Patrick L. Sullivan
Latest News
Shelea Lynn Hurley
Jan 10, 2025
WASSAIC — Shelea Lynn “Shalay” Hurley, 51, a longtime area resident, died peacefully on Tuesday, Jan. 7, 2025, at Vassar Brothers Medical Center in Poughkeepsie, following a lengthy illness. Her husband, Michael, was at her bedside when Shalay was called home to be with God.
Born April 19, 1973, in Poughkeepsie, she was the daughter of the late Roy Cullen, Sr. and Joann (Miles) Antoniadis of Amsterdam, New York. Shalay was a graduate of Poughkeepsie High School class of 1991. On July 21, 2018 in Dover Plains, New York she married Michael P. Hurley. Michael survives at home in Wassaic.
Shalay was a beautiful soul who would do anything for anyone. She enjoyed crafting, making wreaths, spending time with her husband Michael and playing with their dog Autumn. Shalay was a longtime member of Faith Bible Chapel of Shekomeko in Millerton, where she made many friends over the years.
In addition to her husband Michael, her mother Joann (Nick) and her dog Autumn, Shalay is survived by three children, Rebekah Antoniadis, Brittany Holton (Tyler) and Jimmy Antoniadis; three brothers, Thomas Cullen, Roy Cullen, Jr. and Shaun Cullen; four grandchildren, Ioannia, Adaline, Aubrey and Chandler and several aunts and uncles and many friends. In addition to her father, Roy Sr., Shalay was predeceased by her daughter, Savannah, her foster parents, Mr. & Mrs. Murphy, her grandparents, several uncles and her dear in-laws, James and Shirley Hurley.
Calling hours will take place on Saturday, Jan. 11, 2025, from 10 a.m. to 12.p.m. at the Scott D. Conklin Funeral Home, 37 Park Avenue, Millerton, NY. A funeral service will be held at 12 p.m. at the funeral home. Pastor William Mayhew will officiate. A private burial will take place at Amenia Island Cemetery in Amenia, NY at a later date. Memorial contributions may be made to the American Kidney Fund, 900 Walt Whitman Road, Suite 304, Melville, NY 11747. To send an online condolence to the family, flowers to the service or to plant a tree in Shalay’s memory, please visit www.conklinfuneralhome.com
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Seth Rogovoy at the screening of “A Complete Unknown” at The Triplex.
Natalia Zukerman
When Seth Rogovoy, acclaimed author, critic, and cultural commentator of “The Rogovoy Report” on WAMC Northeast Public Radio, was asked to lead a talkback at The Triplex in Great Barrington following a screening of the Bob Dylan biopic “A Complete Unknown,” he took on the task with a thoughtful and measured approach.
“I really try to foster a conversation and keep my opinions about the film to myself,” said Rogovoy before the event on Sunday, Jan. 5. “I want to let people talk about how they felt about it and then I ask follow-up questions, or people ask me questions. I don’t reveal a lot about my feelings until the end.”
The film, directed by James Mangold and starring Timothée Chalamet as Bob Dylan, portrays young Dylan’s arrival in Greenwich Village during the early 1960s. The film depicts his interactions with key figures like Woody Guthrie, Pete Seeger, Joan Baez, and Suze Rotolo (called Sylvie Russo in the film), while also exploring Dylan’s evolution from performing traditional folk songs to writing his own, including iconic tracks like “Blowin’ in the Wind.” The narrative touches on his struggles with fame, identity, and the pressure to conform, culminating in his controversial electric performance at the 1965 Newport Folk Festival.
“I went into seeing the film with an open mind,” said Rogovoy, “recognizing that this film is not for me. It’s not for ‘Dylanologists,’ for experts. It’s a Hollywood film. I don’t think it does harm, but I think it doesn’t do a lot of what it could have done.”
The film presents a sentimental narrative with many historical inaccuracies. “According to Elijah Wald, whose book the film is based on, he said he likes the film but that it’s entirely fictional,” said Rogovoy.
The talkback itself was lively, with audience members sharing their thoughts on the film’s nostalgic appeal and its historical inaccuracies. Several attendees mentioned how the film helped them relive the cultural transformation of the era.
“It brings to mind the first time I heard that music, and the change it had on our culture,” shared one audience member.
Another attendee, who was just a baby during the time period depicted in the film, said, “I loved how much of his music they did play. It wasn’t just one verse and then cut away. I really got a renewed appreciation for his genius. I’m going full Dylan when I get home.”
While Rogovoy’s approach during the talkback was to facilitate discussion, audience members were eager to hear his analysis. His 2009 book, “Bob Dylan: Prophet Mystic Poet” explores Dyan’s connection to Jewish liturgy. In contrast to “A Complete Unknown,” Rogovoy offered a reminder of “I’m Not There,” the 2007 experimental musical drama co-written and directed by Todd Haynes where six actors portrayed different facets of Dylan’s persona. He described the film’s nonlinear narrative as offering what he called “a Dylanesque portrayal” of the artist, capturing more of the complexity of Dylan’s identity. Rogovoy characterized Chalamet’s portrayal as “one note.”
“And how do we know about the essence of Bob Dylan at that time?” asked Rogovoy. “Well, because there are a number of documentary films with footage of that time, which I’m sure that they (the filmmakers and cast) all viewed again and again. My understanding of Chalamet’s preparation was that he really immersed himself in everything to be a credible Bob Dylan. But in the end, I just found him to be entirely monochromatic.”
The screening and talkback provided a nuanced platform for discussing “A Complete Unknown”—a film that, while not without flaws, ignited a conversation about Bob Dylan’s influence and his enigmatic role in shaping American music and culture.
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Schlock and Awful: winter edition
Jan 08, 2025
A scene from “Exterminators of the Year 3000”
Courtesy IMDB.COM
The Lakeville Journal’s Bad Cinema desk sincerely hopes everyone had something better to do last summer than sit inside and watch appallingly bad movies. Anything would do. Hiking. Antiquing. Going for coffee.
Even — and we realize this is strong stuff — writing poetry.
But now, winter is here. For those looking to while away the hours during the hibernation period, here are five more of the most spectacularly bad flicks currently available on streaming services such as Tubi, Freevee, and Sickee, not to mention Plex, Yecch and Blecch.
“Silent Madness” (1984): This ‘80s slasher was originally in 3D. Nobody cares but there it is. The best film ever shot in Nyack, New York, the cast includes some names regular people may have seen in normal movies. Loony bin in New Jersey lets psycho killer out by mistake, and psycho killer starts picking off sorority girls. Starts off nicely with death by vise grip, but then a whole lot of plot intervenes. Really bad mise-en-scene. As Jean-Luc Godard once said, “Le pfui.”
“Deliria” aka “Stage Fright” (1987): Italian slasher, in which the cast and crew of a play about a serial killer called the Night Owl are locked into the theater by the tyrannical director until they get the darn thing right. Well, the joke’s on Mr. Big Shot Director because local psycho Wallace is also in the theater, and he starts killing everybody. And he does this while dressed as a big owl. With plucky heroine and ambiguous ending.
“Truck Turner” (1974): Isaac Hayes is Truck Turner, bail bondsman and smooth lover, forced by circumstances beyond his control to clean up the streets and get his jailbird girlfriend a kitten. With gratuitous nekkidity and unironic fried chicken. The terrific soundtrack by Hayes adds a great deal, with toe-tapping, car-crashing numbers such as “Pursuit of the Pimpmobile,” “Hospital Shootout,” and “Drinking.”
“Exterminators of the Year 3000” (1983): Aka “Mildly Miffed Max,” this Road Warrior rip-off was made in Italy and Spain for about $11.87 (that’s $37.62 in today’s dollars). The big difference between this and the Mad Max films, besides talent, is in this one it’s water, not gasoline, that everybody’s after. There are a lot of cars crashing around and some weird dialogue that doesn’t make much sense and girls in leather pants which must have been really uncomfortable in the desert.
“Shrunken Heads” (1994): Here at The Lakeville Journal’s Bad Cinema desk, we like to save the worst for last. This flick, brought to you from the entire Elfman family, neatly and concisely explains why it’s never a good idea to get too close to your local voodoo practitioner. (A simple “Hello, how are you?” will suffice.) This incredibly strange film should have made “Eat Da Whizzo” a national catchphrase, but didn’t. With shrunken head sex, sort of, and righteous retribution against the bad guys. Highly recommended, especially if you’re in traction.
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