Editor’s note: This is the first of a two-part series focusing on a day in the life of a large-animal veterinarian’s practice in the tri-corner region.
STANFORDVILLE — To travel with Dr. Isaac Angell of Bentley Veterinary Practice for a day was to witness a veterinary practitioner completely enamored with his work, and deeply connected to the region where he does that work.
Bentley Veterinary is a large-animal practice that specializes in farm animals. Its patients tend to fall on the large, stinky and hard-working side of the domesticated animal kingdom rather than the small, fluffy and genteel side.
On a recent January morning as we wended our way through the misty, dramatic hills of eastern Dutchess County and Litchfield County in Angell’s mobile animal-care truck — equipped with ultrasound, an array of medications, and surgical capabilities — Angell took the time between our various stops to share reflections from a lifelong devotion to veterinary medicine.
“I have a deep excitement for what we do. A tremendous respect for the field of veterinary medicine, and for my fellow practitioners … I often say it’s the animals that get you in, and it’s the people that make you stay.”
A soft-spoken man, quick to smile and quicker still to shift the spotlight from himself, Angell reiterated throughout the day his desire for our time together to spotlight the whole of veterinary medicine rather than his work alone.
“I think about that quote from ‘The Boys in the Boat’: ‘You can’t just write about me, you gotta write about the boat!’ The whole picture, the difficult parts and the joyful parts, are what make the job what it is … Still, for me, being a vet has always been a passionate dream.”
An average day for Angell or the other three veterinarians at Bentley often includes three to four visits — on busy days, that looks more like six or seven. While that might sound manageable, Angell’s practice offers service to an area larger than some states, from Canaan, Connecticut, to Woodstock, New York, to Great Barrington, Massachusetts. Much of Angell’s day is spent on the road between properties.
The necessity for this kind of travel can be traced to decades-long changes to the social and economic geography of the region. In 1972, there were 275 working dairy farms in Dutchess County. In 2022, there were just 15. While dairy production in the region has steadily increased, belying an emphasis on industrial-scale dairy farming, the number of working farmers has dropped steeply off a cliff.
“Growing up, on my road alone there were 10-11 dairy farms. Now there’re none.”
Angell and his wife and five children are the fourth generation of Angells to live on his family’s property. While he loves to work with all the clients he provides service to, Angell admitted to a bit of a soft spot for those who make a living working with animals: the vocational farmers that have grown rarer and rarer in the region. Helping those folks when able keeps him connected to the culture and tradition he was raised in.
Our day’s journey very much emphasized those connections, and consisted of three farm visits and a few social calls.
Old goats, vaccine shots, and estate farming
Our first stop was at a beautiful estate farm in the Northeast Corner. Angell characterizes estate farms as those properties owned by wealthier folks with a large amount of land and a desire to use some of that land for small-scale farming. Often, these estates hire full-time workers to manage the land and care for the animals, and those workers frequently come from the pool of inter-generational farming families that used to operate farms of their own.
Two old goats, 15 years apiece, and three donkeys received Angell’s practiced care that day.
Aside from the unending stares, everybody behaved themselves — shots were administered with minimal kicking and teeth were checked without biting. In addition to providing medical services, Angell also gave the animals’ caregivers advice on what feed to use, how much to give, and even where to buy certain products at a reasonable price.
The conversation between Angell and the property managers was easy and familiar, and the importance of maintaining good relationships is an element to his work that Angell considers both crucial to his success and one of the major perks of the job.
“I was taught pretty early on the value of developing a rapport with a client. You can’t treat the animal without the client.”
Angell’s range of clients means he often has to meet folks where they’re at in terms of the relationship they have to their animals. In addition to vocational farms, Bentley Veterinary works with three main types of clients: rescues and sanctuaries, backyard or estate farms, and equine organizations. An animal sanctuary may have thousands to spend on animal care, and a mission-driven investment in pursuing involved treatments. At a vocational farm, the reality can come down to economics, and many farms don’t have the money to spare.
Accordingly, Angell tries to approach every client with empathy and an understanding of where their decisions might be coming from, whether it’s a deep attachment to an animal or, sometimes, the lack of it. Developing a relationship with the person behind the animal helps him understand those perspectives and offer the kind of care that will align with their needs.
This clueing-in to the emotional component of veterinary medicine is an element to the job that Angell considers vitally important as well as often underemphasized.
“Unless you let it affect you on an emotional level, you’re not doing it right. You’ve got to have some sleepless nights, worrying about a case, or you’re not going to push yourself to become better quite as hard.”
Our day required little by way of difficult decisions —and on the estate farm, it was as clear as day that the property managers cared deeply for the animals in their charge. They worried after the right balance of feed to avoid bloat, mused on the personalities of the donkeys, and remarked on some of the humorous side effects of their job.
“Working with animals, you get used to a whole bouquet of smells you never thought you’d get used to. Knowing, ‘Oh, that’s not right!’ when you catch a hoof smelling a particular way.”
A blue SUV remains in a ditch after an early-morning crash along Segar Mountain Road in Kent May 27.
The driver was transported to Danbury Hospital with minor injuries, according to police.
The damage to a utility pole forced crews to shut down parts of the road and reduce traffic to a single lane throughout the day. First Selectman Eric Epstein announced that traffic would be impacted as utility companies make repairs. Motorists were advised to avoid the area until the work is complete.
As of 2 p.m., traffic at the scene was reduced to alternating single lane travel. Employees from Eversource Energy, Aquarion Water Company and the state Department of Transportation were at the site making repairs to the utility pole and wiring. They have yet to provide an estimate for when the repairs will finish.
The car was still in the ditch as of mid-afternoon, officials on the scene said.
In an email to Kent residents, which was sent at approximately 12:40 p.m., Epstein reported that a water line connected to one residence in the area was also damaged, but clarified that it was not the line supplying the town.
Repair crews respond to an early-morning crash along Segar Mountain Road in Kent that damaged a utility pole and water line. Ruth Epstein
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Filmmaker Yonah Sadeh on a shoot last year in New York City.
It is an exciting opportunity for Sadeh, who has built his own business, Sadeh Studios, by working with small area businesses and nonprofits, “helping to tell their stories through film,” he said.
Some of his projects have included projects for local affordable housing organizations and area nonprofits such as Berkshire Busk, Berkshares, Naturalis Healing, local after-school programs and the Falls Village Fire Department. Current projects are for Berkshire Mountain Bakery and a documentary about Great Barrington’s revitalization in the 1990s.
Sadeh discovered early in life that he wanted to make films and began to develop his process and distinct style.
“It started with puppet shows and musical performances, and then, when I was around 12, a family friend showed me how to use my family’s computer to record and edit short homemade videos using iMovie. From that point on, it was pretty much all movies. I would set up my mom’s computer on a stack of books and record with the webcam.”
An early influence was Wes Anderson’s “Fantastic Mr. Fox,” which, “inspired my Claymation videos when I was 10 and remains one of my favorite films.”
He said getting his first camera made a big difference in his filmmaking.
“I was no longer stuck filming wherever I could set up the laptop. I could move with the camera and be more intentional about how things looked.”
Finding some of the technical aspects challenging, he watched YouTube to learn.
“I would imagine these big scenes, like fight sequences with lighting and effects, and then have to figure out how to actually make them. That process pushed me to learn. I spent a lot of time watching people like Casey Neistat, Film Riot and Corridor Digital, and just trying things out.”
Knowing the path he wanted to take, he pursued his high school education at Bard College at Simon’s Rock in Great Barrington, MA. The school has since relocated to Barrytown, New York.
“Simon’s Rock was not a film school in a traditional sense, but it had incredible faculty that I was able to work with one-on-one throughout my years there,” he said. “It gave me the flexibility and time to make films both in and outside of class, and to start my production business while still in school.”
He was able to take college-level film courses while still in high school.
“It seemed like the perfect opportunity. I loved it so much that I stayed at Simon’s Rock after graduating from the academy for my bachelor’s degree.”
Filmmaker Yonah Sadeh at work. Lisa Volmer
After graduating, he focused full time on his freelance business.
“Most of my professional work is in documentary, where I am a one-man crew overseeing every aspect of the process, from meeting with clients to develop the idea to planning, filming and editing it all together. I love working in this way, with my hands in every part of the project.”
In addition to documentaries, he also works on narrative films.
“The script I am working on now is set over the summer solstice and follows two kids over a short but formative period of time. I feel like this idea of land and place, and the passing of time, is a pretty consistent theme in all of my work, both narrative and documentary.”
Narrative films involve working with a crew, and he said writing and directing have presented different challenges.
“By the time I get to production, I’ve usually been sitting with the story for a while and have a pretty clear picture of how I want each scene to feel. So a lot of directing is about communicating that vision to the actors and crew. It can definitely be stressful, especially with the pressure of being on set. But I’ve been lucky to work with people I really trust and enjoy collaborating with, which makes a big difference.”
The finished film, Sadeh said, “becomes something built by everyone involved.”
Eager to share his love of filmmaking, Sadeh recently took on the role of curator of the VideoWall at the Hunt Library in Falls Village.
“I would love the VideoWall to become a place that showcases the work of local filmmakers, and I hope that other creatives in the area will submit their work to be shown.”
Reflecting on his chosen path, Sadeh said, “I feel really excited and creatively fulfilled to be doing the work I love in the place I grew up.”
Learn more at sadehstudios.com
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