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Sophia Lillis stars in the Netflix series “I Am Not Okay with This.” Photo courtesy of Netflix
Let’s face it, this is a terrifying time: We are living in quarantine and trying to avoid infection from a potentially fatal disease.
Counter-intuitively, this might be the perfect time to check out two horror offerings from Netflix.
Some psychologists believe that watching horror can soothe viewers. There are many theories as to why, but one seems to be that watching terrifying events onscreen assures us that we’re not alone, and helps us to externalize our inner fears.
‘You’ brings horror and love
“You,” a series now being offered exclusively on Netflix is … well, it’s a romantic tale about a serial killer.
Actor Penn Badgley plays Joe Goldberg, who finds a new woman to obsess over each season and woe to anyone who gets in they way of his romantic pursuits. Think of it as “Dexter” meets “The Philadelphia Story.”
Joe is a New York bookstore owner who we come to sympathize with thanks to flashbacks to his childhood traumas and his own interior monologues. It also helps that his victims are pretty loathsome.
And, frankly, his unconditional commitment to the objects of his affection is endearing.
As you might expect, these are not traditional love stories — although critics of the show have said Joe is a traditionally manipulative narcissist and that the series is just a Bluebeard tale of cruelty and misogyny updated for the 21st century.
I think it’s better than that, with layers of complexity added in alongside references to film classics (notably “The Philadelphia Story” — a clip from the film is even added in to one episode in season two).
So where’s the horror? Well, try this. In season two, Joe is on the run from a revenge-seeking ex-girlfriend named Candace. He takes on a new identity that leads him to L.A., where he kidnaps a man named Will Bettelheim and assumes his identity. (Implausibly, Will is kept alive in a glass cage in a storage unit.)
Trouble is, the real Will owes some bad men a lot of money.Complications ensue. Joe does good things (such as defending his neighbor’s increasingly imperiled young sister). He falls in love with a chef/heiress named Love Quinn (played with star-making intensity by Victoria Pedretti from “The Haunting of Hill House”). There is a pinky-chopping Mafioso. The gore factor rises, with appendages being taken hostage and body parts being fed through a meat grinder.
Strong, grounded performances make season two’s increasingly outrageous plot twists credible.
‘I Am Not Okay with This’
Elsewhere on Netflix, 17-year-old Syd Novak is suffering from the usual adolescent woes: acne, unrequited love, crazy hormones.
One thing that sets her apart from her high school peers: She is learning to destroy and kill with her mind.
“I Am Not Okay with This” is a “Carrie”-like drama released in late February on Netflix. It is based on a 2018 graphic novel by Charles Forsman (who was the creator of “The End of the F***ing World,” which was also made into a television series).
Syd (played by Sophia Lillis) is a self-described “boring, 17-year-old white girl” who is in love with her best friend, Dina (Sofia Bryant). Unfortunately, Dina is dating golden boy Bradley Lewis (Richard Ellis). Eccentric neighbor Stanley Barber (Wyatt Oleff) is enlisted both as a heterosexual foil to match Dina’s dating and later as a hapless but charming mentor to Syd and the budding superpowers she has to learn to control.
Syd’s telekinesis is connected with rage and desire. There is also a mysterious presence that follows Syd, and that fades into black mist when anyone tries to look at it.
The producers of the Netflix hit “Stranger Things” were on board in the creation of this series, which will interest comic book fans with its superhero origin story; and which will appeal to film fans through rich cinematic moments that borrow from teen classics such as “Pretty in Pink,” “Heathers,” “The Breakfast Club” and, of course, “Carrie.”
The narrative is compelling; the characters are well-developed and are played with strength, energy and commitment by the show’s young actors. The series also serves as a mini-reunion between Lillis and Oleff, who appeared in the horror films “It” and “It Chapter Two.”
Mind-bending scenes aside, the show is also about friendship and surviving bad times. In seven episodes that approach a half-hour each, one can easily watch the “I Am Not Okay with This” in one sitting. It offers a brief but fruitful escape from the horrors of our outside world.
NF Ambery is an award-winning newspaper and magazine reporter published in Genre, The New London Day, The Register Citizen, The Hartford Courant and New York Family (where he was an editor).
Abstract art display in Wassaic for Upstate Art Weekend, July 18-21.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene from the Amenia garden tour.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else.
I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.