Coronavirus crisis: Are we sinking or staying afloat?

Off the Record

When RMS Titanic struck an iceberg on its maiden voyage in 1912, the “unsinkable” ship sank in 2 hours and 40 minutes. During that short period, many passengers wondered whether it was safer to stay on board or go out in the lifeboats.

From the frenzied developments of the coronavirus pandemic, one could easily imagine we’ve hit a berg and are sinking fast. Is it better to stay at home or still go out?

Much is closed or restricted. Whole countries are on lockdown. Joe Biden and Bernie Sanders actually held a primary debate without a live audience, although that could have happened even without the virus.

Politicians are trying to outdo each other with rescue plans. Sanders would call out the National Guard. Biden would mobilize the whole Army. The current federal relief gives most Americans $1,200, plus hundreds of billions to businesses. More is on the way.

Although vastly increasing the government’s intervention into private life and business is a capitalist’s nightmare, it sounds like a Democratic socialist’s dream. President Trump got effusive praise from, of all people, Democratic Rep. Ilhan Omar, a staunch Sanders supporter, who was thrilled with the president’s “incredible” bailout response.

Leaders hope vast outlays of cash will check a recession, and that the global shutdown will check the virus so that the medical profession can catch up. Some experts claim the coronavirus is deadlier than the flu and spreads faster. Time is needed to develop a vaccine.

The flu itself causes “about three to five million cases of severe illness and about 290,000 to 650,000 deaths” every year. The 1918–1919 influenza pandemic killed “an estimated 2.5% to 5% of the world’s population. As many as 25 million may have been killed in the first 25 weeks.”

Yet most people recover completely from both the flu and the coronavirus. The Associated Press reports that “for most people, COVID-19 causes only mild or moderate symptoms.” The World Health Organization says recovery usually takes from two to six weeks.

Like the flu, the coronavirus takes its largest toll from the aged and those with prior conditions. South Korea “reported an overall coronavirus death rate of 0.77% out of 7,755 cases,” which rose to 7.2% for people over 80. When Italy surpassed China’s deaths, 87% were people over 70. Most of Connecticut’s fatalities were in their 80s or 90s.

Democrats, as expected, are using the “Trump Pandemic” to thrash the president and push their political and social agenda. Like the Obama administration after the 2008 financial meltdown, they don’t want to let a good crisis go to waste.

The press is also taking advantage. Trump’s actions are critiqued as quickly as they’re made, almost always negatively. Even when the president was found to be virus free, The New York Times headline thundered, “Trump Is Tested for Coronavirus, and Experts Ask: What Took So Long?”

The Times suggested the president “does not fully understand the risks the country faces.” Had a President Hillary Clinton taken the same time to get tested, the paper very likely would have fawned over her steely calm in the face of panic.

Sanders, ever the alarmist, warns that the American death toll could exceed our World War II dead (over 400,000). Bernie is often off his rocker, but it is conceivable that the coronavirus could cause death statistics like war and influenza.

So why have we never shut down everything to check the annual half million flu deaths? One reason, perhaps, is that flu fatalities are expected every year and aren’t treated as hourly doomsday bulletins.

When California Governor Gavin Newsome ordered all 40 million state residents to stay home, only 19 Californians had died from the coronavirus at that point. Newsome warned, however, that without such measures, over one million Californians could die.

One fault with death rates was made clear by a Business Insider report on Germany’s remarkably low rate of 0.74%. It said, “Scientists agree that a large number -— probably a big majority — of all coronavirus cases never make it into the official figures because they are not severe enough for hospital treatment. The more widely a country tests, the more of these milder cases it will find,” and the lower a country’s actual death rate will be.

It remains to be seen whether broad shutdown actions will slow the virus sufficiently or will have to be extended. Or would individual quarantines and targeted protections have sufficed and perhaps lessened a global recession?

Some practices such as stockpiling food certainly don’t help. The shelves in many American stores already look like those in third-world socialist countries. The difference is that our stores can quickly replenish. The socialist ones can’t.

Sorry, Bernie.

 

Mark Godburn is a bookseller in Norfolk and the author of “Nineteenth-Century Dust-Jackets” (2016).

 

Editor’s note: The Lakeville Journal is providing content related to the coronavirus outbreak for free as a public service to our readers. Please support local journalism by subscribing to The Lakeville Journal, The Millerton News, or TriCornerNews.com or by becoming a contributor to our membership model. Click here for more information.

Related Articles Around the Web
The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.