The mysteries of white flour and how it becomes the ‘staff of life’

Photo by Cynthia Hochswender

I used to think of white flour as the food equivalent of printer paper: White and bland and not very nutritious.
Two things have given me increased respect for the powdery white stuff.
One is that when bears break into our kitchens, they seem to always end up with white flour on their noses. To me that’s as if a burglar broke into your house and went straight for the white printer paper. It’s perplexing and intriguing and makes me wonder, “Hmmm, what is there about white printer paper that I don’t understand?”
The other is that, like all the rest of you, I started making sourdough starter and bread at the beginning of the COVID-19 pandemic. That wasn’t especially good timing, since of course both bread and starter require flour, and flour was in short supply until about two weeks ago.
Anyway, through a number of stealthy and clever maneuvers I have put together a large supply of King Arthur all-purpose flour, King Arthur bread flour, Maine Grains whole wheat flour and (as of last week) rye flour.
Creating new life
When you bake pastry, flour is just a means to an end: You need flour if you want to have cakes, cookies and pie crust.
When you make sourdough starter and you bake bread, you realize that flour is alive. Or rather (forgive me, I’m not a scientist): Flour used to be alive when it was wheat. It is no longer alive once it’s been milled into flour.
But something magical (Frankenstein’s monster?) occurs when you mix flour with water. The two of them combined entice bacteria to join them from the air and the result is a living, breathing substance called sourdough starter.
It’s important to note that good sourdough starter eats healthy bacteria that’s already in the air in your house (or your favorite bakery). There can also be bad bacteria on your flour, because wheat isn’t heavily cleansed before it is milled. That means it could be tainted with, for example, E. Coli from an animal relieving itself on a wheat stalk. For that reason, unless you’re a bear, you should not eat raw flour.
Wheat flour can, of course, also make anyone sick who is gluten intolerant. There are many other types of alternative flours. There isn’t room enough here to go into detail about all of them. But one thing I do feel confident about, even though I’m not a scientist, is that if you’re only vaguely gluten intolerant, your body will cope better with fresh bread, made either in a bakery or at home, rather than factory-made bread: The slower your flour transitions into bread, the easier it is for your body to absorb the gluten.
So many kinds of flour …
We are going to focus for the purposes of this article on the flours that lend themselves most easily to the creation of sourdough starter and, then, bread.
Last spring, I read multiple articles about people deciding to learn to bake bread during the COVID-19 quarantine. This led almost immediately to a shortage of flour, and also to a shortage of yeast for baking.
That kind of yeast comes in little cubes or packets. It’s a very easy, reliable method for making dough rise. It has been used for centuries all around the world and is especially useful for professional bakers, who need to wake up in the morning and make a set number of loaves that need to be more or less identical.
If you don’t have packaged yeast and if you are OK with your bread production being a little unpredictable, you can make sourdough starter and use it instead of yeast.
The process is very simple: You mix together water and flour and leave them out on the counter and, after a few days, you have starter and all you have to do is feed it daily with more flour and water. When you’re ready, you use it as the base for your bread dough.
It sounded simple, so I decided to try it myself. I figured then I could explain the technique to readers who were not able to find yeast but wanted to make bread.
That was back in about March. It’s now September and while I have managed to make excellent starter and, from it, really good bread, I have learned only one thing about making sourdough starter (and bread): It’s infinitely complicated and there are infinite ways to do it. Or rather, it’s incredibly simple and will work like a charm up until the minute that it stops working, and then you have to figure out another method.
Raising sourdough starter is like raising a child. Many people even animate their starter by giving it a name, or by taking it on vacation or sending it away to sourdough starter summer camp (not kidding).
It’s not necessary to get that wrapped up in your sourdough; and if you find it starting to take over your life, you can tuck it in the refrigerator. Once you do that, it’s like a houseplant and only needs to be fed and watered once a week.
I’m going to send you to the internet to get the instructions on how to make your starter. Again, they’re not complicated but every day is slightly different during the first week, and it would take up too much space here to explain it. I like the technique at Clever Carrot’s website (www.theclevercarrot.com “Beginner sourdough starter”). But there are lots of good methods out there. You can never go wrong with seeking guidance from the King Arthur Flour website, for example.
Helpful tips: What to buy
So I won’t tell you how to make starter from scratch — but I will tell you which supplies I’ve found to be useful.
Everyone who makes sourdough starter has their own things they like and methods they prefer.
But universally, one product that will make your bread-baking life easier is a small food scale. Scales are pretty similar, they all cost about $15 and they all do roughly the same thing. I bought one by Escali recently and it’s a cut above the other brands, in my experience.
Once you begin making starter, you’ll need to store it someplace. I have found that the Ball and Mason jars are too hard to clean; once the sourdough drips on your jar dry and get hard, they turn almost to stone. The Ball and Mason versions have a lot of pattern in their glass and once the sourdough gets into those nooks and crannies you almost need dynamite to get rid of it (or of course a long soak in warm water followed by a cleansing in the dishwasher).
I prefer the Weck jars, which are easy to clean and look nice in the kitchen (Weck 742 Mold Jar, .5 Liter; set of six: $40).
Which flours and why
Most important is your choice of flour and water.
I apologize to the planet and to all of us who are worried about its future but you really need to use a good quality bottled water for this; most tap water has bleach or other chemicals in it.
You also want a flour that doesn’t have bleach in it. Organic flours work well but aren’t essential, in my opinion.
I started out using King Arthur all-purpose flour, which worked great until it stopped working (bakers, by the way, prefer King Arthur because it has more protein than most of the other store brands and protein is very important to your bread and your starter).
My starter pooped out after a few weeks of just eating the all-purpose flour. I did some experiments and eventually found a very good organic whole wheat flour from Maine Grains. I shared some with my friend Anne, who reported that it made her starter go “berserk.”
That eventually pooped out too. Next I used a mix of 50% Maine Grains whole wheat and 50% King Arthur bread flour (which has even more protein than the all-purpose flour). I’m mixing it because I only have about 20 pounds of the Maine Grains, in my freezer, and I’m trying to make it last.
However, over the weekend I fed my starter some rye flour from Arrowhead Mills that I found at the Sharon Farm Market in the shopping plaza. The starter got very excited about the change in diet and got very big and bubbly on the first day, but then it calmed down on the second day.
The proof is in the bread, however, and the loaf I baked with that rye flour starter is especially delicious (photo above).
The bread I’ve been making with the whole wheat/bread flour starter has a definite sour tang to it, even though the dough itself is a mix of King Arthur all-purpose and bread flours.
The bread made with the rye starter just tastes deliciously like homemade bread. No tang.
I prefer it, honestly, to the bread made with the whole wheat-based starter. No doubt this will change over time —because the one constant in bread baking seems to be that nothing is constant.
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Estate/Tag Sale: 168 Johnson Road, Falls Village CT. Friday Saturday Sunday, December 5th-7th. Total house contents, furniture, antique and vintage collectables, costume jewelry, shed stuff, basement stuff, stairs chairlift, some art. Fri, Sat 9-4 and Sunday 9-noon. A Tommy sale, come and get it!!
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TAG SALE: SATURDAY, DECEMBER 6, 10:00 AM - 2:00 PM, 135 Sharon Mountain Road, Sharon, CT 06069. Clearing things out before the holidays! Stop by for a great mix of items, including: Kitchenware, Small pieces of art, A few pieces of furniture, Clothing, Books, And more assorted household items. Easy to find, everything priced to sell. Hope to see you there!
LEGAL NOTICE
TOWN OF CANAAN/FALLS VILLAGE
NEW OFFICE HOURS: Monday 9am-Noon & Thursday 8am-11am.
Pursuant to Sec. 12-145 of the Connecticut statutes, the Tax Collector, Town of Canaan gives notice that she will be ready to receive Supplemental Motor Vehicle taxes and the 2nd installment of Real Estate & Personal Property taxes due January 1, 2026 at the Canaan Town Hall, PO Box 47, 108 Main St., Falls Village, CT 06031.
Payments must be received or postmarked by February 2, 2026 to avoid interest.
All taxes remaining unpaid after February 2, 2026 will be charged interest from January 1, 2026 at the rate of 1.5% for each month from the due date of the delinquent tax to the date of payment, with a minimum interest charge of $2.00. Sec. 12-146
Failure to receive a tax bill does not relieve the taxpayer of their responsibility for the payment of taxes or delinquent charges. Sec.12-30
Rebecca Juchert-Derungs, CCMC
12-04-25
01-22-26
Notice of Decision
Town of Salisbury
Zoning Board of Appeals
Notice is hereby given that the following application was denied by the Zoning Board of Appeals of the Town of Salisbury, Connecticut on November 25, 2025:
Application #2025-0299 for request for variance to maximum building coverage in the LA Zone on the basis of reduction in nonconforming impervious surface. The property is shown on Salisbury Assessor’s Map 46 as Lot 04 and is known as 26 Ethan Allen Street, Lakeville, Connecticut. The owners of the property are Lowell Goss and Kristen Culp.
Any aggrieved person may appeal this decision to the Connecticut Superior Court in accordance with the provisions of Connecticut General Statutes §8-8.
Salisbury Zoning
Board of Appeals
Lee Greenhouse,
Secretary
12-04-25
NOTICE TO CREDITORS
ESTATE OF
SHIRLEY W. PEROTTI
Late of Sharon
AKA Shirley Perotti
(25-00439)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 18, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciaries are:
Sarah P. Medeiros
and John F. Perotti
c/o Linda M Patz
Drury, Patz & Citrin, LLP
7 Church Street, P.O. Box 101
Canaan, CT 06018
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
ESTELLE M. GORDON
Late of Sharon
AKA ESTELLE GORDON
(25-00436)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Catherine Woolston
c/o Michael Peter Citrin
Drury, Patz & Citrin, LLP
7 Church Street, PO Box 101
Canaan, CT 06018
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
ELIZABETH SHULTZ
Late of North Canaan
AKA Julila Elizabeth Shultz
(25-00430)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Paul F. Pfeiffer
c/o Brian McCormick
Ebersol, McCormick & Reis, LLC, 9 Mason Street, PO Box 598, Torrington, CT 06790
Megan M. Foley
Clerk
12-04-25
NOTICE TO CREDITORS
ESTATE OF
GERALD S. SCOFIELD
Late of West Cornwall
(25-00228)
The Hon. Jordan M. Richards, Judge of the Court of Probate, District of Litchfield Hills Probate Court, by decree dated November 20, 2025, ordered that all claims must be presented to the fiduciary at the address below. Failure to promptly present any such claim may result in the loss of rights to recover on such claim.
The fiduciary is:
Linda Scofield
c/o Andrea, Doyle Asman
Litwin Asman, PC, 1047 Bantam Rd., P.O. Box 698, Bantam, CT 06750
Megan M. Foley
Clerk
12-04-25
Anne Day is a photographer who lives in Salisbury. In November 2025, a small book titled “Les Flashs d’Anne: Friendship Among the Ashes with Hervé Guibert,” written by Day and edited by Jordan Weitzman, was published by Magic Hour Press.
The book features photographs salvaged from the fire that destroyed her home in 2013. A chronicle of loss, this collection of stories and charred images quietly reveals the story of her close friendship with Hervé Guibert (1955-1991), the French journalist, writer and photographer, and the adventures they shared on assignments for French daily newspaper Le Monde. The book’s title refers to an epoymous article Guibert wrote about Day.
On Dec. 11, at 6:30 p.m., at the White Hart Inn in Salisbury, Day and Weitzman will share their memories in a conversation moderated by noted designer Matthew Patrick Smyth. The event is organized by Oblong Books and the Scoville Library.
Fresh home from her exhibition and book signing in Paris, Day sat in her Salisbury aerie high above the distant hills, her daughter’s black cat on her lap. She told the story of “Les Flashs d’Anne,” and the kismet that spurred its evolution.
In 2024, afterlearning that Day had worked with Guibert in New York and Paris, Weitzman — the author of numerous books about Guibert —saw her salvaged images, sought her out and announced, “We must do a book together.”
Weitzman writes in the book’s prologue, “This book is the dreamlike, uncanny result of that serendipitous encounter with a remarkable woman.”

During the 1980s, Day was a working photographer living on Fifth Avenue. A friend, the editor of Le Monde, asked whether Guibert, on his maiden voyage to New York, could stay with her. “I remember it was a cold night when Hervé showed up at my door,” she said.“His flight had just gotten in from Paris and he had this big box of Guerlain perfume. It was wrapped in beautiful pink paper. Within four minutes, we were friends.”
Thus began a whirlwind collaboration that took them from Manhattan, where they interviewed André Kertész, to Paris where they dined with Henri Cartier-Bresson and Duane Michals, and on to interviews with Isabelle Huppert, Gina Lollobrigida, designer Madeleine Castaing, Orson Welles and other luminaries of that time.
Day never saw Guibert after 1983. “Hervé got AIDS in the late ’80s and was quite militant. He now has a following of young people,” Day saidwistfully. During his final days, Guibert wrote five books based on his existential journey.

Day recalled the devastating house fire in which her family tragically lost their friend Maria Paz Reyes and their dog. Day survived by jumping from the second story. A lifetime of images, negatives and slides were lost or damaged. “To lose pictures is like losing friends. Everything was piled into metal file cabinets in my studio. All my negatives and slides were packed in tight. The fire started at the farthest point from there as possible. It was the only thing that wasn’t destroyed— every other single thing was gone. Nothing left. It was raining, so my friend Christopher covered everything with a tarp. The fabulous part of this story is how much help I had from my town, which gave me the empty firehouse to lay out everything to dry. Friends came from near and far to help. Some days I had ten volunteers, and it went on for a month, which gave me something to move forward with. It was so tragic and awful.”

A veteran photojournalist, portrait, wedding, and architectural photographer, Day created images for five books featuring the architecture of the Library of Congress, the U.S. Capitol, and the New York Public Library. She covered events in Cuba, Haiti and South Africa, where she took an iconic image of Nelson Mandela emerging from his prison cell. Her commissioned images of four Presidential Inaugurations are featured in the Smithsonian. Her work has appeared in Newsweek, Time, The New York Times, The Washington Post, Fortune, Paris Match and Vogue. She was the editor of Compass at the Lakeville Journal and The Millerton News.
Currently, she enjoys shooting digital photographs of nature. “I am interested in migration, large groups of birds and insects. I’ve been to New Mexico to photograph monarchs, Nebraska to photograph Sandhill cranes, and Ireland to photograph a murmuration of starlings.”
Day summed up her life: “Things just happened to me.”
Tickets to the event at The White Hart Inn on Dec. 11 are available at oblongbooks.com
In 1983, writer and performer Nurit Koppel met comedian Richard Lewis in a bodega on Eighth Avenue in New York City, and they became instant best friends. The story of their extraordinary bond, the love affair that blossomed from it, and the winding roads their lives took are the basis of “Apologies Necessary,” the deeply personal and sharply funny one-woman show that Koppel will perform in an intimate staged reading at Stissing Center for Arts and Culture in Pine Plains on Dec. 14.
The show humorously reflects on friendship, fame and forgiveness, and recalls a memorable encounter with Lewis’ best friend — yes, that Larry David — who pops up to offer his signature commentary on everything from babies on planes to cookie brands and sports obsessions.
Koppel has good friends in the Pine Plains area and she calls the opportunity to present the piece at the Stissing Center a gift to her and her artistic process, which she shares with her son, Gideon McCarty, who serves as her director and dramaturg.
“He is the one person I listen to,” said Koppel.She credited him with helping her shape, in her own words, “real events from her life with Lewis.” For Mother’s Day this year, McCarty gave her the time to further develop the material and Koppel worked uninterrupted for 12 hours to hone and bring the piece to its current form. She plays 11 characters, not through impersonation but by presenting their authentic voices.
Koppel is clear that writing this piece was the right way for her to respond to Lewis’ passing in 2024, and that theatre is the right way to share it with others. “I wanted to have artistic control over the development process,” she said, and to bring to life her romantic relationship with Lewis, their experiences in New York City comedy clubs, and their neurotic New York friends. She also is open to opportunities to expand further on the material, perhaps in film or TV, as she still has a lot to say.
Koppel hopes primarily that people will be entertained by the world of the play. “I’m a pie-in-the-face kind of person and I want the play to give everyone a good laugh.” Considering her cast of characters, “Apologies Necessary” promises to offer plenty of laughs —plus much more.
“‘Apologies Necessary’ continues Stissing Center’s tradition to serve as a platform for new works of theater, providing playwrights with the opportunity to showcase their work and hone their craft,” said Patrick Trettenero, executive director of the Stissing Center. “We are excited to have Nurit present this reading of her new work in progress.”
Running time: approx. 90 minutes. Sunday, Dec. 14 at 7 p.m., Downstairs at Stissing Center. Tickets are vailable at thestissingcenter.org or 518-771-3339.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.