Thank you!
Your support is sustaining the future of local news in our communities.

‘Death By Design’ charms at Warner Theatre

‘Death By Design’ charms at Warner Theatre

Gabriel Sousa as Jack and Marilyn Olsen as Bridgit in “Death By Design.”

Photo provided

Take your seats in the spacious Nancy Marine Studio Theatre at the Warner Theatre in Torrington to be transported to a cozy 1930s English country manor house, the setting for “Death By Design,” a farcical murder mystery by playwright Rob Urbinati and presented by the resourceful volunteer-run Stage @ The Warner.

A pleasing amalgam of classic drawing room English comedy and Agatha Christie-style murder mystery — with sharp dialogue, eccentric characters, and suspenseful plot twists —the play keeps the audience guessing and laughing until the final curtain.

The premise involves playwright Edward Bennett and his actress wife, Sorel (played by Darrel Cookman and Christiane M. Olson), who withdraw to the country after a particularly disastrous evening. Unexpected guests arrive, much to the dismay of the couple and their staff, and a murder takes place. Their sassy, smart and resourceful Irish housekeeper, Bridgit (Marilyn Olsen), is determined to solve the mystery instead of just reading about them in novels.

Playwright Rob Urbinati has a clear love of his source material and his writing often out-Cowards Noël Coward with witty wordplay (Coward’s famous line from “Private Lives,” “Don’t quibble, Sibyl,” here becomes “Mustn’t quarrel, Sorel”) and other delightful turns of phrase and aperçus. Under Jonathan Zalaski’s able direction, the production’s game cast dives gleefully into their over-the-top characters, including, in addition to those previously mentioned, an inquisitive chauffeur (Gabriel Sousa); a conservative politician (David Macharelli); a bohemian, free-spirited artist (Adriana Medina); a high-strung revolutionary (Ron St. John III); and a nearsighted ingénue (Zazzy Cores).

The creative team includes David Verdosci (set designer), Renee Purdy (costume designer), Chris Lubik (lighting designer), Nicole D’Amico (props master), Alyssa Archambault (production stage manager), Kyla Madore (assistant stage manager), Charlene Speyerer (production manager), Lee Evans (technical director), Marrianne Parks (choreography), Tracy Liz Miller (intimacy coach), Chet Ostroski (fight coordinator), and Melissa “PK” Tonning-Kollwitz (dialect coach).

The cast’s enthusiasm and the play’s inherent wit provide ample laughs and intrigue to keep the audience amused, engaged and guessing until the end. Though not a play, as one character puts it, of “social significance,” “Death By Design” definitely sets its sights, as another character says, on “cocktail and caviar.” It makes for a fun evening of murderous mayhem.

“Death By Design” runs through Nov. 16th, with an ASL-interpreted performance at 2 p.m. on Nov. 16.

Stage @ The Warner is a community theatre program with over 800 volunteers producing Broadway-style shows at the Nancy Marine Studio Theatre, 84 Main St., Torrington. Founded by Jim Fritch and Neil Pagano, the company makes quality theater accessible at reasonable prices. Stage @ The Warner inspires local performers while enriching the community through exceptional theatrical experiences.

Running time for “Death By Design”: Two hours, including a 15-minute intermission. For tickets, go to warnertheatre.org.

Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.