A Little Night Music, Jazz That Is


 

 

Last week, Louise Baranger suggested I attend one of the weekly (free) shows put on by the faculty of the Litchfield Jazz Camp at the Forman School in Litchfield.

"Jazz?" I muttered nervously, looking frantically through my datebook and hoping I was busy every Tuesday and Thursday for the rest of the month.

Baranger wasn’t having any of it. A professional trumpet player, she managed to make all that jazz sound so appealing, so inviting, that I am planning to get to at least one of the remaining shows (every Tuesday and Thursday to July 31 and Wednesday, Aug. 1).

As a child of the ’70s, jazz to me means free-form, complex and somewhat squawky sounds played late at night in darkened boites where people nod somberly and smoke heavily as they groove to rhythms I can’t hear.

Baranger is the antithesis of that jazz scenario. She’s a statuesque blonde with an open and engaging manner, and just enough laid-back cool to make you feel that she can hold her own on a stage full of guys wearing dark glasses and wielding saxophones like extensions of their arms. The jazz she’s been playing since her childhood in Hollywood, CA, is the jazz that my father loves, a kind of big band, boppy, joyful music that says, "We understand the musical conventions but we’re not real uptight about them."

Her music isn’t about angry rebellion, it’s music that "swings." It’s this kind of music, she convinced me, that I’m likely to hear if I come to a faculty jazz concert at the camp.

Not every night, of course. Many jazz musicians, and many jazz fans, actually do want to, shall we say, challenge pop fans (like me).

"A lot of jazz musicians are standoffish from the audience," Louise conceded diplomatically when I brought this up. "They feel that the music should speak for itself, and it does — for the people who perform it. They interact with each other. That’s part of what jazz is."

Her philosophy, though, is that it doesn’t help to play music the audience doesn’t understand, or that’s "really out there harmonically."

"If we’re going to survive," she says, "we have to include the audience."

Not every performer in this concert series, or in the upcoming Litchfield Jazz Festival, will agree, she warned. But since these shows are put on by teachers, and since a large part of the audience is made up of students, it’s likely that every concert will include a bit of a road map that explains where the music is going.

"When I play, I explain," Baranger said. "I talk about the tunes, who wrote them, when they were written, the context — whether they’re big band, bebop, show tunes."

Baranger has played a bit of all of the above. A resident of Falls Village now, she grew up in Hollywood and began at a young age to play with some of the legends of the jazz genre, in studios out west and in nightclubs and shows back east.

She’s played with contemporary pop musicians such as Bobby Womack, Joe Cocker and Holly Near and with jazz greats that my father loves such as John Pizzarelli (son of the really, really famous Bucky Pizzarelli) and with Skitch Henderson.

She is most excited, at least at this moment, about the time she spends teaching at the jazz camp with tenor saxophonist Don Braden, who runs the camp (which was the brainchild of Vita Muir, who is director of Litchfield Performing Arts).

You might not have heard of the other faculty members who are onstage weekly at the Forman School, but a quick search of the Litchfield Jazz Camp Web site shows that they’ve all got remarkable backgrounds. Of particular interest to Northwest Corner residents: Peter McEachern; you used to be able occasionally to catch him playing with a jazz band made up of his students at Hotchkiss School.

The jazz camp concerts can also be a wonderful portal to the jazz über-event of the summer: The Litchfield Jazz Festival, which begins Aug. 1. Dave Brubeck returns this year. Other performers include Paquito D’Rivera, John Pizzarelli and Bebe Neuwirth (famous from television, film and Broadway).

 


To find out specifics about

 

upcoming jazz camp concerts (and the jazz festival) visit litchfieldjazzfest.com or call

860-567-4162. The faculty

concerts begin

at 7 p.m.

 

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less

Leopold Week honors land and legacy

Leopold Week honors land and legacy

Aldo Leopold in 1942, seated at his desk examining a gray partridge specimen.

Robert C. Oetking

In his 1949 seminal work, “A Sand County Almanac,” Aldo Leopold, regarded by many conservationists as the father of wildlife ecology and modern conservation, wrote, “There are some who can live without wild things and some who cannot.” Leopold was a forester, philosopher, conservationist, educator, writer and outdoor enthusiast.

Originally published by Oxford University Press, “A Sand County Almanac” has sold 2 million copies and been translated into 15 languages. On Sunday, March 8, from 3 to 5 p.m. in the Great Hall of the Norfolk Library, the public is invited to a community reading of selections from the book followed by a moderated discussion with Steve Dunsky, director of “Green Fire,” an Emmy Award-winning documentary film exploring the origins of Leopold’s “land ethic.” Similar reading events take place each year across the country during “Leopold Week” in early March. Planning for this Litchfield County reading began when the Norfolk Library received a grant from the Aldo Leopold Foundation, which provided copies of “A Sand County Almanac” to distribute during the event.

Keep ReadingShow less

Erica Child Prud’homme

Erica Child Prud’homme

WEST CORNWALL — Erica Child Prud’homme died peacefully in her sleep on Jan. 9, 2026, at home in West Cornwall, Connecticut, at 93.

Erica was born on April 27, 1932, in Doylestown, Pennsylvania, the eldest of three children of Charles and Fredericka Child. With her siblings Rachel and Jonathan, Erica was raised in Lumberville, a town in the creative enclave of Bucks County where she began to sketch and paint as a child.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.