Thank you!
Your support is sustaining the future of local news in our communities.

Whose lives matter, and what are they worth to our leaders?

I’ve been uneasy about the “balance” that our President and a number of governors are expressing between saving people’s livelihoods and rescuing our economy, on one side, and keeping down the terrible illness and death caused by coronavirus, on the other. This two-way balance was complicated by warm weather, which brought young people to parks and beaches, and so added springtime exuberance to the economic side, while increasing the illness and death side of the scale. 

I began to wonder: How much is a life worth?  Are some lives more valuable than others? 

Early on in our country’s less than five-month history with COVID-19, it seemed that the elderly were most prone to its infection. Counting myself among the elderly, I was reassured that I was able to stay at home, but suspicious that the deaths of those of us on Social Security were a little too easily accepted, as if each death was unburdening a system supposedly running out of money.

As the analysis of who was catching the virus, and under what circumstances, grew more complex, compromised immune systems became a causal factor, as did living or working in close quarters, which was why COVID-19 was raging in nursing homes and prisons.  

Recently the high rates of COVID-19 among African Americans, immigrants and the poor have made clear that, as in every other arena, “Them that’s got shall get, them that’s not shall lose,” as Billie Holiday once put it so beautifully. By a cruel irony, African Americans constitute 13% of our population, but provide a third of all nurses; as front-line workers, often without proper protective equipment, they have been particularly exposed to the virus.  

The prairie states, which house our meat packing industry, have experienced a surge of coronavirus spread by workers standing shoulder to shoulder as they chop up pork, beef and chicken. These processing plants draw their workers from our immigrant poor; half of all workers in these plants are undocumented immigrants, without either health insurance or savings, and often fearful of checking into a hospital. 

The risk these workers live with has been exacerbated by President Trump’s executive order insisting that the plants stay open and workers remain on the job. As one worker in Greely, Colorado put it: “We signed up to process meat. We did not sign up to die.” That food processing workers who are ill are being forced to come to refrigerated plants and stand next to each other as the meat comes down the assembly line so that Americans can continue to enjoy a hamburger or piece of chicken goes far beyond a careful balancing of livelihoods and the economy with safety.  

Since most of those likely to succumb to the virus are not among the young, rich, or powerful, I also need to ask: how many illnesses and deaths from coronavirus among waitresses, cooks, personal trainers and hairdressers would you trade for keeping open one restaurant, gym or beauty salon? Or, with summer coming on, how many now-healthy nurses and other hospital workers are you willing to put at risk for a nice day at the beach?   

I know the balance is delicate. With single mothers who have lost their jobs and are acting as at-home teachers for their children while trying to feed them without unemployment insurance, and whole families waiting patiently in a long line of cars for a box of donated food, not all the argument is on one side. But before we agree to a run of deaths among our black, brown, poor and elderly neighbors, we need to guarantee protection for everyone. This means a ready supply of masks and other personal protective equipment, but it also means ample testing, tracing, tracking and whatever else develops, to insure our safety.  

 

Carol Ascher, who lives in Sharon, has published seven books of fiction and nonfiction, as well as many essays and stories.  She is trained as a spiritual director.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Plans to revitalize Norfolk’s Infinity Hall unveiled

Infinity Hall, built in 1883.

Jennifer Almquist

Nearly 200 people packed the wooden seats of Norfolk’s historic Infinity Hall on Thursday, May 14, as David Rosenfeld, owner and founder of Goodworks Entertainment Group, a live entertainment and venue management company, unveiled ambitious plans to restore the restaurant and bar, expand programming and reestablish the venue as a central gathering place for the community.

Since the Norfolk Pub closed on Jan. 31, 2026, the need for a restaurant and evening gathering place has become paramount, and for years residents have wanted Infinity Hall to be more engaged with the community.

Keep ReadingShow less

May Castleberry’s next chapter

May Castleberry’s next chapter

May Castleberry at home in Lakeville.

Natalia Zukerman
Castleberry’s idea of happiness is “looking at a great painting.”

May Castleberry is a ball of sunshine and passion, though she grew up an introverted child, moving with her family from Alberta to Colorado to Texas, finding comfort in mountains, books and wide-open skies. Today, the former art book editor and museum curator has found a new home in Lakeville, where the natural beauty of the Northwest Corner continues to captivate her. Whether walking with friends, painting, reading or visiting beloved local libraries in Salisbury, Norfolk and Cornwall, Castleberry has embraced the region since making her move permanent in 2022, bringing with her a remarkable career shaped by a lifelong love of books and art.

Castleberry grew up in the world of books, and especially art books, and she credits her artist mother, an avid art book collector, with igniting her passions. Castleberry’s high school art teacher in Dallas understood how to teach students to channel their imaginations into books and art.

Keep ReadingShow less
Hoarding 
With Style: Sarah Blodgett’s art of collecting

Sarah Blodgett has turned her passion for collecting into “something larger.”

Photo by Sarah Blodgett

There is something wonderfully disarming about walking into a space where nothing feels overly polished, overly planned or pulled from a catalog — a place where history lingers in the corners, where color is fearless, where the objects on the shelves have stories to tell and where, if you are lucky, a cat named Cinnamon may be supervising the entire operation.

That is the world of Sarah Blodgett.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Dr. Paul J. Fasano

Dr. Paul J. Fasano

SHARON — Dr. Paul J. Fasano DDS, of Brewster, Massachusetts, passed away peacefully after a long illness on May 10, 2026, in Boston.

Born in Boston to Philip and Laura (Stolarsky) Fasano on Dec. 13, 1946, he grew up in Dorchester with his two brothers Philip and William.Paul attended the Boston Latin School and graduated from Boston College in 1968.He later completed Dental School at New York University in 1972.

Keep ReadingShow less

David Niles Parker

David Niles Parker

KENT — David Niles Parker, 88, of Middletown, Connecticut, passed away at home on May 6, 2026.

Born January 20, 1938, in Wellesley, Massachusetts, the first child to Franklin and Katharine Niles Parker, David graduated from Wellesley High School, received his undergraduate degree from Wesleyan University, studied at the University of Chicago Divinity School, and earned his master’s in education from Harvard.

Keep ReadingShow less
Janet Andre Block is ‘Catching Light’

Artist Janet Andre Block in her studio in Salisbury.

L. Tomaino

What do Johann Sebastian Bach’s Goldberg Variations, Richard Wagner’s Ring Cycle, Wolfgang Amadeus Mozart’s piano concertos and a quiet room have to do with Janet Andre Block’s work? They are among the many elements that shape how she paints, helping guide her into the layered, luminous worlds she creates on canvas.

Block makes layered oil paintings in rich, deep, misty colors. She developed her technique as an undergraduate at the School of the Museum of Fine Arts at Tufts University and then at New York University, and also time spent in Venice earning a master’s degree in studio art.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.