Hotchkiss Library Gala emphasizes community strength

Hotchkiss Library Gala attendees await the next auction item at Sharon Country Club Saturday, May 17.
Alec Linden

Hotchkiss Library Gala attendees await the next auction item at Sharon Country Club Saturday, May 17.
SHARON — Supporters of the Hotchkiss Library of Sharon gathered at the Sharon Country Club during fine May weather for its annual fundraising gala for a celebration of free and public access to information.
A well-dressed crowd began filling the elegant interior of the club just after 5 p.m. on Saturday, May 17, stopping by the wooden bar for a glass of wine or a cocktail and milling about the light-filled banquet room.
Guests chit-chatted as servers zipped about the room, offering sliders, arancini and an array of other hors d’oeuvres. Gala-goers occasionally braved the throng gathered around the silent auction table located in the airy screened porch a few steps below, where they found an array of local artists’ work and regional experiences, including a bowl made from black walnut wood by Sharon Town Clerk Linda Amerighi and an afternoon spectating the shearing of the library’s Executive Director Gretchen Hachmeister’s own flock of Shetland sheep.
Hotchkiss Library Board President Lorna Edmundson noted that many of this year’s auction items were donated by library patrons themselves, emblematic of Sharon’s deep pool of artistic talent. Librarians Kathy Amiet and Kate Seabury staffed the busy table, which was framed by sweeping views of passing storm clouds above the Taconic Hills.
Sharon resident Jill Drew, who serves on several town committees and boards, said that while many communities support their local libraries, the Hotchkiss Library “does a wonderful job of making people feel welcome.”
Shortly after 6 p.m., Edmundson took the floor to kick off the night’s live auction, echoing Drew’s sentiment: “It’s a true celebration of community and generosity.”
The live auction saw the sale of an etching from legendary American artist and Sharon homeowner Jasper Johns for $11,000, a piece from accomplished painter Gail Rothschild go to a $2,000 bid, and vintage Angela Cummings earrings selling for $4,000.

A lively paddle raise ensued, but not before Hachmeister offered a more urgent message to the gala attendees. “Libraries protect the freedom to read and they protect our access to information which is so important right now,” she said, noting that 70% of the library’s yearly operating income is supplied through philanthropic donations.
The Hotchkiss Library itself is not directly threatened by federal funding cuts for libraries, proposed by the Trump Administration’s plan to curtail federal spending. Some of its essential services, though, would be impacted if the state Library of Connecticut was to have its funding redacted, which happened earlier this year but was reinstated without explanation.
Interlibrary loans, for example, would be affected, disrupting an essential service for small libraries like Sharon’s and others in the region in a loss which would be felt on a daily basis, Hachmeister explained. While the funding for this year is secured, she explained, the Trump Administration’s federal spending plan demarks “a big fat zero” for the Institute of Museum and Library Services — the federal body that administers funding for state libraries — if it were to be adopted on Oct. 1.
The Hotchkiss Library’s next fundraising opportunity is its annual Book Signing event, to be held on the afternoon and evening of Friday, Aug. 1.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.