Making windows safe for birds this fall

Black and white warbler
Photo by Sunny Kellner, Sharon Audubon Center

Whack! The sudden and dramatic sound against your living room window brings you hurrying in to see what occurred.
As you look toward the ground, you see something – a bird! – and rush to its aid, hoping it didn’t hit hard enough to kill it. You have seen this happen in the past, where a bird hitting this exact windowpane was momentarily immobilized before flying off.
This time, however, the spectacularly small black and white bird you hold lies motionless in your hands.
Unfortunately, this experience is not an uncommon one. Window collisions are a leading cause of bird mortality ,behind habitat loss and cat attacks, killing as many as a billion birds annually.
That’s right. One billion. Such a number is borderline incomprehensible.What’s happening to cause such a staggering mortality rate?
Birds cannot see glass. When they look at it, they see one of two things: nothing at all, which might indicate a safe corridor for them to fly through, or the reflection of their surrounding landscape.
Both scenarios are highly problematic. Perhaps unsurprisingly, research has thus concluded that most window collisions occur at residential and low-rise buildings where sheet glass and plastic are widely used, often where good habitat is present.
Collisions tend to increase during spring and fall migration when birds are moving to the wintering grounds, but also during the breeding season when fledglings are learning to navigate their world.
Fortunately, we as homeowners, businesses owners, and people who simply appreciate the joy that birds bring us can take simple steps to reduce window collisions.
The first step is selecting a product that makes glass visible to birds. These include decals, strings, washable window paint, dots, and films that are often inconspicuous to us but highly visible to birds.
Second, the spacing of the items should be no more than 2 inches vertically and 4 inches horizontally to reduce the chance of birds flying through an opening.
These barriers should always be placed on the outside of the window.
For a full list of options to make your windows bird-safe, visit The Acopian Center for Ornithology’s website at: www.aco.muhlenberg.edu
A final step we can take is making our windows safer for birds is considering our bird feeders.
Research recommends placing your feeder either within three feet of the nearest window (so that birds don’t injure themselves upon liftoff) or more than 30 feet away so that feeding birds have plenty of distance to clear the house.
If you have a lot of birds visiting your yard, consider the potential impact of these solutions.
And that’s just in one yard! The cumulative impact for towns across our county, state, and nation could save many millions of birds each year.
Remember that scenario of the small black and white bird? She’s a real bird. Except in the real story, she survived and is currently receiving care in our wildlife rehabilitation clinic at Sharon Audubon Center.
Black and White Warblers will fly as far as Ecuador in South America, where they will overwinter in the lush tropical forests feeding on insects. She may yet have a long journey ahead of her. Let us all do our part to give birds like her a better chance.
To learn about making windows safer for birds, there is a program at the Sharon Audubon Center on Saturday, Oct. 22, at 10 a.m. For more information go to www.Sharon.audubon.org/events.
Bethany Sheffer is Volunteer Coordinator and Naturalist at the Sharon Audubon Center. Vicki Dauphinais of the Litchfield Hills Audubon Society contributed to this article.
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.