
The Village of Millerton has changed greatly in the past 146 years since it was incorporated in 1875. Pictured here are various scenes from around Millerton, including a 1995 parade (in black and white). Photo by Kaitlin Lyle
With so many changes taking place in the world today, including in our local business communities, The Millerton News is taking a closer look at how the village of Millerton has changed in the years leading up to the present day. The paper will be running a multi-part series on the many changes that have taken place in the Millerton business district since it was first established in the late 1800s. This is the first part in that series.
Part I
MILLERTON — Despite all of the advances science has made in the millions of years since man has been on earth, no one has yet been able to figure out how to freeze time. Which explains why the world has witnessed Millerton evolve in the last nearly century and a half from what was a bustling local community that was mostly self-sufficient and centered around three railroads that brought the entire Tri-state region goods and services from major cities and outlying areas into a hip village that earned the title “Ten Coolest Small Towns in America” from Arthur Frommer’s Budget Travel magazine in 2007.
Those rave reviews have continued, frequently in The New York Times. The most recent was published in The Times on March 24; there was another large spread featuring Millerton on www.upstater.com, a guide about living, buying, renting and vacationing in upstate New York that just came out on April 20.
Who can blame them? Millerton has enviable amenities and resources, great shops, loads of antiques stores, restaurants and cafes; impressive yoga, pilates and wellness studios; a currently under-renovation Moviehouse and a beloved bookstore, both of which have entertained and enlightened generations in the region for decades and promise to do so for decades more; a business alliance that offers support to merchants that is becoming more and more useful; and two governments that have been working in concert with each other for nearly 150 years to get much-needed and important tasks done for the community — with repeated success and without any drama.
Village history and resilience
Incorporated in 1875 and named after the civil engineer who was working on the construction of the train lines being built in the town of North East, Sidney Miller, Millerton is at the crossroads of New York, Connecticut and Massachusetts, with routes 22 and 44 intersecting at the traffic light at the tip of Main Street. That’s where the commercial district begins, and where those who have witnessed the growth that has taken place in the village have seen the most dramatic changes.
Dick Hermans was born and raised in Milan, and now lives in Pine Plains, about 13 miles west of the village. Yet he is as much a part of the fabric of Millerton’s Main Street as anyone, as he started Oblong Books & Music with his then-business partner Holly Nelson 45 years ago. Oblong originally opened at 32 Main St., before ultimately settling at 26 Main St., where the beloved bookstore now stands. He spoke of the village’s strongest trait.
“Downtown Millerton is resilient, who comes in and who goes out, there’s always someone who wants to run a business here,” said Hermans. “It’s a small community that has businesses and it’s been that way since it started. It was that way when the railroad was here, which was how the goods got delivered here and supplies got delivered here; towns didn’t have those commercial centers… But we are resilient — there was always someone coming in here. No place stayed empty for any length of time, there is always quite a bit of turnover, even during the pandemic.”
A look back
Hermans reflected on how Millerton looked nearly five decades ago.
“It’s funny, because the anchors in town then were Saperstein’s and Terni’s, and Delson’s was still open across the street, and those were the real draws,” he remembered. “The bank is where the bank building is [at Gilded Moon Framing]; they don’t have that anymore. When we first moved here, The Moviehouse still had triple ‘X’ ratings, so that was kind of seedy. There were some bars here that were, seedy is probably a good word for it, but I don’t want to insult anyone; we had a reputation for being a rugged town when we got here.”
A look today
Millerton is a far cry from “rugged” today, with stores like Charlotte Taylor, a home and lifestyle store whose owner was once a buyer for Saks Fifth Avenue and Bloomingdale’s and a manager at Laura Ashley, or Westerlind, which sells gear and apparel for the outdoors in NYC as well as in Millerton, where it also has the Westerlind Pantry, where it “[aspires] to be the kind of bodega every good snob dreams about [selling] fresh bread, prepared foods, local produce, pantry staples, beer and cider,” according to its website.
Westerlind is at 41 Main St., the former Saperstein’s, which was the village’s iconic department store that had offered everything from shoe repair to Little League uniforms to tuxedo rentals for 70 years, until owner Lew Saperstein announced his retirement in 2017.
That was one of a number of monumental shifts from the business community’s past to its present that locals say will never be recaptured. Some are pleased with the changes and others not so much. More on that next week.
In the remainder of the series we will continue to examine how Millerton’s Main Street has evolved, and how the community feels about that evolution. Meanwhile, look for an article from North East Historical Society President Ed Downey about the village’s historic residential architecture on the next page. And be sure to support the businesses that advertise in this section.
Photo from The Millerton News Archives
Photo by Kaitlin Lyle
Photo from The Millerton News Archives
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino