“A generation from now, this solar heater can either be a curiosity, a museum piece, an example of a road not taken, or it can just be a small part of one of the most exciting adventures ever undertaken by the American people — harnessing the power of the sun to enrich our lives as we move away from our crippling dependence on foreign oil.” President Jimmy Carter, June 20, 1979
NORFOLK — In 1979, at the height of a national energy crisis when OPEC countries limited the flow of oil to the West, U.S. President Jimmy Carter began a federal initiative to jumpstart the development and use of alternative energy. The goal of “Solar America” was that 20% of America’s energy would be renewable by the year 2000. Carter had solar panels installed on the roof of the White House to heat the water used in the West Wing.
Norfolk’s Tom Strumolo was on the original team that installed the 32 solar panels. He was part of a band of young, long-haired New England solar energy mavericks who made history.
As a recent Yale graduate, Strumolo was working in the new Energy Department in Hartford where he met Gordon Priess from Mystic, Connecticut. He was “a heat transfer guy who designed water heaters, and became chief engineer of the White House project,” according to Strumolo. They learned the White House was taking bids for a big solar installation, and their $50,000 bid was accepted.
Ed Butler, a Connecticut native, joined the crew. Butler and his partner Rick Schwolsky founded Sunrise Solar Services in Vermont in 1976. They gathered friends with skills necessary for the project. Students from a Groton, Connecticut, technical school welded the steel framework. They transported it to DC on a flatbed truck. The General Services Agency (GSA) installed 1” plywood to protect the entire White House lawn. A massive crane rolled in to lift the entire structure to the roof of the West Wing.
Strumolo laughed, recalling that security was very tight. “Our Secret Service detail told us ‘We shoot to kill,’ so we did not mess around.” They had sniffer dogs checking them out each day. When President and First Lady Rosalynn Carter climbed to the roof for an official photograph, Strumolo warned the President the paint was still wet on the metal. Carter said, “I am not going to mess up your paintjob!” Strumolo was more concerned about the President’s suit.
President Ronald Reagan had the solar panels removed from the White House in 1981. The parts were stored for years in a warehouse. The Reagan Administration reduced Carter’s renewable energy program by 90%. Half of the White House solar panels were moved to Unity College in Maine where they heated the water in the dining hall for 12 years. Some of the original solar panels reside in the Carter Museum and the National Museum of American History.
Tom Strumolo of Norfolk, founder Energy General LLC, was on the crew that installed solar panels on the roof of the White House for President Jimmy Carter in 1979.Jennifer Almquist
Jody Bronson, forester emeritus of Norfolk’s Great Mountain Forest (GMF), recalled, “Ed Butler’s team installed the solar panels on the White House for Jimmy Carter. My wife Jean and I have three of the panels that were supposedly installed on the White House. We can’t confirm this. In 1990 they were installed on our home in Falls Village by Ed Butler. The panels are still functional and have provided all the domestic hot water for our house for 35 years! If more households in our area had done this 30 or 40 years ago, think about how much energy they could have saved.” Bronson said there is a treasured can of “Billy Beer” in the Forestry Office at GMF.
Butler reminisced, “I was really excited when we won the bid to work on the solar project at President Jimmy Carter’s White House. It was such a great opportunity for a relatively small New England solar company. It was something I believed so strongly in and was proud to have been a part of it. Since 1976, we have done several hundred solar jobs in New England.”
Strumolo remains committed to “creating adequate and equitable responses to our changing climate.” He wrote “Decentralizing Energy Production” (Yale Press, 1983) and was a driving force behind the recently installed 13-acre solar array at the town’s transfer station. His energy audits have been used in thousands of buildings. After fifty years Strumolo is “still working, still on the path Carter inspired me to follow. There is so much work left to be done.” In 2008, artists from the Kunsthaus in Zurich created a film, “A Road Not Taken”, which will be shown at the Norfolk Library Feb. 15.
In the words of the late President Jimmy Carter, “Pessimism did not build America, it was built with vision, faith, and hard work. It is time to pull ourselves out of our national doldrums, to recognize our great untapped potential and resources, to build a more prosperous, self-reliant future.” Had the original solar panels remained in use on the White House they could have saved 20,000 gallons of heating oil.
First Lady Rosalynn Carter, Jim Butler (blue shirt), Ron Chick (with the hat), President Carter, Warren Herlein (with beard), Tom Strumolo (yellow shirt), Gordon Priess (sunglasses) with the newly installed solar panels on the roof of the White House in 1979.Photo provided by Tom Strumolo
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Savannah Stevenson as Mrs. Paroo and Elliott Andrews who plays Harold Hill in the nationally touring production of “The Music Man.”
Then she became a lawyer instead.
“The leap from performing to lawyering isn’t as significant as it seems,” Stevenson said one recent morning from somewhere between tour stops on the national tour of Meredith Willson’s “The Music Man,” in which she now plays Mrs. Paroo, the Irish immigrant mother of Marian the librarian.
For 18 years, Stevenson practiced law at high-profile New York firms specializing in criminal defense before eventually becoming head of ethics, compliance and risk at Peloton during the company’s dizzying pandemic boom years.
“At some point in time, I got married and had children,” she said matter-of-factly. “And then life kind of unfolded.”
Stevenson and her husband began renting a house in Falls Village “just to get out of the city on the weekends.”
“We fell in love with it, of course,” she said. “And then when the pandemic hit, we of course fled the city up to that house and decided not to go back.”
Sharon Playhouse Board President Savannah Stevenson, former attorney and lifelong theater loverProvided
The family — Stevenson, her husband Jon, and daughters C.C. and Sylvie — became full-time Salisbury residents in 2020.
Then came another plot twist.
While the world was buying exercise bikes and streaming spin classes from their living rooms, Stevenson was part of Peloton’s legal leadership team. But after the company’s spectacular rise came the somewhat inevitable crash.
“In 2023, the board decided to let the entire executive team go,” she said.
Suddenly, Stevenson found herself unemployed in Northwest Connecticut with time on her hands and a teenage daughter deeply immersed in the Sharon Playhouse YouthStage program.
“My older daughter said to me, ‘Well, as long as you’re bringing me to and from rehearsals every day, why don’t you audition for the show?’”
She auditioned.
“And they were like, ‘Oh, you actually can sing.’”
What followed sounds like the plot of a feel-good movie about reinvention in middle age: mother and daughter performing together at the Sharon Playhouse while Stevenson rediscovered a part of herself she had set aside decades earlier.
“It was the most joyful experience ever,” she said. “And I kind of realized that now, in my late 40s — I’ll be 50 this year — I’ve aged into this entire new crop of roles. The mothers, the older wise women, the cougar,” she said, laughing. “All of these great older women’s roles.”
So, she started auditioning.
And getting the parts.
Now she’s on a six-month national tour.
“It really does feel like a full-circle moment for me,” Stevenson said.
If that sounds glamorous, Stevenson is quick to point out that touring theater is less champagne and more buses, protein bars and Peloton app workouts in hotel rooms.
“There are certainly times where it’s a show Monday night in one city, get on the bus, show Tuesday night in another city, get on the bus,” she said. “There’s a lot of time on the bus.”
Mostly, though, she talks about the crew with something approaching reverence.
“We finish a show at 10:30 or 11 at night. They load out the entire set onto trucks. Then they sleep on the bus, get to the next city at 8 a.m., load it all back in and rebuild it,” she said. “They work so hard. It’s incredible.”
In “The Music Man,” Stevenson now plays the role she once dreamed of from the opposite side of the generational divide.
“I would have sung Marian in my 20s,” she said. “Now I get to play her Irish mother, Mrs. Paroo.”
There is a scene where Marian sings “My White Knight,” and Stevenson stands nearby as Mrs. Paroo listening silently. And while the younger actress sings about longing and possibility, Stevenson finds herself thinking about her own daughters.
“Sometimes I just find myself standing there with a tear running down my cheek,” she said.
Meanwhile back home, Stevenson has become one of the Sharon Playhouse’s most visible champions. She joined the board in 2023 and stepped into the role of president this year.
“There’s social science that provides really strong evidence about the benefits of having a theater in your community,” Stevenson said. “Lower rates of violence. Higher rates of volunteerism. Higher graduation rates.”
She speaks about theater the way some people speak about public libraries or churches — as essential civic infrastructure.
“Sharing laughter, tears, music and dancing through stories that illuminate our common humanity touches us in a way that builds connection, empathy and genuine community,” she said.
Much of that conviction comes from watching what theater has done for her own children.
When her oldest daughter interviewed at competitive boarding schools this year, Stevenson said interviewers repeatedly commented on her poise and confidence.
“They would say to me, ‘All that theater education is really paying off,’” Stevenson said. “She can establish connection with people readily.”
When asked what advice she might offer to other women contemplating a midlife pivot, Stevenson resisted the fantasy of reckless transformation.
“I don’t think it’s about jumping without a net,” she said.
Instead, she advocates something more measured.
“It’s about making a calculated risk,” she said. “And then, once you’ve run those calculations and feel planful enough about it, really diving into that risk headlong.”
Which is perhaps another way of saying that sometimes the girl who once sang show tunes in Atlanta and studied musical theater at Carnegie Mellon never actually disappears.
Sometimes she’s just waiting patiently for her cue.
For tickets to The Music Man, visit themusicmantour.com
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