WINSTED — Gilbert’s spirited softball squad hosted Nonnewaug on Monday, May 2, in an extra-innings affair that ended in a stunning Jackets comeback to edge out a 7-6 win at Walker Field.Yellowjacket starter Jaime LaChance worked a quick one-two-three inning and topped off the hitless first half with her first strikeout of the day.Gilbert’s leadoff batter, Jess Shotwell, worked out a walk, then turned a bunt single by Courtney Hoxie into a scoring opportunity with an inspired base-running effort. Shotwell’s aggressive speed allowed her to score from first, with the aid of a handful of Chief throwing errors — giving the Jackets a one-run lead and putting the also speedy Hoxie in position to score at third. Mackenzie Russo did not keep Hoxie waiting at third for long, driving her in with a base hit to put the Jackets up by two heading into the second.LaChance gave up a hard line single into shallow center to start the second, but a heads-up play by Hoxie caught the runner looking for a double and sent her back to the dugout with a quick throw to first. LaChance induced two infield grounders that were expertly fielded and quickly wrapped up another strong, scoreless inning.Gilbert added another run off a base hit RBI from Hoxie in the bottom of the second, but the innings to follow turned into a combined pitching and fielding duel between the two clubs.The Jackets’ defensive efforts continually lifted them from troublesome situations, and even when the young team coughed up an error, they quickly rallied and responded with top-drawer plays to maintain their advantage.Nonnewaug carried a quick swing in momentum into the top of the fifth after battling out of an immensely ugly bases loaded situation in the fourth and began to generate some offense at the plate. The Chiefs’ first chance to score came off a wild pitch that sent the runner from third sprinting home. Catcher Emily Owens quickly tracked the ball and sent a timely toss over to LaChance, who made the tag at the plate to keep Nonnewaug off the score sheet.The Chiefs, however, kept their bats moving through the fifth. A hard line drive came back at LaChance and momentarily shook her up long enough to allow a run to score. The play continued and an unfortunate mistake by the Jackets cost them another run, cutting their lead to just one heading into the bottom of the fifth.Keeping with the fluctuating nature the game was beginning to develop, Gilbert’s Jen Fritch opened the fifth with a long double. Shannon Tuozzo followed suit and doubled to drive in Fritch. Carissa Tuozzo kept Gilbert’s hitting streak alive with a fly single, and Zamis Fernandez knocked in a run off a ground out at first. Nonnewaug made a quick change at the hill, sending hurler Sarah Broderick in to close out the inning.The thrills continued as Nonnewaug countered the Jackets’ scoring efforts with a strong sixth inning. After allowing the Chiefs to add two, Rachel Wendell closed out the inning with a strong play to snatch a slow roller down the line to make the throw to first. Nonnewaug continued to close on the Jackets’ lead, now trailing just by one (5-4) in the bottom of the sixth.Seemingly thwarted by Broderick at the mound, the Jackets were unable to generate much of a response, save another long double by Fritch in the sixth. Nonnewaug worked a two-out single in the top of the seventh, then drove in the tying run with a triple. A hard line drive caused some trouble for the Gilbert infield, opening the door for the Chiefs to score the go-ahead run.Gilbert, down by one in the final inning and looking to tie or score a walk-off game winning run, started the seventh with another walk worked by Shotwell. Wendell came up with a colossal base hit that drove Shotwell in to tie the game at six apiece. The Jackets managed to stay alive but were unable to capitalize with runners on and sent this emotional, hard-fought game into extra innings.LaChance, still standing strong at the mound, induced two easy pop outs and recovered from giving up a walk to induce another lazy pop out to keep the Chiefs from scoring in the eighth.At the bottom of the eighth, with game tied at six, Carissa Tuozzo battled at the plate and worked out a walk off a seemingly frustrated Broderick. Fernandez slapped a single over third base to put Tuozzo in position to score, but LaChance hit into a fielder’s choice that prevented Tuozzo from reaching third. Shotwell worked out her fifth walk of the game to load the bases with one out.Hoxie hit into another fielder’s choice, this time at home to keep the winning run from scoring. Wendell, with bases loaded and two outs, seemingly unaffected by the immense pressure of the situation, quickly added to her seventh-inning heroics by ripping a hard line drive over third base, driving in the game winning run.Gilbert unceasingly battled through all eight innings and earned the very well-deserved, plucky 7-6 win at home. The Jackets’ lively bats tallied 15 hits through the outing, receiving solid offensive efforts throughout their line up. Shotwell produced a single and five walks, while Hoxie, Russo, Fritch, and Tuozzo all added two hits of their own. Rachel Wendell earned two hits, and two RBIs, including the tying run and the game-winning run.The Jackets improve to 6-4 with their win at home.
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The organic runway at HVSFW puts sustainable style among the apple trees at Stone Ridge Orchard.
Jay Ballesteros
That’s the question behind Hudson Valley Sustainable Fashion Week[end], a two-day celebration of sustainable style, local makers and the possibilities of keeping clothing in circulation. The weekend lands at Stone Ridge Orchard, a 200-year-old working farm, on Sept. 25 and 26, pairing an evening fashion show with a new all-ages Slow Fashion Fair.
“To me, slow fashion means intentional fashion. Careful, thoughtful, human,” said Joanne Louis-Paul, the event’s communications director. “Slow fashion is the speed at which one person can sew an intricately detailed dress. It’s taking the time to go to a thrift store or clothing swap and sifting through an unknown bounty of possibilities. It’s extending the life of a piece of clothing for as long as possible.”
In everyday terms, she said, “It’s stopping to think before purchasing anything or giving anything away.”
Friday’s fourth annual Organic Runway brings Hudson Valley designers to the farm for a sunset showcase of garments made from repurposed textiles and produced locally. Designers include Clare Bare, ennui, Kacy Coyle, KNUD, la vie après l’amour, Last Night on Earth, So Vicki and Touch Threads. The evening runs from 4 to 8 p.m., giving attendees time to pick apples and sip local cider before settling in for the runway.
“We’re all about the whimsy here at HVSFW,” Louis-Paul said. “The runway is so incredibly dreamy. Being outside makes for an unpredictable, one-of-a-kind backdrop every year, and there’s just nothing like that sunset glow.”
Models walk the organic runway at HVSFW. Ilan Harel
The unlikely pairing of fashion and farming is also part of the point.
“Once you’re sitting amongst the apple trees, you realize how much sense it makes to mend the relationship between fashion and nature,” she said.
Saturday introduces the inaugural Slow Fashion Fair, from 11 a.m. to 5 p.m., with workshops, mending, fiber art, vendors, music, eco-friendly kids’ crafts and a clothing swap. There will even be sheep.
“We wanted to have a fair so we could invite more people in the eco-friendly ecosystem into the fold,” Louis-Paul said. “We get to highlight not only designers, but makers and artisans of all kinds.”
The organizers hope the fair appeals not only to people already thinking about climate and sustainability but also to those encountering the ideas for the first time. With mending, a clothing swap and hands-on workshops, the emphasis is on showing visitors things they can actually do.
“There are so many things anyone can start doing today,” Louis-Paul said. “From something as simple as sewing a patch onto a stain or tear to hosting a mini clothing swap at your house with friends and family, there are tons of ways to engage with your wardrobe more thoughtfully.”
She speaks from experience. Before becoming involved with the event, she said, secondhand shopping held little appeal.
“As someone who never liked the idea of thrifting, I am now completely sold on circular fashion,” she said. “I recently sewed a broken strap on a dress I got at a clothing swap, and I felt so accomplished! Being in this world has shown me that conscious consumption is attainable and fun.”
But behind the fun is a serious concern about what happens to clothing once consumers decide they no longer want it.
“Just because you throw it away doesn’t mean it goes away,” she said, pointing to discarded clothing accumulating in other parts of the world and the microplastics shed by synthetic fabrics. “The planet and people are suffering because of this throwaway culture we’ve adopted. If an outfit is new but super cheap, believe there’s a high cost to someone else.”
For more information and tickets, visit hvsfw.org
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
She has been creating lampshades for 25 years and has settled in Ashley Falls, where she is renovating a barn behind her house for a larger studio. Her mission: “Changing the view on plain white lampshades, one at a time!”
Besides using marbled paper, she uses papyrus, silk and hand-painted papers for the shades.
Shandell’s on Main Street, offers a large selection of marbled decorative home items on its website — trays, coasters and bookends, to name a few — as well as scarves and belts. Schneider will also customize items and creates custom wallpaper, gifts and favors for weddings and special events. She offers consultations by appointment.
Schneider explained how she began making lampshades.
“I was in business as an antiques and textile dealer, needing lampshades at the time (the early 1990s). I had a dealer who used to make lampshades. She was moving and sold me everything she had in her barn for making them. Arcs, templates for lampshades, and tools.”
Schneider used the marbled paper from the endpapers of old books to make small lampshades.
“I collected those voraciously.”
The papers were too small for the larger lampshades she wanted to make. To get paper in the size she needed, she decided to learn how to marble.
That was 10 years ago. She now has 20 tanks for marbling, including one 10-foot tank that allows her to make 3 yards of fabric at a time.
As she demonstrated the marbling process, making covers for journals, it was easy to see why she “got hooked.”
Susan Schneider, owner of Shandell’s, creates a variety of products with marbleized surfaces in her Ashley Falls studio.L. Tomaino
She explained that marbling takes a couple of days of preparation. She prepares water mixed with carrageenan the night before so that it thickens and becomes a viscous liquid onto which the acrylic paints can be dropped. Paper or fabric must also be prepared with alum, which “makes the paint stick,” she said, a day or two ahead of time.
When she was ready to start, Schneider first used a level to make sure the tank was even. Then she pulled a squeegee across the surface of the carrageenan mixture to break the surface tension, followed by strips of newsprint for the same purpose. She also dipped small pieces of newsprint into the mixture.
“The hardest thing to teach people is to break the surface tension first,” she noted.
Next, she used droppers to place rows of paint onto the mixture.
“It’s a joyful process,” she said as she chose more colors. “It’s totally the pleasure of the colors.”
She explained, “The colors are stopped from spreading by the surface tension.”
Then she added newsprint around the edges of the tank to break the tension again and added another layer of color. Next, she used a marbling comb, slowly dragging it back and forth across the width of the tank to create a feather-like design.
Combs come in many sizes, with teeth spaced at different intervals and in different patterns. She chose another comb to drag through the length of the tank, making the design more intricate before laying two pieces of paper on the surface. After a second or two, she lifted them, perfectly capturing the pattern, and carried them to the sink for a rinse with water.
Once she squeegeed away the paint left in the tank, she was ready to begin the process again.
Next, she created a different type of design, dripping colors in a less ordered array, then twirling them into curving lines and circles with a thin rod.
When the surface was ready, she laid a journal cover on top, then lifted it out, covered in a vibrant pattern of swirling colors.
For observers, the process can seem magical.
Schneider loves to share the delight of marbling by teaching classes at Dewey Hall in Sheffield. Upcoming classes will be held Nov. 20, 21 and 22. Beginning in November, she will also offer private classes in her home studio. Schneider had never pictured herself having a business like Shandell’s, but she discovered a passion for creating, as she says, “things that make you smile.”
For more information about her work and upcoming classes or to contact her for a consultation, visit shandells.com.
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Muriel Stockdale, left, and judge Roger McKee during the awards announcement at the juried art show at Trinity Episcopal Church. Stockdale\u2019s \u201cKevin\u201d was the second place winner.
Patrick L. Sullivan
Organizer Theresa Kenny said the show attracted some 66 artists, 10 of whom were new to the show.
Judge Roger McKee, who recently retired as an art teacher at Salisbury School, said of the winning work, “The technical mastery here is overwhelming.”
Roger McKee naming the winners with the first place entry over his left shoulder. Patrick L. Sullivan
Hwang was unable to attend the reception, but the second- and third-place finishers were on hand.
Second place went to Muriel Stockdale’s “Kevin.” McKee said the piece “has just enough to be compelling without getting too caught up in the details.”
Muriel Stockdale’s “Kevin” took second place in the juried art show at Trinity Episcopal Church.Patrick L. Sullivan
Joan Macfarlane’s “Branching Out” was the third-place winner. McKee described the piece as “a compelling balance of realism and interpretation.”
McKee and Emily Cox served as judges. Cox could not attend the reception, but McKee said they began their work by looking at the entire show, then went through it a second time, taking photos with their phones of the standout pieces before comparing notes.
“There was a lot of overlap,” he said. “We argued a little bit and then came to an agreement.”
The show is open for viewing Saturday and Sunday, Sept. 26 and 27, from noon to 4 p.m.
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