A Little Horror To Brighten Up Your COVID-19 Crisis

Sophia Lillis stars in the Netflix series “I Am Not Okay with This.” Photo courtesy of Netflix
Let’s face it, this is a terrifying time: We are living in quarantine and trying to avoid infection from a potentially fatal disease.
Counter-intuitively, this might be the perfect time to check out two horror offerings from Netflix.
Some psychologists believe that watching horror can soothe viewers. There are many theories as to why, but one seems to be that watching terrifying events onscreen assures us that we’re not alone, and helps us to externalize our inner fears.
‘You’ brings horror and love
“You,” a series now being offered exclusively on Netflix is … well, it’s a romantic tale about a serial killer.
Actor Penn Badgley plays Joe Goldberg, who finds a new woman to obsess over each season and woe to anyone who gets in they way of his romantic pursuits. Think of it as “Dexter” meets “The Philadelphia Story.”
Joe is a New York bookstore owner who we come to sympathize with thanks to flashbacks to his childhood traumas and his own interior monologues. It also helps that his victims are pretty loathsome.
And, frankly, his unconditional commitment to the objects of his affection is endearing.
As you might expect, these are not traditional love stories — although critics of the show have said Joe is a traditionally manipulative narcissist and that the series is just a Bluebeard tale of cruelty and misogyny updated for the 21st century.
I think it’s better than that, with layers of complexity added in alongside references to film classics (notably “The Philadelphia Story” — a clip from the film is even added in to one episode in season two).
So where’s the horror? Well, try this. In season two, Joe is on the run from a revenge-seeking ex-girlfriend named Candace. He takes on a new identity that leads him to L.A., where he kidnaps a man named Will Bettelheim and assumes his identity. (Implausibly, Will is kept alive in a glass cage in a storage unit.)
Trouble is, the real Will owes some bad men a lot of money.Complications ensue. Joe does good things (such as defending his neighbor’s increasingly imperiled young sister). He falls in love with a chef/heiress named Love Quinn (played with star-making intensity by Victoria Pedretti from “The Haunting of Hill House”). There is a pinky-chopping Mafioso. The gore factor rises, with appendages being taken hostage and body parts being fed through a meat grinder.
Strong, grounded performances make season two’s increasingly outrageous plot twists credible.
‘I Am Not Okay with This’
Elsewhere on Netflix, 17-year-old Syd Novak is suffering from the usual adolescent woes: acne, unrequited love, crazy hormones.
One thing that sets her apart from her high school peers: She is learning to destroy and kill with her mind.
“I Am Not Okay with This” is a “Carrie”-like drama released in late February on Netflix. It is based on a 2018 graphic novel by Charles Forsman (who was the creator of “The End of the F***ing World,” which was also made into a television series).
Syd (played by Sophia Lillis) is a self-described “boring, 17-year-old white girl” who is in love with her best friend, Dina (Sofia Bryant). Unfortunately, Dina is dating golden boy Bradley Lewis (Richard Ellis). Eccentric neighbor Stanley Barber (Wyatt Oleff) is enlisted both as a heterosexual foil to match Dina’s dating and later as a hapless but charming mentor to Syd and the budding superpowers she has to learn to control.
Syd’s telekinesis is connected with rage and desire. There is also a mysterious presence that follows Syd, and that fades into black mist when anyone tries to look at it.
The producers of the Netflix hit “Stranger Things” were on board in the creation of this series, which will interest comic book fans with its superhero origin story; and which will appeal to film fans through rich cinematic moments that borrow from teen classics such as “Pretty in Pink,” “Heathers,” “The Breakfast Club” and, of course, “Carrie.”
The narrative is compelling; the characters are well-developed and are played with strength, energy and commitment by the show’s young actors. The series also serves as a mini-reunion between Lillis and Oleff, who appeared in the horror films “It” and “It Chapter Two.”
Mind-bending scenes aside, the show is also about friendship and surviving bad times. In seven episodes that approach a half-hour each, one can easily watch the “I Am Not Okay with This” in one sitting. It offers a brief but fruitful escape from the horrors of our outside world.
NF Ambery is an award-winning newspaper and magazine reporter published in Genre, The New London Day, The Register Citizen, The Hartford Courant and New York Family (where he was an editor).
Join The Lakeville Journal for a community celebration, featuring local nonprofits and businesses, festive family fun, great food, and engaging activities.
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Cobbler n’ Cream
5 to 7 p.m.
Freund’s Farm Market & Bakery | 324 Norfolk Rd.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Cocktail Party
5 to 7 p.m.
Douglas Library | 108 Main St.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Boot Drive
8 a.m. to 2 p.m.
North Canaan Fire Co. | 4 E. Main St.
3rd Annual Fly-In
8 a.m. to 3 p.m.
Triumph Airfield | 547 W. Main St.
Canaan Railroad Station Museum
10 a.m. to 6 p.m.
Canaan Union Station
New England Accordion Connection
9 a.m. to 8 p.m.
Canaan Union Station
Canaan Carnival
3 to 10 p.m.
Bunny McGuire Park
Berkshire Resilience Brass Band
5 to 8 p.m.
Canaan Union Station
Barbecued Chicken Dinner
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St. Martin of Tours | 4 Main St.
Canaan Fireman’s parade
6 p.m.
Rosa setigera is a native climbing rose whose simple flowers allow bees to easily collect pollen.
After moving to West Cornwall in 2012, we were given a thoughtful housewarming gift: the 1997 edition of “Dirr’s Hardy Trees and Shrubs.” We were told the encyclopedic volume was the definitive gardener’s reference guide — a fact I already knew, having purchased one several months earlier at the recommendation of a gardener I admire.
At the time, we were in the thick of winter invasive removal, and I enjoyed reading and dreaming about the trees and shrubs I could plant to fill in the bare spots where the bittersweet, barberry, multiflora rose and other invasive plants had been.Years later, I purchased the 2011 edition, updated and inclusive of plants for warm climates.
On the cover of the new edition, a quote from Adrian Higgins of The Washington Post boasts, “Michael Dirr is the oracle of ornamental horticulture. I trust his judgements implicitly.”I heartily disagree with Mr. Higgins:I blame this book — and my poor use of it — for some of my worst tree and shrub choices.
I realize some readers might find this declaration inflammatory. The book still occupies a place of high regard among experienced and novice gardeners alike, so please allow me to explain.
In addition to giving the reader his opinion on the aesthetic worthiness of the woody plants included in the book, Mr. Dirr makes good on the book’s title with a review of each species’ hardiness. What makes a tree hardy?It thrives in its intended site, resisting disease with leaves and bark not readily eaten by insects and other critters.
Non-native plants make up the majority of the recommended hardy plants in the book.And here is why:Native trees and shrubs are, by evolution’s design, food source and host to our native fauna — critters large and small. There is no substitute equal to the fauna’s co-evolved flora.A native caterpillar cannot eat a kousa dogwood leaf, as it has not evolved to digest it.Non-native plants seemingly have the advantage if the lens we look through values pristine, uneaten leaves.
In the days when there were sufficient thriving ecosystems to maintain local habitats, a non-native specimen tree here and there was just fine.But where we live in Northwest Connecticut, our woods, meadows, marshes and other natural areas have, for a couple of decades, been severely compromised by invasives that have almost entirely removed the food sources for native insects. It is up to us — now — to plant native plants to save the food chain.Without insects, not only will native animals die, but human food sources will also be at risk.
The security of our food pipeline seems a worthy exchange for some caterpillar-eaten leaves — and to be clear, we’re not talking about non-native infestations such as spongy moth, but rather native caterpillars, which are the singular food source for nesting birds.
My issue is that, in being a trusted source for plant selection, Dirr’s book should give equal — if not prioritized — space to information on ecological impact.For example, it would be good to know when selecting a tree, that a native oak provides food and other ecosystem services to more than 400 native animal species, while a native tulip poplar supports fewer than 30 — though that includes the Eastern tiger swallowtail. Including information on the birds and insects attracted to a given plant would enable reader to weigh these factors in choosing what to grow.But this information is not mentioned at all.
Dirr makes no mention of the role some of these plants have played in the degradation of our natural areas — an omission that is highly relevant, as many of the plants featured in his book are, in fact, invasive culprits. Plants like barberry, porcelain berry and tree of heaven are showcased for consideration alongside native plants without recognition of the devastating infestations they can manifest. Tree of Heaven is now responsible for hosting the spotted lanternfly, which is devastating crops.
Similarly Euonymous alatus (winged euonymous) and Actinidia arguta (hardy kiwi) — two highly invasive plants touted in the book — have been banned or are close to being banned for sale from nurseries in the state of Massachusetts. To his credit, Dirr does point out the invasive nature of Ligustrum sinense (Chinese privet), calling it “a terrible and devastating escapee that terrorizes floodplains, fencerows and even open fields, reducing native vegetation to rubble.” Yet Japanese honeysuckle gets an understated warning, with Dirr describing this massively invasive shrub as “bullying their way into understory and open areas.”
The latest edition of Dirr’s book devotes seven pages of copy and photos to various Berberis species, about which Dirr waxes poetic. He notes the addition of “30 new cultivars” in the latest revision and complains that “this species is under assault for its aggressive invasive nature.” He refers to Berberis thunbergii — Japanese barberry, the most invasive of them all — as “the species of major importance in garden commerce.” This plant has already been outlawed for sale in New York, Pennsylvania, New Hamphsire and Maine.A few weeks ago, a bill was passed in Connecticut recognizing the harm of a broad group of invasive plants. Under this new legislation, barberry will be phased out from sale or transport by October 2028.
In understating the invasive nature of many non-natives and de-prioritizing the importance of native species, Dirr’s widely used reference may be partly responsible for many a devastated woodland, forest, meadow and marsh in New England — if not across the U.S.Certainly, the evolution of species, and scientific knowledge about the environment, is changing faster than new editions of books can be printed. I can only hope that if a new edition of Mr. Dirr’s reference book is in the works that it will account for this criteria we now know to be vital in plant selection.
Which brings me back to that quote on the cover from The Washington Post and the larger issue it suggests:Should “ornamental horticulture” get a pass when it comes to ecological survival?I think we can agree — it should not.The consequences are simply too destructive.
Dee Salomon ‘ungardens’ in Litchfield County.
Foxtrot Farm & Flowers’ historic barn space during UAW’s 2024 exhibition entitled “Unruly Edges.”
Art lovers, mark your calendars. The sixth edition of Upstate Art Weekend (UAW) returns July 17 to 21, with an exciting lineup of exhibitions and events celebrating the cultural vibrancy of the region. Spanning eight counties and over 130 venues, UAW invites residents and visitors alike to explore the Hudson Valley’s thriving creative communities.
Here’s a preview of four must-see exhibitions in the area:
1. Wassaic Project (37 Furnace Bank Road, Wassaic)
“So It Goes” is a powerful group exhibition curated by Eve Biddle, Bowie Zunino, Jeff Barnett-Winsby, and Will Hutnick. The title, drawn from Kurt Vonnegut’s “Slaughterhouse-Five,” signals a reckoning with how we process the horrors of the world. Through play, reflection, and immersive scale, 43 artists respond with urgency and imagination. Installations can be seen throughout the town of Wassaic at Maxon Mills, Gridley Chapel, and Luther Barn, each space transformed by this deeply thoughtful show.
2. Foxtrot Farm & Flowers (6862 Route 82, Stanfordville)
“Queer Bestiary,” a group show curated by Charlotte Woolf, is inspired by Patricia Ononiwu Kaishian’s book “Forest Euphoria.” The exhibition investigates queer ecology and human relationship to land through the work of 10 artists using painting, sculpture, textiles, and photography. The exhibit is accompanied by a variety of interactive experiences including tattoo pop-ups, karaoke, book readings, and pick-your-own flowers.
3. ChaShaMa North/ChaNorth (2600 Route 199, Pine Plains)
ChaShaMa North (ChaNorth) will have open studios all weekend and has partnered with Paradice Palase, a platform for emerging artists, to mount a site-specific sculpture exhibition featuring 20 artists entitled “Alone, You Are Heard.” On Saturday evening, July 19, stop by for Weird Music Night for an audio-visual synthesis of experimental music, performance art, and unexpected happenings. Don’t miss this opportunity to experience an eclectic lineup of acts that redefine the boundaries of performance.
4. Millbrook Arts Project(3 Friendly Lane, Millbrook)
The Millbrook Arts Project is hosting a curated exhibit entitled “Generated Utility” at the newly renovated gallery at the village library. The exhibit will feature the work of artists Natalie Beall and Kathy Greenwood. Additionally, visitors will have access to 12 open artists studios across town. The weekend culminates in a free outdoor concert on Saturday evening at 6 p.m. at the Millbrook Bandshell. Enjoy the Indie-Folk sounds of Strawberry Runners and She Keeps Bees.
For more information and a complete list of participating artists and locations, visit: upstateartweekend.org