‘The world is in such a tumultuous place right now, and I feel that it is so paramount for us to continue to tell the stories that both reflect on the world and also represent a bit of respite,” said Allyn Burrows, artistic director of Shakespeare & Company in Lenox, Mass., as he accepted the award for Outstanding Production of a Play on behalf of his Company at the seventh Berkshire Theatre Awards Monday, Nov. 13, at Zion Lutheran Church in Pittsfield, Mass.
The Berkies, as the awards are affectionately known in the local theater community, are accolades for “outstanding” achievements rather than the traditional “best” seen in many awards lists. “I don’t think there is anything called ‘best’ in the theater,” said Berkshire Theatre Critics Association (BTCA) president J. Peter Bergman. “But what is ‘outstanding’ is what you can’t forget. And that’s what we award for: things that are so special that you just can’t forget about them.”
This year’s ceremony was hosted by Bergman along with board member Macey Levin, whose long career in theater includes a 14-year stint as artistic director of the former Salisbury-based Aglet Theatre Company.
There were ties in several categories this year, including Outstanding Production of a Musical, which was shared by Barrington Stage Company of Pittsfield for “Cabaret” and Sharon Playhouse in Connecticut for “Something Rotten.” Carl Andress, Sharon Playhouse’s artistic director, accepted the award, saying, “‘Something Rotten’ at our theater was truly something spectacular, as with all the work that is being honored here tonight, and we just couldn’t be happier to receive this.”
BTCA held its first awards ceremony in 2016, the idea of the organization’s late founder, Larry Murray, who was also the inspiration for the Larry Murray Award for Community Outreach and Support Through Theater, which was given this year to Jean-Remy Monnay, founder of the Black Theatre Troupe of Upstate New York.
“When I started the company,” Monnay said, “I was one of probably four or five Black actors in the area. I said, ‘The local theater companies have to do better, have to be more diverse.’”
In 2012, Monnay launched his first big production and said he “didn’t know if I was going to find seven Black men to do it… Today, to go around, to see three or four theater companies doing all Black plays, all Black actors, it’s a great thing to see.”
Emily Edelman is on the board of the Berkshire Theatre Critics Association
