Family history collides with current events in Ukraine

Russia’s invasion of Ukraine, which is not only ongoing but with every passing day is revealing further and worse atrocities by the invaders, is a torment for most Americans, who feel the unjustness of the invasion and the horrors that Ukrainians are going through.  Few things have united Americans, these past few years, as much as the current disapproval of Vladimir Putin and his invasion of Russia’s neighbor, and also a concurrent appreciation for the strength and courage of Ukrainians in resisting one of the world’s mightiest armies.

The Ukrainian crisis reverberates with me especially, on several grounds.

The first is that my paternal grandparents were both born near Kyiv in the 1880s, and came of age there before fleeing to America, where they met and married in St. Paul, Minnesota in 1905 and produced five children.  When today I see the televised and still photos of current-day Ukrainians, I find strong resemblances to my paternal cousins.

But there is more to that connection, for me.  Oizer and Polya behaved in America as most immigrants of that era did, working hard to assimilate and evincing no nostalgia for the old country. For instance, in their Midwest home they refused to speak Russian in front of the children, only English, to make sure that it became the children’s native tongue.

The second connection, for me, is that my grandfather, Oizer Shachtman, became a noted anti-Communist, in the 1920s, way ahead of when most other Americans did so.  A fur-cutter by trade, he had risen to become international president of the Fur-Workers in 1926 — only to be immediately immersed in a battle, tied to a long strike, in which the union was taken over by Communists, led by a man named Ben Gold.  A quarter-century later, Gold would admit to having been not only an American Communist but also a member of the international governing board of the Communist Party, headquartered in Moscow. The Fur-Workers strike of 1926 held the headlines for many weeks, to the point that Oizer became a named figure in them.

Those stories did not say so, but I later learned that Oizer had clashed with the Communists before, as a teenager in Kyiv, when he was a member of the Bund, an international workers union that eventually fell afoul of Lenin’s Bolsheviks.

Soon after the 1926 strike was over, Gold’s band deposed Oizer as head of the union, and proceeded to make the Fur-Workers into one of the most left-leaning in the U.S., one that seemed very good to its workers but from which Gold and others, including gangster Lepke Buchalter — the head of Murder, Inc. — took a lot of money.

In 1927, as a result of Oizer’s losing the power struggle, he became an avowed anti-Communist, remaining so through the rest of his life.  He had many clashes with his children on that score, well before Soviet massacres and exterminations became public knowledge; and he also clashed with another Shachtman, Max Shachtman, who in the 1930s became the leader of the Trotskyites. It was with bitter amusement that Oizer watched the brilliant Max move steadily from hard-core Communism to become the leader of the intellectual groups who in the 1950s became vociferously anti-Stalin and eventually, full anti-Communists.

As I grew up and became somewhat liberal in my understandings of the world, I never forgot my grandfather’s insistence on the evils done by Communism.

My third story involves Edmund Pope, a retired Navy veteran who as a specialist in transfer of technologies between the former Soviet Union and the West was on his umpteenth visit to Moscow in the summer of 2000 when the new Russian leader, the former KGB man Vladimir Putin, had Ed arrested and put on trial as an American spy — a show trial, if there ever was one. Ed was convicted, but through the efforts of many Americans in the intelligence community, plus public pressure, was released on humanitarian grounds, as Ed had a rare cancer. I was introduced to Ed as he came home, and we quickly wrote a book together.

As Ed made very clear to me, Putin had not been after him, per se, but had put this Russian-loving American on trial as a way of unifying Russians against Americans and providing a path to even greater accumulations of power to resurrect the Stalin-era reach of the Soviet Union. As Ed emphasized to me last week in an email, it is not simply Putin’s terrible invasion of Ukraine that is at stake in the current conflict, it is his attempt to use the subjugation of Ukraine as a path to restoring Russian power over all of Eastern Europe, in a way not seen since the last of the czars.   

 

Tom Shachtman is the author of more than a dozen American and world histories and of documentaries seen on all the major networks. He lives in Salisbury.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.