Thank you!
Your support is sustaining the future of local news in our communities.

Look! Sweet and healthful, too

More and more people I know are turning away from wheat  products, either because they’re allergic to them, they’re on a low-carb diet, they have celiac disease or they simply find that eating wheat makes them feel bloated.

Once you start to look for them, there are alternatives to wheat. Cornmeal, obviously. Potato flour, apparently. One I hadn’t thought of before: almond flour.

I came across this ingredient by accident, while reading a recipe for French macarons, which are light and chewy little cookies that look like flat Easter eggs. They’re made with almond flour.

You can learn a lot about almond flour online at the gluten-free Web site, Elanaspantry.com. Elana Amsterdam and her young son are both allergic to wheat. She has created a blog devoted to cooking without it (her “Gluten-free Almond Flour Cookbook†was published in 2009).

On her Web site, Amsterdam explains that almond flour is not only an alternative to wheat, it’s also high in protein (a quarter cup of almonds has more protein than an egg), low in carbohydrates and low in sugar. It’s a good choice  for people with diabetes and others who want to eat foods with a low-glycemic index; and it’s relatively easy to digest, and good for people with irritable bowel syndrome.

Almonds are generally considered a kind of nutritional wonderfood. They have high levels of magnesium (which improves the flow of blood and oxygen in your body) and potassium; lots of cancer-fighting antioxidants; and even though they’re high in calories, people tend to lose weight when they eat them regularly. Almonds are also a good source of calcium.

You can buy almond flour online; Elana’s pantry has a list of sources. She warns against using Bob’s Red Mill, which is generally an excellent line. She finds it makes her baked goods runny.

If you’re not using loads and loads of almond flour, it’s pretty easy to make your own. First, be sure to use blanched, slivered almonds (no skin). Whirl them in your food processor for a few minutes, frequently stopping to scrape down the sides and bottom, until they are uniformly ground. Be careful not to leave them in too long or they’ll turn into almond paste. The finished product will be grainier than regular wheat flour, but that’s OK.

This recipe for macarons is from an article in the December 2009 issue of Food and Wine. I tried two different recipes this week, and this one is the best. It’s very simple, but it has a few super-fussy steps; Those steps will lead you to a genuinely better macaron and shouldn’t be avoided. The full Food and Wine article is a step-by-step with chef Francois Payard; you can find it online.

These cookies are meant to be filled but they’re delicious without filling. If you do want to fill them, use buttercream, a chocolate sauce, raspberry jam, lemon curd (which you can make with the leftover egg yolks) or dulce de leche.

Macarons

                                                                     About 10 cookie sandwiches  

 adapted from Food and Wine magazine, Francois Payard

1 cup blanched, slivered

almonds

1 cup confectioners’ sugar

3 large egg whites, room

temperature

1/2 cup granulated sugar

2 tablespoons water

2-3 drops red food coloring

In a food processor, grind the almonds into flour. One cup of almonds should give you one cup of almond flour. Line two baking sheets with parchment paper. In the bowl of an electric mixer, combine the almond flour and confectioners’ sugar with one (unbeaten) egg white, just until the dry ingredients are all moistened (you’ll need to  stop and stir a few times). Remove to another bowl, a fairly large one. Clean and dry your beaters and mixing bowl.

These next two steps must be done at the same time. Beat two egg whites at medium speed until they are fluffy and form soft peaks. Meanwhile, in a small saucepan on medium-high heat, bring the granulated sugar and the water to a boil (use a moist pastry brush to wipe down the sides of the saucepan if you get any sugar spatter). If you have a candy thermometer, you want to bring the syrup to 240 degrees. If you don’t have a thermometer, you want all the sugar to have dissolved and you want big fat, vigorous bubbles to be popping in the syrup for at least 15 seconds.

Turn the mixer to high speed and then carefully pour the (scalding hot) syrup into the egg whites and beat for less than a minute, until the whites are firm and glossy. Be careful not to overbeat. Add in a few drops of red food coloring at the end (you can use other colors, of course, but the red seems to work best, especially if you fill the cookies with raspberry  jam).

You’ll be tempted to skip this next step. Don’t. Mix one quarter of the pink egg whites into the almond flour paste. This won’t be easy. Be delicate but determined, because the paste is hard and the egg whites are soft. Mix them all together. Once that’s accomplished, gently fold in the remaining egg whites.

At this point you can spoon the batter into a pastry bag, or a heavy resealable plastic bag (cut the corner off when you’re ready to squeeze out the batter). But I found it was just as easy to use two spoons to make circles of batter on the parchment paper. These cookies should be about 2 inches in diameter. Size does make a difference here; too big and they aren’t pretty, too small and they don’t get the right mix of crunchiness and chewiness. Don’t put them too close together because they will spread a little. I leave at least an inch on all sides. Try as much as possible to drop the batter into circles.

You’ll be tempted to skip this step, too. Don’t. Once the batter is on the trays, tap the trays lightly two or three times on your counter. And then let them sit for at least 15 minutes, or as long as an hour. This lets them form a glossy shell, and it keeps them from spreading too much in the oven.

Preheat your oven to 400 degrees. Put the cookie trays in the oven. Turn off the oven for five minutes (if you leave the cookies in at a steady 400 degrees, the tops will turn brown). Then turn it back on, to 400 degrees, and bake for another five minutes or so. Keep a close eye on them because when they begin to overbake, the tops crack.

After you take them out of the oven, let them cool on the tray on wire racks; then carefully lift them off the parchment paper.

These cookies theoretically stay fresh for up to a week. But, unless you hide them, they’ll be gone within 24 hours.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.