Thank you!
Your support is sustaining the future of local news in our communities.

If only your body could speak to your mind

For thousands of years humans have defended themselves from harm by others. But many have proceeded to regularly harm themselves. They have actively searched for substances to ingest, inhale, inject and apply which may give them some immediate relief but damage or destroy their lives over time.

Why do these humans so beat up on their own bodies? Obviously, they know that damaging behaviors have serious consequences, both immediately and in the long run. Why have health care professionals had such a hard time convincing people “to do no harm” to themselves? The persistence of partial self-immolation is unremitting.

What’s different about recent centuries from prior millennia is that addiction, masochism, slow-motion suicide have become big business. Now there are huge profits to be made in seducing, tempting or deceiving people at all ages to spend money to harm themselves.

The addictive industries — like tobacco, legal and illegal drugs, gambling and excessive alcohol — are marketed with remarkably proficient psychological expertise ranging from the overt to the more subtle subliminal persuasions.

These vendors like to start with their victims (aka consumers) when they are young. The tobacco industry has known this for generations. Hook ’em when they’re 10 or 12 and you’ll have them for life. So has the junk fast food business that has perfected ways to turn young tongues against young brains.

As former FDA Commissioner Dr. David Kessler has written, including about himself, junk food has clear biologically addictive impacts that drive cravings for more of the same. Obesity levels worldwide are hitting 13 percent and skyrocketing, reaching over 30 percent of adults in the U.S. or triple the level of 40 years ago.

The injurious consequences of marketing self-harm are the widely known diseases and traumas we read about — heart trouble, diabetes, cancer, lung and liver diseases and more. Those are the inventories for another big business that diagnoses and treats with varying degrees of competence tens of millions of patients. The side effects of many treatments — hospital-induced infections, bad medicines and surgeries — create more business for more treatments.

There is, of course, a wellness industry as well, though it doesn’t come close to the trillions of dollars of the addictive industries and their profitable collateral damage. Preventative health care — good diets, exercise, smoking cessation, drinking alcohol in moderation, adequate rest — is growing in acceptance. Pollution prevention, safer products and services are also beneficial.

Somehow the pro-health forces always seem to be confronted with new hazards coming on fast. The highly addictive opioid epidemic — for supposed pain relief — is now taking almost as many lives as those lost on the highways — over 30,000 last year. The New York Times reports fentanyl, the pain reliever that took the life of Prince, is 30 times more powerful than heroin. Self-medication is getting easier, and rising casualties mark this trend.

So does anyone have any ideas? With all the apps, websites and blogs, is there any effective answer to the question of countering self-harm that has plagued humankind forever? Would it be focused family upbringing? Sure. But obviously that leaves out many people who do not have that good fortune.

Oh, if only the vulnerable livers, kidneys, hearts, intestines, stomachs, cardiovascular systems, lungs, teeth, ears and eyes could directly speak and admonish the recklessness of self-destructive practices coming from the brain!

 

Consumer advocate and former presidential candidate Ralph Nader grew up in Winsted and is a graduate of The Gilbert School. He is the founder of the American Museum of Tort Law, located at 654 Main St.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.