“A generation from now, this solar heater can either be a curiosity, a museum piece, an example of a road not taken, or it can just be a small part of one of the most exciting adventures ever undertaken by the American people — harnessing the power of the sun to enrich our lives as we move away from our crippling dependence on foreign oil.” President Jimmy Carter, June 20, 1979
NORFOLK — In 1979, at the height of a national energy crisis when OPEC countries limited the flow of oil to the West, U.S. President Jimmy Carter began a federal initiative to jumpstart the development and use of alternative energy. The goal of “Solar America” was that 20% of America’s energy would be renewable by the year 2000. Carter had solar panels installed on the roof of the White House to heat the water used in the West Wing.
Norfolk’s Tom Strumolo was on the original team that installed the 32 solar panels. He was part of a band of young, long-haired New England solar energy mavericks who made history.
As a recent Yale graduate, Strumolo was working in the new Energy Department in Hartford where he met Gordon Priess from Mystic, Connecticut. He was “a heat transfer guy who designed water heaters, and became chief engineer of the White House project,” according to Strumolo. They learned the White House was taking bids for a big solar installation, and their $50,000 bid was accepted.
Ed Butler, a Connecticut native, joined the crew. Butler and his partner Rick Schwolsky founded Sunrise Solar Services in Vermont in 1976. They gathered friends with skills necessary for the project. Students from a Groton, Connecticut, technical school welded the steel framework. They transported it to DC on a flatbed truck. The General Services Agency (GSA) installed 1” plywood to protect the entire White House lawn. A massive crane rolled in to lift the entire structure to the roof of the West Wing.
Strumolo laughed, recalling that security was very tight. “Our Secret Service detail told us ‘We shoot to kill,’ so we did not mess around.” They had sniffer dogs checking them out each day. When President and First Lady Rosalynn Carter climbed to the roof for an official photograph, Strumolo warned the President the paint was still wet on the metal. Carter said, “I am not going to mess up your paintjob!” Strumolo was more concerned about the President’s suit.
President Ronald Reagan had the solar panels removed from the White House in 1981. The parts were stored for years in a warehouse. The Reagan Administration reduced Carter’s renewable energy program by 90%. Half of the White House solar panels were moved to Unity College in Maine where they heated the water in the dining hall for 12 years. Some of the original solar panels reside in the Carter Museum and the National Museum of American History.
Tom Strumolo of Norfolk, founder Energy General LLC, was on the crew that installed solar panels on the roof of the White House for President Jimmy Carter in 1979.Jennifer Almquist
Jody Bronson, forester emeritus of Norfolk’s Great Mountain Forest (GMF), recalled, “Ed Butler’s team installed the solar panels on the White House for Jimmy Carter. My wife Jean and I have three of the panels that were supposedly installed on the White House. We can’t confirm this. In 1990 they were installed on our home in Falls Village by Ed Butler. The panels are still functional and have provided all the domestic hot water for our house for 35 years! If more households in our area had done this 30 or 40 years ago, think about how much energy they could have saved.” Bronson said there is a treasured can of “Billy Beer” in the Forestry Office at GMF.
Butler reminisced, “I was really excited when we won the bid to work on the solar project at President Jimmy Carter’s White House. It was such a great opportunity for a relatively small New England solar company. It was something I believed so strongly in and was proud to have been a part of it. Since 1976, we have done several hundred solar jobs in New England.”
Strumolo remains committed to “creating adequate and equitable responses to our changing climate.” He wrote “Decentralizing Energy Production” (Yale Press, 1983) and was a driving force behind the recently installed 13-acre solar array at the town’s transfer station. His energy audits have been used in thousands of buildings. After fifty years Strumolo is “still working, still on the path Carter inspired me to follow. There is so much work left to be done.” In 2008, artists from the Kunsthaus in Zurich created a film, “A Road Not Taken”, which will be shown at the Norfolk Library Feb. 15.
In the words of the late President Jimmy Carter, “Pessimism did not build America, it was built with vision, faith, and hard work. It is time to pull ourselves out of our national doldrums, to recognize our great untapped potential and resources, to build a more prosperous, self-reliant future.” Had the original solar panels remained in use on the White House they could have saved 20,000 gallons of heating oil.
First Lady Rosalynn Carter, Jim Butler (blue shirt), Ron Chick (with the hat), President Carter, Warren Herlein (with beard), Tom Strumolo (yellow shirt), Gordon Priess (sunglasses) with the newly installed solar panels on the roof of the White House in 1979.Photo provided by Tom Strumolo
Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.
Partnerships with organizations like Volunteers in Medicine Berkshires (VIM), the W.E.B. Du Bois Legacy Committee, and Community Access to the Arts (CATA) have helped bridge that gap. But for the Latinx community, there’s an even more targeted effort: the Spanish-language Community Advisory Network (SCAN).
“Six years ago, we started an advisory group of Spanish speakers in the community,” Bernal said. “They tell us what the community wants to see, how they’d like their culture represented. Today, SCAN has 12 members. We meet four times a year and are in constant communication. It’s because of them that we’ve hosted free Spanish-language film screenings and live performances.”
For Bernal, this work is personal. “When I first moved to the U.S. in 2003, it was because I got a Latin American scholarship to study at Berklee College of Music. That first year, I went home to Uruguay for Christmas and saw Paquito D’Rivera perform at a jazz festival. I was determined to meet him, and I did. Later that year, Paquito came to Berklee and invited me on stage.”
Now, two decades and 16 Grammys later, Paquito D’Rivera is coming to the Mahaiwe on April 5, and there’s a chance history might repeat itself. “He saw a post we made about his concert and commented, ‘Ay, chica, que maravilla, are you gonna sing a song with us?’ I almost died,” Bernal laughed. “I don’t know if it will happen, but it would be a dream.”
About the possibility of a guest appearance by Bernal, D’Rivera said, “Natalia is a very dear, valuable colleague, and jazz is about improvisation, so the surprise factor is always part of the fun here.”
D’Rivera’s concert is just one example of how the Mahaiwe is making world-class performances accessible. “My whole day has been about offering ‘pay what you can’ tickets for this show,” Bernal says. “We also issued a 50% discount to our partners. We work with ESL teachers, public libraries, literacy agencies, anyone who can help us get the word out.”
That kind of grassroots effort has been transformative. “Last year, we screened ‘Florencia en el Amazonas,’ the first opera written in Spanish ever performed at the Met,” Bernal said. “I sat in the Mahaiwe in tears. As someone who loves opera, it was the first time I heard one written in my own language. It was so powerful.”
Natalia Bernal, Mahaiwe’s education and community engagement managerPhoto by Martin Cohen
For Bernal, it all comes back to representation, on stage and in the audience. “My son is eight. I bring him to everything I can. Spanish shouldn’t just be something that happens at the dinner table. It should be in the world, in all these shapes and forms.”
And that’s what SCAN is helping build: a future where Latinx voices aren’t just included, they are central. “Our SCAN advisors are volunteers, cultural ambassadors,” Bernal said. “They help us distribute surveys, talk to the audience, and strengthen the community. Nobody should feel alone. Everybody should feel like they belong here.”
Education and outreach are central to D’Rivera’s work as well. He said, “It is an important part of our mission to plant and nurture the seed of quality music in our communities.” He continued to say, “Using our visibility and influence in favor of justice is always a very effective vehicle in denouncing violations of human rights around the world.”
This shared mission of education and social justice extends beyond the Mahaiwe. “We are one of the few arts organizations in a monthly meeting with BASIC (Berkshire Alliance for Immigrant Services). We have direct ties to the Berkshire Immigrant Center, VIM, and others so that we are well-informed and ready to serve,” said Bernal.
That commitment to community, culture, and access is why Bernal’s dream panel—Women in the Music Business—would feature Paquito’s wife and longtime manager, Brenda Feliciano. “She’s a tower of power. She’s been managing his career for at least 45 years. If I could organize an event one day, she would be the cherry on the cake.”
Until then, Bernal will keep doing what she does best: making sure the Mahaiwe is a place where everyone, regardless of language, income, or background, feels at home. And maybe, just maybe, she’ll find herself back on stage with Paquito D’Rivera, just like that first time, all those years ago.
For more info and tickets to Paquito D’Rivera, visit mahaiwe.org
The creative director at Ralph Lauren for almost four decades, Carter began writing this book during the pandemic, a time of rediscovering comfort. “I found more time to appreciate those special things that give our homes warmth and connection.” Working with Ralph Lauren, she learned that the best spaces tell a personal story. “His desk was filled with toy cars, miniature shoes, superheroes, English dandies, cowboys on horseback. The walls? A gallery of his children’s paintings, iconic photos of Frank Sinatra and Gary Cooper. Everything told a story.”
Carter acknowledges how homes can become overwhelmed with stuff but sees a difference between clutter and collection. “To live happily, create environments that inspire and comfort rather than encumber you! Look around and ask, ‘What is truly meaningful? What makes you smile? What recalls the people and places you cherish?’” Then, she added, “weed out the rest with discipline and courage!”
Provided
Each home in Carter’s book reflects its inhabitant’s spirit. “The first time I walked into Bethann Hardison’s apartment, I knew right away how authentic it was to who she is.” Hardison’s walls are lined with artwork from friends Keith Haring, Jean-Michel Basquiat, and Haitian paintings, testaments to a life well lived. “Though her mantra is, ‘the lighter the load, the freer the journey,’ she also admits some things ‘delight your environment’ and can’t be parted with. Amen to that!”
Having survived two childhood fires, Carter deeply understands what truly matters. “It’s not the things, but the people and memories they evoke.” She loves her collections, but they don’t possess her. “They make me happy, but they do not define me.”
She delights in how people showcase treasures. Paula Grief, for instance, lives in a ten-foot-wide house and had to part with many books. “She tucks the ones she can’t live without through the rungs of her staircase. I love that ingenuity!”
When asked about her most cherished possession, Carter tells a story of loss and serendipity. A childhood portrait of her in a blue velvet dress was lost in a fire. “Years later, the artist’s daughter found another version. Now, it hangs in our apartment, surrounded by flea market art and one of my favorite saints, Our Lady of Guadalupe.”
Adding to the cozy feeling of this book, Carter’s son, Carter Berg, took the photographs, and her sister, Cary, contributed the illustrations. “Cary once stayed in our apartment and painted a dozen objects from our cluttered kitchen. I hung them immediately. When I started this book, I knew she had to capture my favorite objects.”
Four of the featured homes are local to the Northwest Corner, including Carter’s in Millerton, Joan Osofsky’s in Lakeville, Robin Bell’s in Salisbury, and Paula Grief’s in Hudson. They all gathered at the White Hart/Oblong Speaker Series on March 27.
After perusing the richly colored pages of this book, you may feel tempted to shop. “You don’t need money to create a meaningful home,” Carter insisted. “Some of my favorite paintings cost no more than $10 or $25. Value is personal. It’s not about provenance but the story an object tells you or the one you make up.”
Carter’s advice? “Fall in love with the wackiest thing. Surround yourself with what matters, and you’ll live happily ever after.”
