Thank you!
Your support is sustaining the future of local news in our communities.

A photojournalist observes ‘the quiet inauguration’

A photojournalist observes ‘the quiet inauguration’
For many Americans, Jan. 20 was a day of celebration and high spirits. This young pair embraced in Washington, D.C., on Inauguration Day.
Photo by Anne Day

WASHINGTON, D.C. — What if they gave an inauguration and nobody came? Or, what if they gave an inauguration and the number of spectators was fewer than the 25,000 National Guard troops, hundreds of Secret Service agents, the entire Metropolitan DC police force, U.S. Park Police, U.S. Capitol Police, U.S. Border Patrol, FBI, police officers from states as far away as Texas, Minnesota, Illinois, Connecticut, New York and Pennsylvania and neighboring states like Maryland, Virginia, New York. They all came to ensure that our democracy could proceed. Makes one realize how significant this event was. 

This inauguration of the 46th president, Joe Biden, was my seventh, this time with no credentials. I went as a tourist. I know Washington very well, and I have never seen the city so quiet. 

After passing my early Tuesday morning rapid COVID-19 test in Torrington, I drove to D.C. and, that afternoon, I cruised around the city to determine where I would park the following day. The city was shut down. Most of the bridges were closed. All entrances to the Capitol, the Mall and the White House were blocked by huge concrete slabs, chain link fences topped with barbed wire. Police cars with flashing lights and camo-painted jeeps and trucks parked horizontally across the streets. 

Undaunted, I set out the following morning walking on nearly empty streets except for police and National Guard. (I met one guardsman from Connecticut whose father manages a Cumberland Farms in Torrington.) 

Stores were boarded up and the atmosphere was cold and gray and strange. 

Eventually, I was able to find some pockets of people in free speech zones. Next to John Marshall Park, which was zoned for free speech, there was a bar with all of the doors and windows open, a television inside and a few hundred quiet, mask-wearing people gathered outside, to watch the president’s speech. 

Mostly the area was filled with journalists, guardsmen, neighbors and police but there were some people from Texas with crosses, and signs that said, “Jesus Saves,” loitering about.  

The small crowd watched in awe as Lady Gaga sang the national anthem and we stood quietly listening to the new president’s speech. We all sang our mask-muffled last verse of “Amazing Grace” along with Garth Brooks. The sun came out and the television got hard to see and except for one woman who said that Trump is the true president (she said that he is Jesus’ president) the crowd seemed to whoosh a collective sigh of relief as it sunk in: Biden is President. 

After that, I wandered over to Black Lives Matter Plaza, which is a two-block stretch of 16th Street renamed by D.C. Mayor Muriel Bowser after last summer’s protests.  

Though the plaza is directly across from the White House there were plenty of barricades between us and the actual White House. 

Not much was happening there. Large speakers were blaring Tracy Chapman singing “Talkin’ ’Bout a Revolution,”  a pretty blonde shimmied through the crowd on an expensive-looking electric skateboard, journalists seemed to be interviewing each other on their smartphones, lots of Black Lives Matter flags and posters decorated the plaza but it was a calm cheerful crowd of a few hundred people milling about. Through the barricades and the barbed wire and up in the sky on the White House roof I spotted marksmen mixed in with cameramen. 

Maybe this was the smallest inauguration in history, but it was one to ponder and remember.

 

Photographer Anne Day, formerly editor of The Lakeville Journal Co.’s Compass arts and entertainment, has been an official photographer for four presidential inaugurations, including the two inaugurations of Barack Obama, in 2009 and 2013. 

For more photos, go to Instagram, @anneday13.

Vehicles and barriers cut off most visitors from the Capitol building during the Jan. 20 inauguration. Photo By Anne Day

Vehicles and barriers cut off most visitors from the Capitol building during the Jan. 20 inauguration. Photo By Anne Day

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.