I’ve spent the summer writing for The Millerton News, and working mainly out in Millbrook. Under the guidance of fantastic editors and surrounded by talented student journalists, the educational experiences I’ve gained this summer are immeasurable.
Not only have I learned more about the mechanics of writing, I’ve learned how to be a better listener and reporter. I made real connections. I got to know the owner behind the store, the planning behind the project, and the people behind the community.
If you had told me in March that I’d know more about aerated concrete than the average person, I would have laughed in your face. But, I was fortunate to meet two talented men who taught me about the extremely interesting building material.
I’m excited to bring all the knowledge I’ve learned this summer back to New Orleans, where I’ll finish my final semester of college this fall. I cannot express enough gratitude to this program and all the people involved for giving me the most interesting and educational summer I’ve ever had.
Marina Kotchoubey is taking care of business
D.H. Callahan
Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.
After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.
Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.
Sometime in the mid-2010s, with grandkids accumulating, he started to picture a future away from the shop. It was getting time to step away and enjoy what he insists is one of the most beautiful parts of the world: the Northwest Corner of Connecticut. But just because he was aging out of the job didn’t mean his employees needed to as well.
Ingersoll recognized the home he’d built for these creative experts — a place where they, too, could make their livings building masterworks of fine furniture. So, for his next big challenge, he began the search for someone he could trust to take what he’d made and build it even better. After searching for quite some time, he decided to look next door.
Technically, Marina Kotchoubey grew up in Manhattan but she spent weekends and summers in Cornwall, Connecticut, feeling more at home amongst the woods and rivers of Litchfield County than in the subways of the city. But business opportunities kept her away from making her permanent home in the region.
After college, Kotchoubey moved to Paris to run the U.S. branch of children’s fashion brand Petit Bateau. At the young age of 23, it was a job she wasn’t ready for. But that’s where Kotchoubey finds her creative challenges.
By pairing the experience of her peers and coworkers with her razor-sharp intuition, Kotchoubey ran the brand with seamless expertise despite her lack of experience. She jumped into the deep end of the pool and challenged herself to swim. For seven years, she swam like an Olympian.
After her time in France, she felt ready to finally make a home in Cornwall. With no career or even job lined up, she approached several local businesses around the Northwest Corner and offered to help out in a consulting capacity. After years of challenging conditions in the deep end, this seemed like calm, shallow waters. And that’s when her neighbor, Ian Ingersoll, approached her.
At first, he was looking for a little help with business issues. Ian Ingersoll Cabinetmakers was doing well, but a younger customer base of homeowners and interior designers weren’t as keen on classic Shaker furniture. Though the studio had already started to diversify their offerings, Kotchoubey was instrumental in implementing a smooth transition to other styles of furniture. Ingersoll saw that, thanks to her breadth of experience and enterprising vision, she could take the baton and run with it.
In 2025, he handed her the keys.
When she took the reins, Kotchoubey saw two new ways forward. She could shake things up and pivot the shop toward installations and on-site custom builds. This would require new equipment, new clients and possibly new craftsmen. The other path leaned into what she had already helped the company do: expand its offerings and cater to a new, less traditionally minded clientele.
With confidence in her craftsmen and the reputation their work has garnered, she resisted the urge to pivot and instead relied on what makes Ian Ingersoll Cabinetmakers great — high-quality furniture made by expert craftsmen.
The journey isn’t quite as easy as it sounds. There are great challenges that come with being a young woman in an older man’s world. Firstly, she had to win the respect of her employees, despite not sharing in their skills and know-how. She accomplished that, once again, by listening to the experts and not forcing her vision on a remarkably capable group. The woodworking side of things might be new, but her ability to swim in unknown waters has proven unflappable throughout her career.
Now in its sixth decade of operations, Ian Ingersoll Cabinetmakers shows no sign of slowing down. Kotchoubey’s leadership is finding new customers by expanding on the reputation of the work. With increasing demand and a steadfast commitment to slow, quality jobs, don’t expect to pop into their West Cornwall showroom and leave with a piece anytime soon. Lead times on custom creations range from 12 to 16 weeks, but if things keep going the way they are, that wait could get even longer.
To see some of the company’s offerings, visit ianingersoll.com.
Marina Kotchoubey at the Ian Ingersoll Cabinetmakers.Photo by D.H. CallahanA legacy of giving at Norfolk Chamber Music Festival
D.H. Callahan
One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.
The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.
But the Stoeckels went even further. They took it upon themselves to pay for everything from trains and coaches for American musicians to trans-Atlantic crossings for European composers, and even rented instruments when needed. They never told anyone what it all cost and worked hard to keep their names off the buildings and mastheads, instead directing all credit to the Litchfield County Choral Union.
Upon her death in 1939, widowed Ellen Battell Stoeckel bequeathed the entire operation to the Yale School of Music. Since then, Yale has operated the Norfolk Chamber Music Festival at the iconic property, with only modest renovations made in 2024.
This year, the Festival is looking to the past for inspiration as it presents its “Anniversaries” program, featuring performances dedicated to celebrating history. On Saturday, Aug. 1, the Festival looked back 200 years with pieces written in 1826 by Schubert, Beethoven and a 17-year-old Felix Mendelssohn. The previous evening focused on the Music Shed itself, with repeat performances of works by Sibelius, Coleridge-Taylor and even Rachmaninoff, all of whom graced the shed with their presence.
On Aug. 8, the festival will celebrate its final anniversary of the season: America’s 250th. The program will feature a world premier by Juilliard-trained composer and pianist Nahre Sol. The piece is part of the Festival’s Musical Bridges project, which commissions music inspired by the American West.
Apart from the anniversaries, there’s still more music to come. Friday, Aug. 7 will feature pieces by Haydn, Holcomb, Schoenberg and Shostakovich. On Aug. 14, works by Beach, Childs and a little more Haydn will be performed with Melvin Chen on piano. Oboeist Stephen Taylor will join William Purvis and the Norfolk Fellows for an evening of Johann Sebastian Bach’s Brandenburg Concertos on Saturday, Aug. 15. The culmination of the season happens on Saturday, Aug. 22 with a musical tour of choral masterworks from the Renaissance through today, featuring the Norfolk Festival Chamber Choir and Orchestra.
Of note is the Festival’s new collaboration with locally based fashion brand BODE. While no robber barons — or even modern-day rocketship billionaires — it’s nice to know the spirit of musical altruism lives on in Norfolk.
To learn more, head to norfolkmusic.org.

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Writer’s retreat in the woods
Jennifer Almquist
Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.
Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.
This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.
Six workshops, led by nationally recognized authors, poets and environmental experts, will take place throughout GMF’s 6,400-acre forest. Participants will engage in field observation, writing and discussion focused on description, ecological literacy, eco-poetry and nature-based storytelling.
According to Michael Zafros, GMF executive director, “There are few uses of a forest more sustainable than serving as inspiration. Hosting writers and artists is a great way to explore and provide this use of our forests. This new program demonstrates how Great Mountain Forest can be an antidote to the challenges facing our world. The retreat brings people together, builds community in the forest, gets participants outside and off their screens, and uses nature sustainably to heal and inspire minds and souls.”
The weekend includes journaling and campfire conversation on Friday, a guided nature walk and workshops on Saturday, and a closing reflection on Sunday.
Borland wrote, “I challenge anyone to stand on a hilltop and fail to see a new expanse not only around him, but in him, too.” Organizers hope participants in the inaugural retreat will experience just such an epiphany.
The 2026 Great Mountain Forest Nature Writing Retreat is made possible in part through support from H. Bruce McEver, Roshy and Dalton Dwyer, and Housatonic Heritage. The retreat is curated by Tom Shachtman.
Enrollment is limited. An optional post-retreat online anthology of participant work will also be offered. For more information and to enroll, visit greatmountainforest.org/writing-retreat-2026.
An evening of wine pairings worth singing about
D.H. Callahan
Emily Gallagher, soprano, is one of the performers pairing wine with opera at Stissing Center.
When old-world elegance calls to mind both opera and fine wine, “Opera Uncorked” answers with both. On Saturday, Aug. 8, at Stissing Center in Pine Plains, carefully curated wines from Fulton and Forbes Wine and Spirits in Ancram will be paired with classical arias from beloved operas.
The wines will mostly be drawn from the regions where many famous operas were born.
Both Germany and Austria share a claim to one of the most formidable opera composers of all time. In 1791, at Schikaneder’s theatre in Vienna, Wolfgang Amadeus Mozart’s “The Magic Flute” first graced the ears of music enthusiasts. Since then, Germany has produced countless additional operatic masterpieces, including Carl Maria von Weber’s romantic “Der Freischütz,” and Richard Wagner’s epic “The Ring Cycle.”
During his lifetime, Wagner dominated the opera scene. His prolific work is known to have inspired French composer Claude Debussy to write his only opera, “Pelléas et Mélisande.” But Debussy’s work is overshadowed by the crown jewel of French opera: Georges Bizet’s “Carmen.”
Jacopo Peri was an Italian composer and vocalist working in the late 16th century, during the late Renaissance and early Baroque periods. In 1597, his opera “Dafne” premiered in Florence. It is widely recognized as the first opera ever created and performed. Since then, composers such as Puccini and Rossini have kept Italy at the forefront of opera with works like “La Bohème” and “The Barber of Seville,” respectively.
The fourth wine region is home to a majority of the performers at “Opera Uncorked”: California. Emily Gallagher, of Los Angeles, is a soprano whose work has been described as “harmonically appealing and splendiferous.” Devony Smith is a California-born, Grammy-nominated mezzo-soprano whose voice has been called “sensual” and “strong” by The New York Times.
Rounding out the performers are award-winning Puerto Rican-American baritone Brian James Myer, who has worked with the Metropolitan Opera in New York City, and Peter Lake, who recently wrapped up a tour as Old Deuteronomy in the hit Broadway classic, “Cats.”
The program will be led by accompanist and conductor Caleb Yanez Glickman, also of Los Angeles, alongside Fulton and Forbes’ Rachelle Merriam, who has carefully selected the wines.
With wine and opera paired so expertly together, there seems to be only one thing missing. But fear not: cheese and crackers will be provided by local favorite Chaseholm Farm, bringing this international evening right back to its center in Dutchess County.
For tickets, visit thestissingcenter.org
Paul Lewis brings Mozart’s final piano concerto to life at Tanglewood
Thomas Jensen
Saturday, July 25, in the Shed at Tanglewood, the BSO took the stage with pianist Paul Lewis for Mozart’s “Piano Concerto No. 27 in B-flat major” (K. 595). This was Mozart’s final piano concerto, completed in January 1791. Mozart died on Dec. 5, 1791.
Premiered by Mozart himself on March 4, 1791, it was his final public appearance as a soloist.
Unlike Mozart’s fiery or dramatic minor-key concertos, this concerto features a transparent, sparse texture, quiet lyricism and a calm, resigned, autumnal mood. It has three movements: Allegro, Larghetto and Allegro.
In the first movement, Allegro, Mozart is in no hurry to introduce the piano; his introduction is as long and lavish as can be. This gentle, graceful orchestral introduction presents four main themes, beautifully played by the BSO musicians.
Lewis waited, and then his time arrived with a quiet (sotto voce) entrance by the solo piano, followed by a rich, chromatic development section with frequent key changes.
The second movement, a Larghetto in E-flat major, provided a serene, calm and deeply lyrical contrast to the opening movement. In his element, Lewis carried on with fine playing while the orchestra supports this gentle movement. We all need soothing, gentle music from time to time, and this section is a tonic.
The third movement, an Allegro, takes the form of a cheerful, playful and dancing rondo. Lewis delivered the principal theme, famously derived from Mozart’s own song “Sehnsucht nach dem Frühling” (“Longing for Spring”), K. 596, with elegance.
There was no encore by Lewis, which one must consider in good taste and a sign of respect for Mozart. It was truly quite enough to satisfy all.

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