Connecticut’s Black military history

Connecticut’s Black military history

The 29th Connecticut Volunteer Infantry is the subject of www.project29.com, a research project undertaken by Peter Vermilyea and his students at Housatonic Valley Regional High School.

Patrick L. Sullivan

FALLS VILLAGE — Historian and teacher Peter Vermilyea told a standing room only audience at the David M. Hunt Library about the Black soldiers from the Northwest Corner and Connecticut who fought in the Civil War Saturday, Feb. 8.

He started by noting that in the American Revolution, Black soldiers were not uncommon.

“Almost every Connecticut unit had at least one Black solider.”

But the Federal Military Act of 1797 prohibited Black men from serving in the U.S. Army — although not in the Navy.

Fast forward to Jan. 1, 1863, and President Abraham Lincoln’s Presidential Proclamation 95 — ie. executive order — better known as the Emancipation Proclamation.

Vermilyea noted that the proclamation did not end slavery per se.

It did free “certain persons.”

Lincoln took this step in his role as commander in chief during a rebellion.

Vermilyea said there were Black soliders in state militias prior to the proclamation, but now Black men could serve in the Union army.

Within a month of the proclamation, the 54th Massachusetts Regiment was formed. This is the unit depicted in the 1989 film “Glory.”

“The 54th attracted volunteers from all over the country,” Vermilyea said, including 154 men from Adams County, Pennsylvania. Over half the troops were from somewhere other than Massachusetts, “but it was Massachusetts taking the lead.”

Vermilyea touched on Milo Freeland of Sheffield and later East Canaan. Freeland is buried in Hillside Cemetery in East Canaan, and the original gravestone is at the Falls Village-Canaan Historical Society. A replica stands in the cemetery.

The gravestone states Freeland was the first Black man “enlisted from the North” in the Civil War.

Vermilyea said very little is known about Freeland, and it is impossible to make that claim definitively.

“However, he was certainly one of the first.”

Moving on to the 29th Connecticut Volunteer Infantry, Vermilyea said he found out about it when a colleague gave him a “treasure chest” filled mostly with junk.

But at the bottom were half a dozen pension records of Black soldiers from Litchfield County.

Vermilyea explained that pension records are a gold mine for historians as they contain personal information that is unavailable elsewhere.

With these records in hand, Vermilyea and his students at Housatonic Valley Regional High School began the research project that eventually turned into a massive effort and is documented at www.project29.org.

Vermilyea said some 1600 men volunteered for the 29th and the 30th Volunteer Infantry. The 30th never quite got off the ground and was later incorporated into a federal unit of Black troops.

Initially the 29th was on garrison duty in Beaufort, South Carolina, but in the summer of 1864 they were deployed to fight in heavy action around Richmond, Virginia.

The 29th played significant roles in battles at Chaffin’s Farm and Kell House.

They were also the first Union infantry unit to enter Richmond, the capital city of the Confederacy, on April 2, 1865, where they met Lincoln.

It would have been nice and tidy if this highly symbolic event was the end of the story, but it isn’t.

After the war, the South needed occupation troops, and there was some tension along the border with Mexico.

Vermilyea said during occupation duty in Texas and Louisiana the 29th had dozens of members fall not to bullets from hostile Southerners but to disease.

It wasn’t until October 1865 that the 29th returned to Connecticut. Vermilyea related two stories of individuals who served with the 29th.

Joseph Parks, a Chilean, was a sailor on a commercial ship that arrived in New York City. He was recruited for the 29th, probably because the pay was substantially better than that of a sailor.

He was shot in the jaw at Kell House. Vermilyea said the wound and the subsequent treatment was so unusual it was recorded for the benefit of Army doctors.

“This is why we know something about him.”

Unfortunately, the doctors couldn’t save him, and he died on Nov. 6, 1864, of what was listed as “exhaustion.”

Almon Wheeler of Sharon has a lurid story. He was also wounded at Kell House, but recovered and rejoined the regiment for occupation duty.

He then returned to Connecticut, in Salisbury, where he married and started a family.

Around 1889 the Wheelers moved to Chicago, and Wheeler became embroiled in a messy case of divorce, bigamy and a murder/suicide attempt in 1891.

Vermilyea said the students were able to piece the story together, again from the pension records and from contemporary newspaper accounts.

He also said it seems reasonable to believe that Wheeler’s erratic behavior might have been due to what is now known as post-traumatic stress disorder.

Vermilyea also said that when students begin researching a particular name, they never know what they’re going to find.

“A student will say ‘my guy died of diarrhea after three months!’”

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.