Dan Howe’s time machine

Dan Howe at the Kearcher-Monsell Gallery at Housatonic Valley Regional High School.

Natalia Zukerman

Dan Howe’s time machine

“Every picture begins with just a collection of good shapes,” said painter and illustrator Dan Howe, standing amid his paintings and drawings at the Kearcher-Monsell Gallery at Housatonic Valley Regional High School. The exhibit, which opened on Friday, March 7, and runs through April 10, spans decades and influences, from magazine illustration to portrait commissions to imagined worlds pulled from childhood nostalgia. The works — some luminous and grand, others intimate and quiet — show an artist whose technique is steeped in history, but whose sensibility is wholly his own.

Born in Madison, Wisconsin, and trained at the American Academy of Art in Chicago, Howe’s artistic foundation was built on rigorous, old-school principles. “Back then, art school was like boot camp,” he recalled. “You took figure drawing five days a week, three hours a day. They tried to weed people out, but it was good training.” That discipline led him to study under Tom Lovell, a renowned illustrator from the golden age of magazine art. “Lovell always said, ‘No amount of detail can save a picture that’s commonplace in design.’”

Training led to work. Early on, while still a graduate assistant at Syracuse University, Howe began painting portraits — chancellors, deans, and, later, an endless roster of chairmen and medical executives. It paid well, but Howe found that the job of a portraitist, even a highly skilled one, is ultimately limited. “They’re just the same thing, you know, just a guy in a suit. Later, maybe it was a girl in a suit,” said Howe.

Between commissions, he painted for himself. This show is a gathering of those moments — studies of his wife and daughters, mythic scenes painted for libraries, and Star Wars covers from his time living near Dark Horse Comics in Oregon.A large painting, originally commissioned for a library, shows a girl in an attic opening a trunk, imagination spilling into the room. The library remodeled and sent the painting back. Now it anchors a wall in the show.

Dan Howe’s work reflects the Brandywine School’s devotion to craftsmanship, narrative depth, and a luminous, almost nostalgic realism. Like Howard Pyle and N.C. Wyeth before him, Howe builds scenes using light and composition to evoke mood and meaning. His meticulous brushwork and layering techniques nod to the tradition of classical illustration, yet his work diverges in its contemporary stillness. Of Norman Rockwell, Howe said, “He’s of my era, and our styles are similar. Of course Rockwell is Rockwell. I’ve got a little more painterly, Sargent-esque stuff running through mine.” The influence is there, not as mimicry, but as a quiet echo, refined through his own aesthetic language. “I’m an anachronism,” he said, without regret. His influences form a lineage of illustrators whose work once filled the pages of The Saturday Evening Post and Collier’s. They understood, as Howe does, that a painting must be more than accurate.“Mood is everything,” said Howe, drawing a comparison between two paintings in the show — a couple by a fire — to an old Star Wars concept painting. “Same color scheme. Different world. Mood is everything.”

Teaching remains a passion for Howe. When he and his family moved to the east coast from Chicago, Howe taught a series at the Norman Rockwell Museum called “Painting Like Rockwell,” something he hopes to revive. “I like beginners,” he said. “They don’t have bad habits yet.”

Howe also runs a summer figure drawing workshop at HVRHS with an old-school approach. “You’ve just walked into a time machine — this is art school, 1965. Three hours of drawing in the morning, three in the afternoon. No cell phones.” His methods may be antiquated but the results are living proof that some things are worth preserving. “Maybe this stuff is so old it’s new again,” he mused.

As he hung his pieces for this show, Howe said teachers stopped by, connecting his images to their own memories. “That’s a success,” he said. “If a picture makes someone feel something, then it’s done its job.”

Latest News

Voters approve Region One 2025-26 budget

Housatonic Valley Regional High School in Falls Village.

Photo by Riley Klein

FALLS VILLAGE — The Region One 2025-26 budget passed a referendum vote Tuesday, May 6 by a vote of 403-72.

All six Region One towns voted in favor of the budget proposal.

Keep ReadingShow less
Legal Notices - May 8, 2025

BAUER FUND AND FOUNDATION COLLEGE SCHOLARSHIPS

Through grants to colleges, The Bauer Foundation provides indirect scholarship assistance for undergraduate college education to students residing in The Connecticut Regional School District One based on merit and need.

Keep ReadingShow less
Classifieds - May 8, 2025

Help Wanted

A Plus Detailing Hiring: Open position for a Full Detailer & Cleaner. Depending on experience $21 to $30 per hour. Contact Ryan at 959-228-1010.

Driver: For The Lakeville Journal and Millerton News newspaper routes, part time Wednesdays, Thursdays and some Fridays. Call James Clark. 860-435-9873, x 401 or email publisher@
lakevillejournal.com.

Keep ReadingShow less
The Hydrilla Menace: Twin Lakes group buoyed by DEEP’s assault on invasive hydrilla in 2025

A detail of a whorl of hydrilla pulled from the shallow waters at O’Hara’s Landing Marina in fall of 2024.

Photo by Debra A. Aleksinas

SALISBURY — The Twin Lakes Association is taking an earlier and more aggressive approach to fighting the spread of invasive hydrilla in East Twin Lake by dosing the whole northeast bay, from May through October, with low-level herbicide treatments instead of spot treatments.

The goal, said Russ Conklin, the TLA’s vice president of lake management, is to sustain herbicide concentration over the 2025 growing season.

Keep ReadingShow less