Thank you!
Your support is sustaining the future of local news in our communities.

Whose lives matter, and what are they worth to our leaders?

I’ve been uneasy about the “balance” that our President and a number of governors are expressing between saving people’s livelihoods and rescuing our economy, on one side, and keeping down the terrible illness and death caused by coronavirus, on the other. This two-way balance was complicated by warm weather, which brought young people to parks and beaches, and so added springtime exuberance to the economic side, while increasing the illness and death side of the scale. 

I began to wonder: How much is a life worth?  Are some lives more valuable than others? 

Early on in our country’s less than five-month history with COVID-19, it seemed that the elderly were most prone to its infection. Counting myself among the elderly, I was reassured that I was able to stay at home, but suspicious that the deaths of those of us on Social Security were a little too easily accepted, as if each death was unburdening a system supposedly running out of money.

As the analysis of who was catching the virus, and under what circumstances, grew more complex, compromised immune systems became a causal factor, as did living or working in close quarters, which was why COVID-19 was raging in nursing homes and prisons.  

Recently the high rates of COVID-19 among African Americans, immigrants and the poor have made clear that, as in every other arena, “Them that’s got shall get, them that’s not shall lose,” as Billie Holiday once put it so beautifully. By a cruel irony, African Americans constitute 13% of our population, but provide a third of all nurses; as front-line workers, often without proper protective equipment, they have been particularly exposed to the virus.  

The prairie states, which house our meat packing industry, have experienced a surge of coronavirus spread by workers standing shoulder to shoulder as they chop up pork, beef and chicken. These processing plants draw their workers from our immigrant poor; half of all workers in these plants are undocumented immigrants, without either health insurance or savings, and often fearful of checking into a hospital. 

The risk these workers live with has been exacerbated by President Trump’s executive order insisting that the plants stay open and workers remain on the job. As one worker in Greely, Colorado put it: “We signed up to process meat. We did not sign up to die.” That food processing workers who are ill are being forced to come to refrigerated plants and stand next to each other as the meat comes down the assembly line so that Americans can continue to enjoy a hamburger or piece of chicken goes far beyond a careful balancing of livelihoods and the economy with safety.  

Since most of those likely to succumb to the virus are not among the young, rich, or powerful, I also need to ask: how many illnesses and deaths from coronavirus among waitresses, cooks, personal trainers and hairdressers would you trade for keeping open one restaurant, gym or beauty salon? Or, with summer coming on, how many now-healthy nurses and other hospital workers are you willing to put at risk for a nice day at the beach?   

I know the balance is delicate. With single mothers who have lost their jobs and are acting as at-home teachers for their children while trying to feed them without unemployment insurance, and whole families waiting patiently in a long line of cars for a box of donated food, not all the argument is on one side. But before we agree to a run of deaths among our black, brown, poor and elderly neighbors, we need to guarantee protection for everyone. This means a ready supply of masks and other personal protective equipment, but it also means ample testing, tracing, tracking and whatever else develops, to insure our safety.  

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

At 95, Elyse Harney celebrated with Honorary Doctorate

Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.

Provided

On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.

The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.

Keep ReadingShow less

The Renaissance spirit of Pilar Proffitt

The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
The Renaissance spirit of Pilar Proffitt
Think logically and then break the mold with creativity.
— Pilar Proffitt

Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.

Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.

Keep ReadingShow less
Take a trip to WWII England with the Sharon Playhouse’s ‘Swingtime Canteen’

The set for “Swingtime Canteen” transports the audience to WWII London.

D.H. Callahan

Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.

That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A classical summer begins: eight Tanglewood picks

Aerial view of The Shed at Tanglewood.

Aram Boghosian

The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:

Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.

Keep ReadingShow less
Ken Musselman marks new chapter with farewell exhibition

Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.

L. Tomaino

Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.

Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.

Keep ReadingShow less
Bugs! crawl their way into Upstate Art Weekend

“Butterfly in the Stomach” by Hanna Washburn at “Bugs!” part of Upstate Art Weekend.

Provided

Artist and curator Charlotte Woolf thinks bugs get a bad rap. Her new multimedium show at Foxtrot Farm and Flowers in Stanfordville seeks to change how people see these creepy-crawly creatures.

This time of year, there’s no way to escape the onslaught on bugs closing in from the wild. The little flyers and crawlers somehow penetrate even the tightest window screens. If there’s a crack in a floor board, it might as well have a big neon “Enter” sign. Like zombies from “Night of the Living Dead,” they approach with dispassionate determination.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.