Thank you!
Your support is sustaining the future of local news in our communities.

Chaos and shock in Sandy’s aftermath

Sixty-two percent of the world’s populations lives at sea level or 40 feet higher. One climate change expert, Klaus Jacob, 30 miles upstream from New York on the Hudson, even invested in raising his 1850s Hudson-side home five feet before Hurricane Sandy. He had officially predicted years ago that such a storm would occur, so he was prepared, or so he thought. “The water was driven into the New York Harbor and the Hudson flushed backward. We had nine feet of a storm surge ... like a very fast biker it just ran up the Hudson and swamped our home.” Four hours after the surge hit Manhattan it reached Albany. Jacob said, “I am fully aware that I will be the last generation or the last but one generation that will live in this house,” or any house alongside the river. Like all his neighbors, and people all over New York from Sandy Hook to Centerport on Long Island, including 50 percent of the population of the Atlantic coast from Cape Hatteras to Staten Island, all of Long Island Sound coasts, the Connecticut River up to Hartford and on and on — Sandy wrote the coming reality as tide mark for them all.Sandy was 1,000 miles wide and it broke all records of rainfall, wave heights and tidal surge. Had Sandy occurred during peak high tides, the damage would have been worse. Touted as a hundred-year event, we now know better. Decisions have yet to be made on how to cope with catastrophic events yet to come, as vast economies may collapse and people driven inland, forcing abandonment of centuries-old ways of life. History has shown that unless action is taken within one year, the political will and public stamina to manage or prevent reoccurring disasters wanes. And to achieve something, anything, like tidal barriers or channels to prevent river tidal surge, the discussions have to be underway in a serious fashion within six months. Heard anything yet?After Katrina, the finger was pointed at the Army Corps of Engineers for not designing better barriers and protection. So money was poured in, barriers raised and everyone thinks New Orleans is safe. Had Sandy reached New Orleans however, the dykes would have over spilled by five feet, and an area from Mobile, Ala., to Galveston, Texas, would have been flooded, done, over. Oh, and 30 percent of the gasoline supply for the entire USA as well. So is New Orleans safe? Hardly. The head-in-the-sand pundits think that Katrina was a fluke, a one-off, a hundred-year storm. Scientific predictions point otherwise.• • •Why wasn‘t New York ready for Sandy? Perhaps it is a matter of culture, we’re biased to the immediate, the now, not the long-term. We’re better at clean-up than prevention, repair than maintenance. Worried about tornadoes in a place called tornado alley? Build a house out of flimsy wood, insure it, but build a small concrete storm shelter. Kind of hard to do with America’s largest city. And there is another problem with promoting prevention, there is no sure-fire bogeyman, no enemy that is surely coming, we are better off waiting and seeing. We needed Pearl Harbor in order to get into a war we surely knew we needed to fight. We needed 9/11 to decide, as a nation, to go after al-Qaeda even though they had blown up a bomb under the very same building in 1993. Not enough people had been killed in 1993, we didn’t believe the danger was real enough or could repeat.So it is with hurricanes Sandy and Katrina. Surely they are flukes? Right? St. Petersburg learned the lesson and built defenses against the sea, as did Rotterdam. But how do you plan for a storm 1,000 miles wide? How do you protect the whole population of the coasts of America? Again, the American way is to be self-reliant, manage your safety yourself. And that’s fine up to a point. Try telling that to people living on Staten Island. They pay taxes and contribute to the national economy, why shouldn’t they expect safety infrastructure to be put in place? And they do, now, I can assure you, with political voice loud and clear. No one is listening.The current climate change prediction for our planet is a five-foot rise in sea levels within two generations (if not quicker). To prepare for that, Manhattan alone will have to begin building a wall 20 feet high all around the city, five feet for the rise and 15 feet for tidal surges. And budget for future generations at the rate of 12 feet of more wall every 50 years.It is hardly likely to happen. At best New York Harbor may get a barrier, and that will protect 20 percent of the population affected by Sandy. The other 80 percent, like the folks in Sandy Hook, had better prepare to protect themselves and move, while they can afford to. And the reality will be that whole regions of the Atlantic and Gulf coasts will be uninsurable, certainly by FEMA or flood insurance. Will people simply move? Have they left New Orleans or Miami which are indefensible? Or you can ask the Dutch. The dykes and dams there get higher and higher, as public funding has become a way of life. My guess is people will cling on and the age-old human habit of battling Mother Nature will continue. Only this time Mother Nature will be relentless as she is super-charged by global climate change.Peter Riva, a former resident of Amenia Union, now lives in New Mexico.

Latest News

Lelah M. Somers

Lelah M. Somers

DOVER PLAINS — Lelah M. Somers, 97, a longtime Dover Plains, New York, resident, passed away peacefully on Saturday, Oct. 10, 2026, at Ferncliff Nursing Home in Rhinebeck, New York. Lelah was born on July 3, 1929, in Pawling, New York, to the late Byron and Lelah (Watts) Brill. Lelah grew up in Pawling and on Nov. 22, 1946, in Pleasant Valley, New York, she married James F. Somers, Sr. Mr. Somers passed away on Sept. 3, 1970. Lelah worked for New York State as a therapy aide for thirty-years and as a senior companion for New York State for thirty-two-years, with specific care provided to the mentally disabled.

She enjoyed taking care of the mentally disabled, was a wonderful mother to her four children, always putting her family first. She is survived by her son, James F. Somers, Jr. and his wife Donna of Dover Plains; two daughters, Doreen Monica of Wingdale, and Frances “Fran” Horton of Dover Plains, who was also her caregiver for many years; seven grandchildren, Debbie, Margie, Leah, Stephanie, Deirdra, Benji and Jimmy and several great grandchildren and great-great grandchildren, and many nieces and nephews, and her step-son, Kenny Elliott. In addition to her parents and husband, Lelah was predeceased by her daughter and son-in-law, Carol “DeeDee” Maile and Gil Maile, her son-in-law, Stephen Monica, and her son-in-law, Benny Horton as well as her companion of over forty-years, Andrew “Mac” McAlravey and her siblings, Ferris Brill, Eleanor Barryann, Richard Brill, William Brill and Barney Brill.

Keep ReadingShow less

The art of getting into art school

The art of getting into art school

Hudson Valley Regional Portfolio Day returns to Poughkeepsie.

Provided

For a young artist considering college, the question isn’t simply whether the work is good enough. It’s which work to show, which school might be the right fit and even whether a creative life can lead to a sustainable career.

On Friday, Oct. 16, hundreds of aspiring artists will have the opportunity to explore those questions at Hudson Valley Regional Portfolio Day, presented by The Art Effect at the MJN Convention Center in Poughkeepsie.

Keep ReadingShow less
A colorful life together at Atelier Valla

Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.

L. Tomaino
I lost the ability to paint after the accident. I struggled to paint again.
— Justine Valla

Husband and wife Victor and Justine Valla share a lavender and pink studio, Atelier Valla, across the driveway from their pink house, nestled into a hillside in Salisbury. The colors, said Justine, “were inspired by Monet’s house at Giverny.”

Creating art has been a lifelong pursuit for both.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

David Ruchman’s “Acquired Taste”

Filmmaker David Ruchman

Bleacher and Everard Photography

In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.

In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.

Keep ReadingShow less
Follow the Clay Way for ceramic delights

Jane Herold’s beautifully simple dinnerware.

Provided

As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.

The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.

Keep ReadingShow less
A new home for the unexpected at Kent Fine Art

CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.

Provided

Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.

Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.