Thank you!
Your support is sustaining the future of local news in our communities.

Look at me!

It all starts with that little bell on your tricycle. Nobody ever got run over by a tricycle. It is not really a warning device, but rather an announcement of your coming. Jing! Jing! Here I come! As you got older you graduated to a two-wheeler, but you still went Jing!, unless you had one of those deluxe models that had a horn. Then you went Blaaah.Some of us went in for the roar of the motorcycle, sort of, by attaching a card to the wheel so the spokes would stroke it. It did not so much sound like a motorcycle as like a push mower, but at least it was pretty loud. Clakkity, clakkity — it made people’s heads turn. We thought they were thinking, “Here comes the cool guy.” Really they were thinking, “Hey! You’ve got a card stuck in your spokes!”As we got older, there was a split. Boys tended to go for motorcycles or loud car engines. The best were Cutouts, a way for an auto engine to exhaust without going through the muffler. You got the full blast of the explosions in the cylinders. What we thought was impressive was really just annoying. Some of the horns were now functional, and then there were those that played “La Cucaracha,” or went “Ah-OOO-gah!”u u uEventually horns became our outside voice. You could tell by the length and frequency of the blast if it was a polite request to move, a demand, or a complaint. I had an Oldsmobile in the 1970s that could make people jump out of their socks. Trucks have extra loud horns because they know they will never be able to stop in time. I guess it was too much. Auto makers tried to tone most of us down with horns that you are embarrassed to sound. Mine sort of goes meeep, meeep. Pathetic. The deer don’t freeze in their tracks anymore. Now they fall down laughing. I guess that works.Most of us got over it. We moved on to quiet vehicles, happy to melt into the crowd and not attract the attention of the constabulary. There were a few who took the next step: a theme song. The Green Hornet, Lone Ranger, Batman and others of their ilk announced their arrival with dramatic music. They never seemed to catch on that this was a dead giveaway when sneaking up on evildoers. Sometimes police sirens perform similarly.Finally the ultimate step, taken only by a chosen few, who vie for the ultimate, knocking one another off the pinnacle of Look At Me Mountain. There can only be one of these at a time. It’s an actual law.They’re playing “Hail To The Chief” again. Bill Abrams resides in, and sometimes toots his own horn from, Pine Plains.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.