Thank you!
Your support is sustaining the future of local news in our communities.

Living with uncertainty during the coronavirus

I would wager that uncertainty is the main cause of stress most of us are feeling during this corona virus pandemic.  We are uncertain how long we will be forced to live largely inside our own homes, conducting business and friendships on Zoom or Facetime, and seeing only family members face-to-face.  We are unsure of whether the precautions we are taking, from social isolation to hand-washing and wiping down surfaces, are what is actually called for. We have no way to know whether we’ll get sick, and, if we do, whether we’ll recover. And we hear different stories of what life will be like when we finally emerge on the other side of this odd and uncomfortable period. Will the world we step back into be recognizable?

Most of us do a lot to avoid uncertainty in “normal” life, from eating the same cereal every morning to regularly calling our mother or sister on Sundays. We look at our weekly calendars to find out what the next seven days will be like, and the appointments we’ve scheduled give us security and confidence that the week will bring what we expect. Which is why during this period all those crossed-out appointments and blank days give us a good deal of anxiety.

According to a Post-ABC poll, nearly 7 in 10 Americans say they are worried that they or someone in their immediate family might catch the disease. Over half say that they are at personal risk of getting sick, and 20 percent say they are at high risk. Clearly, the risk-factor is a critical focus of uncertainty during this pandemic. Bottom of Form

I’ve talked with several friends who are transforming their assumed risk into the strange comfort of certainty. One, citing statistics, says he is simply assuming he will contract the virus at some point before it subsides. (I hope he is working against his certainty by trying to prevent the virus through vigilance about the advised changes to our behavior, not helping his assumption along by being careless.) Another, advanced in age with COPD, has given his relatives a kind of advanced healthcare directive: he does not want to be taken to the hospital, where he is sure he will be denied a respirator, and instead wants to die in the comfort of his home. Perhaps my two friends’ images of the illness and death that lie in their futures go under the category of: if you plan for the worst, you can only be pleased by life’s surprises. But I think that the difficulty of experiencing uncertainty is also what drives them to create a “certain” scenario, however dire.

Obviously, the coronavirus has multiplied the uncertainties of our lives.  But the truth is, even in the best of times, the sense of safety that most of us hold onto is largely an illusion, especially when that safety is directed at those aspects of life that we care about remaining the same. Everything changes. Our bodies, which for a long time grew increasingly virile, begin to weaken. Our homes deteriorate, until we power wash and repaint, and the cycle starts over again. Our friends and loved ones change; if we can change with them, our relationships continue, even thrive; but if not, they end, sometimes painfully. Our gardens appear sickly one year, but the next year when they flourish, we sigh with relief, only to feel defeated when they appear scraggly the third year. Nothing stays the same.

The American Buddhist nun, Pema Chödrön, writes beautifully about how we exhaust ourselves, spending our energy and wasting our lives, trying to re-create zones of safety, which keep falling apart. This is a good time to remember her words: “The root of suffering is resisting the certainty that no matter what the circumstances, uncertainty is all we truly have.”

May we feel peace amidst the many uncertainties of this period.

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

 

Editor’s note: The Lakeville Journal is providing content related to the coronavirus outbreak for free as a public service to our readers. Please support local journalism by subscribing to The Lakeville Journal, The Millerton News, or TriCornerNews.com or by becoming a contributor to our membership model. Click here for more information.

Related Articles Around the Web
The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

August, one bass at a time

August, one bass at a time

This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.

Patrick L. Sullivan
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.

Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.

I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.

Keep ReadingShow less

An outdoor festival for Broadway fans

An outdoor festival for Broadway fans
An outdoor festival for Broadway fans
An outdoor festival for Broadway fans

Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.

Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.

Keep ReadingShow less
Crandell Theatre celebrates 100 years of film, community and Chatham history

The Crandell Theatre in 1948.

Provided
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.

Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.

The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Arts Connected fundraiser celebrates Northwest Connecticut’s creative community

MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.

Provided

The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.

More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

Keep ReadingShow less
At 90, artist Robert Cronin still finds new ways to paint
Falls Village Artist Robert Cronin describes his process, from drawing to painted canvas.
L. Tomaino
Once I get all the colors in, they change. Who knows? I might consider more radical colors and then bring it back a little.
— Robert Cronin

Renowned painter Robert Cronin of Falls Village celebrated his 90th birthday with an exhibition, “Robert Cronin: New Paintings,” at the Hunt Library in Falls Village which opened Aug. 8 and will be on view through Sept. 11.

Cronin paints most days in his home studio. He keeps his work fresh by trying new things and has had different phases of work, including figure paintings, paintings on paper, a modular, circle and enclosure series of paintings, as well as a tinplate sculpture series.

Keep ReadingShow less

All aboard the Litchfield County Clipper

All aboard the Litchfield County Clipper

The Litchfield County Clipper runs between Thomaston and Torrington.

Allison Gollenberg

Every Sunday until the end of August, passengers can ride back in time on the Litchfield County Clipper, a scenic train running between Thomaston and Torrington on the county’s only passenger rail line.

The train, operated by the Railroad Museum of New England and the Naugatuck Railroad, follows the Naugatuck River through Mattatuck State Forest and along the Thomaston Dam, making it the only railroad in the country that operates over the face of an active dam. For $26.50 passengers can ride all day, boarding or disembarking at any of the train’s three stops, which include two stops in Torrington and one in Thomaston.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.